Trattato sopra le fughe musicali.

The theoretical part comprises p. 1-23 (1st group); the rest of the work is made up of fugues by F. A. Vallotti, with notes and commentaries by the author.

Erste moderne Suite, für Pianoforte zu 2 Händen. Op. 10

For piano solo.

Pianoforte duets, for one and two pianofortes. [music] /

Cover title: Four piano duets.

Deux morceaux, pour quatuor d'archets.

Mode of access: Internet.

Nouveau manuel complet de musique vocale et instrumentale, ou, Encyclopédie musicale /

V.2- has title: Nouveau manuel complet ...

Theorie des Contrapunktes und der Fuge;

Mode of access: Internet.

Canons. 6 various instrumental compositions.

Canons.- Praeludium and fugue (lute).- Suite (lute).- Suite (lute).- Sonata (Piano transcription for a solo instrument and piano).- Four inventions (violin and piano).- Overture, G minor.

A graduate piano recital

PROGRAM The Well-Tempered Clavier, Book I..............Johann Sebastian Bach (1685-1750) Prelude and Fugue XXI in B flat major Prelude and Fugue XXII in b flat minor Sonata N. 11 in A major, K.331.......Wolfgang Amadeus Mozart (1756 - 1791) Theme and Variations Menuetto Allegretto Intermission Images Series II................................Claude-Achille Debussy (1862-1918) Poission d' or (Goldfish) Rhapsodies Op. 79 .................................Johannes Brahms (1833-1897) No. 1 in b minor No. 2 in g minor Etude in A flat Major, Op. 1, No. 2.....................Paul de Schlozer (1841-1898)

Second Time Round : Fugal Memory in Ciaran Carson’s For All We Know

Peer reviewed

A graduate piano recital : an analytical study

The purpose of this thesis is to provide a historical and musical analysis that illustrates characteristic features of musical compositions from the Baroque, Classical, Romantic, and Twentieth century styles. The structural analysis of the pieces reveal the evolution in the musical expression regarding line, texture, form, and the technical skills employed by the composers through polyphonic, homophonic, and twelve-tone procedures. The works of this recital represent four different styles: The prelude and fugue among the important forms of the Baroque style; the sonata embodying the principles of balance and unity of the Classical style; the etude and waltz as representative of the Romantic style; and the nocturne as an illustration of the transformation of the melody, harmony, and rhythm in the music of the 20thcentury.