Les campagnes de Jules César dans les Gaules : Etudes d'archéologie militaire /

Bibliographical footnotes.

Plan de Paris, réduit géometriquement jusqu'à Saint-Cloud : avec détails historiques de ses agrandissemens et de ses embellissemens, depuis Jules-César jusqu'à ce jour : accompagné: 1°. Du plan de Saint-Denis ... 2°. Du plan ou carte générale du canal de l'Ourq à Paris ... 3°. D'un plan de la scie mécanique, avec laquelle les charpentiers scient ou recèpent maintenant les pilotis au fond de l'eau ... 4°. D'un plan du premier pont construit à Paris par ce procedé ...

Plates partially hand colored.

Le gouvernement général de l'Algérie (1891-1897)

At head of title: Jules Cambon.

Les bains orientaux avec une notice biographique sur Jules van Millingen.

Mode of access: Internet.

Insetos em presépios e as "formigas vestidas" de Jules Martin (1832-1906): uma curiosa manufatura paulistana do final do século XIX

Encontrados no Brasil desde os primórdios da colonização portuguesa, os presépios logo tiveram de adaptar-se à realidade local, circunstância muito propícia ao aparecimento de concepções heterodoxas e ao emprego de elementos exóticos da fauna e flora de cada região. Como registros envolvendo insetos são muito pouco comuns, chama a atenção que fêmeas de saúva, Atta sp. (Hymenoptera, Formicidae), tenham sido aproveitadas na composição de presépios no estado de São Paulo. Tendo subsistido pelo menos até a década 1960, os "presépios de formigas" existentes em cidades como Embu das Artes poderiam estar relacionados às "formigas vestidas" criadas por Jules Martin, curiosa manufatura paulistana do último quartel do século XIX.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".