963 resultados para Henry, Michel, 1922-2002
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"Tirage à 550 exemplaires dont: 500 sur papier Alfa (vélin anglais) 25 [sur papier] de Japon, numérotés de l à 25; 25 [sur papier] de Hollande, numérotés de 26 à 50."
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The greater part of this volume has already appeared in various magazines: - Longman's, Nineteenth Century, Gentleman's Magazine, and others.
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Mode of access: Internet.
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Henry Vignaud was editor of the governmental material 1868-70, 1873-76; in 1872 he had charge of the subscriptions and announcements.
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Mode of access: Internet.
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Each volume contains "Biographical sketches of the authors."
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Mode of access: Internet.
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Mode of access: Internet.
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"Besides many small verbal corrections and changes, the deletion of some paragraphs and the insertion of a few new ones, I have omitted one entire chapter containing the Story of a piebald horse, recently reprinted in another book entitled El Ombú."
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Many critics of Doctorow have classified him as a postmodernist writer, acknowledging that a wide number of thematic and stylistic features of his early fiction emanate from the postmodern context in which he took his first steps as a writer. Yet, these novels have an eminently social and ethical scope that may be best perceived in their intellectual engagement and support of feminist concerns. This is certainly the case of Doctorow’s fourth and most successful novel, Ragtime. The purpose of this paper will be two-fold. I will explore Ragtime’s indebtedness to postmodern aesthetics and themes, but also its feminist elements. Thus, on the one hand, I will focus on issues of uncertainty, indeterminacy of meaning, plurality and decentering of subjectivity; on the other hand, I will examine the novel’s attitude towards gender oppression, violence and objectification, its denunciation of hegemonic gender configurations and its voicing of certain feminist demands. This analysis will lead to an examination of the problematic collusion of the mostly white, male, patriarchal aesthetics of postmodernism and feminist politics in the novel. I will attempt to establish how these two traditionally conflicting modes coexist and interact in Ragtime.
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http://www.archive.org/details/dixhuitanschezle00fararich