Honderd christelijke zinnebeelden naar Georgette de Montenay /

In French and Dutch.

Des hocherleuchteten sel. Johann Arndts, General-Superintendentens des Fürstenthums Lüneburg, Fünff geistreiche Bücher vom wahren Christenthum : welche handeln von heilsamer Busse, hertzlicher Reue und Leid über die Sünde, und wahrem Glauben, auch heiligem Leben und Wandel der Wahren Christen, auch wie ein wahrer Christ Sünde, Tod, Teufel, Hölle, Welt, Creutz und alle Trübsal, durch den Glauben, Gebet, Gedult, Gottes Wort und himmlischen Trost überwinden sol : und dasselbe alles in Christo Jesu : welchen noch beygefüget drey andere kleine Bücher, welche zu des sel. Johann Arndts wahren Christenthum gehörig, als I. Die Wiederholung und Verantwortung der Lehre vom wahren Christenthum, II. Zwey Sendschreiben an gute Freunde, die Bücher des wahren Christenthums betreffend, III. Bedencken über Tauleri Teutsche Theologie, wie hoch solche zu halten ...

Includes index.

Emblemes ou devises chretiennes : ouvrage mêlé de prose & de vers, et enrichi de figures ...

Imperfect: lacking leaf L6 (emblem 62).

Whitney's "Choice of emblemes"; a fac-simile reprint.

The 72 plates (numbered 1-63) at end of [v. 2] include facsimiles of many additional emblems, printer's devices, etc.

Illinois' state symbols /

This activity book is designed to supplement your curriculum in a variety of ways. The information and activities can help you meet the following Illinois learning standards: 12.B.1a, 12.B.2b.

Simbolos estatales de Illinois.

This activity book is designed to supplement your curriculum in a variety of ways. The information and activities can help you meet the following Illinois learning standards: 12.B.1a, 12.B.2b.

Si mbolos estatales de Illinois.

This activity book is designed to supplement your curriculum in a variety of ways. The information and activities can help you meet the following Illinois learning standards: 12.B.1a, 12.B.2b.

Histoire patriotique des arbres de la liberté.

Mode of access: Internet.

Iconology, or, Emblematic figures explained in original essays on moral and instructive subjects /

Mode of access: Internet.

Poetical works.

The "Juvenilia is a reprint of the edition of 1622, with reproduction of the original title-pages.

Caroli Ruaei e Societate Jesu Carminum libri quatuor.

Book 3 illustrated with emblems representative of French royalty and nobility.

Tradiciones infundadas : examen de las que se refieren al pendón morado de Castilla, las joyas de Isabel la Católica, las naves de Cortés, el salto de Alvarado, la Virgen de Lepanto, el estandarte de Don Juan de Austria y otras /

Includes bibliographical references ([663]-677).

Famous books : sketches in the highways and byeways of English literature.

"References to the leading authorities consulted in this work will be found in the index on p. 373-384."

Ensayo ganador del VII premio Enrique Ruano Casanova: La presencia del crucifijo en las aulas. Jurisprudencia nacional y europea

Cuando se aprueba la Constitución Española en 1978, España se convierte en un Estado aconfesional, reconociendo por primera vez un verdadero derecho de libertad religiosa de todos los individuos. Precisamente, el ejercicio de esta libertad en una situación de igualdad ha originado diversas polémicas desde que se instauró la democracia. Una de las controversias que más repercusión ha tenido en los últimos años viene determinada por la presencia de los crucifijos u otros símbolos en las aulas de algunos colegios públicos, cuestión que ha sido abordada por los tribunales españoles, así como por el Tribunal Europeo de Derechos Humanos.

Graphic satire and the rise and fall of the First British Empire: political prints from the Seven Years' War to the Treaty of Paris, c. 1756-1783

This thesis examines the early stages of the transformation of emblematic political prints into political caricature from the beginning of the Seven Years' War (1756) to the Treaty of Paris, which ended the American Revolutionary War (1783). Both contextual and iconographical issues are investigated in relation to the debates occasioned by Britain's imperial project, which marked a period of dramatic expansion during the Seven Years' War, and ended with the loss of the American colonies, consequently framing this thesis as a study of political prints during the rise and fall of the so-called 'First British Empire'. Previous studies of eighteenth-century political prints have largely ignored the complex and lengthy evolutionary process by which the emblematic mode amalgamated with caricatural representation, and have consequently concluded that political prints excluded emblems entirely by the end of the 1770s. However, this study emphasizes the significance of the Wilkite movement for the promotion and preservation of emblems, and investigates how pictorial political argument was perceived and received in eighteenth-century British society, arguing that wider tastes and opinions regarding the utilization of political prints gradually shifted to accept both modes of representation. Moreover, the marketplace, legal status, topicality, and manufacturing methods of political prints are analyzed in terms of understanding the precarious nature of their consumption and those that endeavoured to engage in political printmaking. The evolution, establishment, and subsequent appropriation of pictorial tropes is discussed from the early modern period to the beginning of the so-called Golden Age of caricature, while tracing the adaptation of representational models in American colonial prints that employed emblems already entrenched in British pictorial political debate. Political prints from the two largest print collections, the British Museum and the Lewis Walpole Library at Yale are consulted, along with a number of eighteenth-century newspapers and periodicals, to develop the earlier research by M. Dorothy George, Charles Press, Herbert Atherton, Diana Donald, Amelia Rauser, and Eirwen Nicholson.