Notation timelines and the aesthetics of disappearance

Contemporary cities are frequently surrounded by transitional landscapes: ambiguous lands, non-places on the urban edge, commonly experienced under the condition of speed. Although variously shaped by processes of urbanisation, logistics of road engineering, safety and ownership, and local people's lives, for travellers such landscapes are usually perceived in a state of disappearance. This condition presents a major challenge for the traditional methods used in architecture and urban design. For designers interested in the organisation and design of such mobility routes for the engagement of the traveller, a method of scripting based on notation timelines would provide a helpful supplement to traditional master plans. This paper explores the development of such a method and its roots in time-based arts, such as dance, music and film, as well as in the recent history of architecture and urban design. It does so through the presentation of an experimental study based on a real route, the train journey from London to Stansted airport.

Muses

The Muses are goddesses and teachers of divine wisdom evoked in dance, music, and poetry. Late sources suggest that they invented the alphabet (Diod. Sic. 7.74.1) and the arts and sciences (Anth. Lat. 1.1.88; 1.2.664).

Afirmação do projeto ético-político do serviço social: a utilização das técnicas das manifestações artístico-culturais no debate sobre os movimentos sociais

Pós-graduação em Serviço Social - FCHS

A estética japonesa na cultura brasileira: reflexões a partir de um estudo etnofotográfico sobre a performance ritual da festa da Cerejeira de Garça-SP

Aiming to understand the Japanese aesthetic in Brazilian culture and to produce a photographic exhibition of artistic and ethnographic nature, we performed a symbolic exegesis of the ritual performance of Garça Cherry Festival - SP (Brazil). The event takes place annually and is held in memory and honor of oriental culture. The festival features various elements of Japanese culture through expressive forms such as dance, music, costumes, martial arts and cooking. Therefore, the study was based on the anthropology of performance and visual anthropology with regard to symbolic exegesis of the party and look artistic and ethnographic photographic records of the proceedings. Such procedures supported the realization of artistic display that contributed, in turn, in promoting the local culture to a wider audience, and, methodologically, have contributed in visual identification and interpretation of the cultural elements of the ceremony.

Historiografia del «Ball de Torrent»: de la moixiganga barroca al quadre de balls populars valencians (1692-1929)

El Ball de Torrent és una moixiganga dramàtica popular escenificada a la ciutat de València i altres indrets del País Valencià des de finals del segle XVII fins a principis del segle XX. Estava organitzada per agrupacions gremials, juntes d’hospitals o clavaris de festes i protagonitzada per personatges agrupats en comparses que representaven una paròdia sobre les relacions entre les estructures de poder i les classes populars. Tot i la variabilitat segons el moment històric, es conforma com una mescla de quadres amb danses, música i jocs teatrals. El ball interacciona de diverses formes amb algunes festes valencianes i és, probablement, una de les mostres de teatre de carrer més nostrades i menys estudiades de la València Moderna. En aquest article es realitza una revisió bibliogràfica crítica i una primera anàlisi historiogràfica.

Die Tanzmusik, dargestellt in ihrer historischen Entwickelung, nebst einer Anzahl von Tänzen aus alter und neuer Zeit.

"Anhang (notenbeispiele)": p. 57-98.

Hungarian dances for piano four hands /

Book I: Nos.1-10.

Universal album of 200 jigs, reels, hornpipes, etc. for the piano

Publisher's plate no.: 15376-89.

Molly on the shore; Irish reel on 2 Cork reel tunes set for string four-some or string band.

For 2 violins, viola, violoncello.

Oud hollandsche boerenliedjes en contradansen /

"Oud-engelsche liedjes en danses"; v. 5, 17-23.

Danses pour harpe chromatique ou harpe à pédales, ou piano, avec accompagnement d'orchestre d'instruments à cordes /

Pl. no.: D. & F. 6429 (score), D. & F. 7578 (part).

Two overtures; dancers.

1. Overture, C major.--2. Overture, E minor.--3. Five Deutsche, with Coda and 7 trios; Minuet.

Hungarian dances : for piano four hands /

Pl. no.: 10726--10727 (v. 1); 11033--11034 (v. 2)

Party dances for violin and piano, or reed organ, consisting of the most popular cotillions, polka quadrilles, lancers ... with the figures or steps for dancing arranged in a light and easy manner.

Mode of access: Internet.

Histoire générale de la musique et de la danse,

Atlas has caption title only, and consists of 36 p. of music followed by 29 plates.