[Illisible, le sénateur de l'] Ohio, Warren G. Harding : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 58591

Mme Warren Harding [i. e. Florence Harding] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59975

Warren Hartman fonds, 1970, 1972-1996, 1998, n.d.

Warren Hartman was born in 1942 in Toronto, Ontario. He received a B.A. in Fine Arts and Drama from Brock University in 1981 and a Masters of Arts in Humanities at the State University of New York at Buffalo in 1987. In the 1950s he did considerable work as a child-actor both in theatre and television. From 1953 to 1961 he was in the New Play Society under the direction of Dora Mavor Moore. His last two years there were spent as a scholarship student. From 1963 to 1966 he did an apprenticeship with Suzanne Mess, Head of Costume Design at The Canadian Opera Company in Toronto. In 1976 Warren attended a Master Class in Scenography at the Banff School of Fine Arts with Josef Svoboda. In the spring of 1970 Warren was a guest designer at Brock University and from 1970 to 1972 he remained at Brock as resident designer and special lecturer. During this time he was also an instructor and costume designer at Sheridan College in Oakville. It was in 1972 that he became the designer-in-residence at Brock University. From 1984 he held the position of Associate Professor at The Department of Fine Arts at Brock University until the fall of 1996. Some of the highlights of Warren’s career also include: stage managager with the Street Hat Players in Port Carling, Ontario, 1960-1961; a freelance designer for over 100 shows; costume coordinator(production manager) for the Canadian Opera Company, 1964 -1970; resident costume designer for The Canadian Opera Company, 1965- 1970; founder and artistic director of Dei Gelosi Campagnia, St.Catharines, Ontario, 1970-1973; freelance director of some thirty-five shows; co-producer for Quebec City Summer Stock Company, Quebec City, Quebec, 1975; a consultant with Alberta Culture for the Provincial Government of Alberta, 1986-1987 and associate artistic director at Theatre Network, Edmonton, Alberta, 1986-1987. Warren Hartman was the recipient of the Jean Chalmers Award for contributions to Canadian Theatre for persons 25 years of age or under, in 1965. He was a founding member of Associated Designers of Canada and was affiliated with Canadian Actors Equity. Warren Hartman died on Feb. 11, 1998 several days after suffering a massive stroke. A memorial service was held at Brock University in May of 1998 and a bursary fund was established in his name.

Letter - Gus Schmon to Eleanore Celeste Schmon

Eleanore Celeste's brother-in-law, Gus, is writing to her from Pennsylvania. He has work there and states "My work is interesting and a big chance to learn things out here." He also mentions that he travels to Philly most weeks. He mentions that the boys canoe, swim, and run dances. This letter is not dated.

Receipt from A. Cutler and Son, Buffalo New York from W. Warren

Receipt from A. Cutler and Son, Buffalo New York from W. Warren charged to the same account as W.D. Woodruff for payment on account, Feb 21, 1887.

Warren, Rhode Island : l'évolution d'une petite communauté canadienne-française établie en Nouvelle-Angleterre, 1895-1910

Aux lendemains de la Guerre de Sécession, le petit centre manufacturier de Warren, dans l’État du Rhode Island, attira plusieurs immigrants canadiens-français en quête de travail. Ces derniers s’organiseront rapidement en établissant un réseau paroissial, en fondant plusieurs sociétés mutuelles et en multipliant les commerces prêts à desservir une clientèle francophone de plus en plus nombreuse. Les premiers stades de développement de la communauté (1888-1895) avaient déjà été observés par Jean Lamarre dans le cadre de son mémoire de maîtrise (1985). D’une part, le chercheur avait remarqué un phénomène graduel d’enracinement des paroissiens et, d’autre part, l’analyse de leur profil socio-économique indiquait qu’ils travaillaient majoritairement à la filature. Par cette étude, nous avons voulu revisiter cette communauté au moment où sa présence dans le paysage industriel et urbain de Warren apparaît consolidée. Grâce aux listes nominatives du recensement fédéral de 1910 et aux publications gouvernementales parues à la même époque, nous évaluons l’ampleur des changements socio-économiques transformant la communauté en l’espace d’une quinzaine d’années. L’observation du processus d’intégration des Canadiens français à l’environnement industriel est complétée par une analyse de l’apport des femmes et des enfants au ménage ouvrier. Les conclusions principales de cette étude démontrent que malgré l’attrait indéniable que représente encore et toujours le secteur manufacturier auprès de nombreux travailleurs, les Canadiens français jouissent en 1910 d’une qualité de vie généralement supérieure à celle qui caractérisait leurs débuts au sein de la localité. Leur situation socio-économique s’apparentera d’ailleurs davantage à celle des anglophones de Warren, Yankees et Irlandais, que de celle des représentants de la « nouvelle vague d’immigration » (Polonais, Italiens et Portugais).

Scepticisme du cinéma, scepticisme de Gus Van Sant : étude de la tétralogie de Gus Van Sant à partir de la philosophie de Stanley Cavell

Ce mémoire vise à explorer le lien étroit unissant le scepticisme philosophique, le dispositif cinématographique et la tétralogie de Gus Van Sant : Gerry, Elephant, Last days et Paranoid Park. À partir de la philosophie de Stanley Cavell, il sera d’abord question de développer le scepticisme comme condition d’existence et non plus comme doctrine philosophique. Stanley Cavell fait bifurquer le problème sceptique de la cognition vers l’éthique et nous verrons comment Gus Van Sant, en proposant un cinéma du désoeuvrement et de la mélancolie où l’individu est en rupture avec le monde, rejoint cette dimension éthique du scepticisme par le cinéma. Ensuite, il s’agira de voir comment le dispositif cinématographique est l’expression même du scepticisme cavellien et comment il permet de tendre vers le perfectionnisme moral en imposant la reconnaissance de son existence à travers la décision morale. Enfin, nous verrons comment Gus Van Sant, en réinventant le plan-séquence et le ralenti, répond singulièrement au problème posé par le scepticisme en réintégrant l’individu dans le monde à force de manipulations formelles qui sont autant de réponses au désoeuvrement contemporain comme condition existentielle. Ces réponses trouvées par Gus Van Sant ne sont pas des solutions, mais une exploration des dimensions d’un problème qu’il renouvèle : le scepticisme.

Kio y Gus.

Se trata de una de las novelas, de una serie de siete, que componen el currículum Filosofía para niños, diseñado para proporcionar a los niños y jóvenes un pensamiento crítico, reflexivo y solidario. El objetivo es la reflexión filosófica en el niño, que éste se a capaz de pensar por sí mismo de una forma crítica y creativa y capaces de razonar. Se trata de un material curricular acompañado del manual del profesor, asombrándose ante el mundo.

Timing and depositional environments of a Middle Pleistocene glaciation of northeast England: New evidence from Warren House Gill, County Durham

At various times during the Quaternary, north-eastern England was a zone of confluence between dynamic ice lobes sourced from the Pennines, northern Scotland, the Cheviots, and Scandinavia. The region thus has some of the most complex exposures of Middle to Late Pleistocene sediments in Britain, with both interglacial and glacial sediments deposited in terrestrial and marine settings. We investigated sedimentary sequences exposed on the coastline of County Durham at Warren House Gill, and present a new model of British and Fennoscandian Ice Sheet interaction in the North Sea Basin during the Middle Pleistocene. The stratigraphy at Warren House Gill consists of a lower diamicton and upper estuarine sediments, both part of the Warren House Formation. They are separated from the overlying Weichselian Blackhall and Horden tills by a substantial unconformity. The lower diamicton of the Warren House Formation is re-interpreted here as an MIS 8 to 12 glaciomarine deposit containing ice-rafted lithics from north-eastern Scotland and the northeast North Sea, and is renamed the ‘Ash Gill Member’. It is dated by lithological comparison to the Easington Raised Beach, Middle Pleistocene Amino Acid Racemisation values, and indirectly by optically stimulated luminescence. The overlying shallow subaqueous sediments were deposited in an estuarine environment by suspension settling and bottom current activity. They are named the ‘Whitesides Member’, and form the uppermost member of the Warren House Formation. During glaciation, ice-rafted material was deposited in a marine embayment. There is no evidence of a grounded, onshore Scandinavian ice sheet in County Durham during MIS 6, which has long been held as the accepted stratigraphy. This has major implications for the currently accepted British Quaternary Stratigraphy. Combined with recent work on the Middle Pleistocene North Sea Drift from Norfolk, which is now suggested to have been deposited by a Scottish ice sheet, the presence of a Scandinavian ice sheet in eastern England at any time during the Quaternary is becoming increasingly doubtful.

História ambiental no Brasil: o percurso historiográfico de Warren Dean

Pós-graduação em História - FCLAS

Strom and Jean Crouch Thurmond Scrapbooks - Accession 27

The Strom and Jean Crouch Thurmond Scrapbook collection consists of three scrapbooks containing photocopies of clippings relating to Mr. and Mrs. Thurmond’s family life, as well as the political career of Strom Thurmond. Senator Thurmond’s first wife, Jean Crouch Thurmond was a 1947 graduate of Winthrop College, the South Carolina College for Women.