974 resultados para Congreve, Richard, 1818-1899.


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Mode of access: Internet.

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Shaw-Shoemaker 46705.

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Vols. 8 and [9] have also special title-pages.

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Back Row: Milo White*, Everett M. Sweeley

3rd row (standing): student manager L.D. Verdier, Rudolph J. Siegmund, Leo J. Keena, Neil B. Snow, Richard R. France, William R. Cunningham

2nd row (seated): Charles Bliss*, Charles E. Street, Hugh White, Captain Allen Steckle, Richard France, Charles G. McDonald, George Burns*, Ebin Wilson*

Front row (on ground): Thomas P. Martin?*, Ard E. Richardson, David D. Gill, Harrison S. (Boss) Weeks*, Albert E. Herrnstein*

*reserves, non-lettermen

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Back Row -standing: William Baker, John Bennett, Horace Prettyman, Muir Snow, Thad Farnham, Richard France, Bert Carr, Edward Denby

Middle Row: William Talcott, R.S. Lockwood, Frederick Henninger, Gustave Ferbert, Gilmore Price, John Bloomingston

Front Row: Horace Pingree, Ignatius Duffy, Harry Hadden, Charles Widman, Loomis Hutchinson

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Back Row: 1- Charles Street (Q), 2 – Charles McDonald (T), 3 - David Gill (E), 4 – Everett Sweeley (F), 5 – Lee Barkenbus (G), 6 - Hugh White (E), 7 – Rutherford B.H. Kramer (G), 8 – Albert Herrnstein (H), 9 – John F. McLean (H),

Third Row: 10 – William Cunningham (C), 11 – Arthur Fitzgerald (Q), 12 –Curtis Mechling (T), 13 - Arthur Brookfield (G), 14 – Walter Bain (H), 15 - Milo White (F), 16 – Ebin Wilson( r), 17 - John Dickey (C), 18 - Rudolph Siegmund (G)

Second Row: 19 - James Pell (E), 20 - ? Martin (E), 21 – Elisha Sayad (C), 22 – Harry Brown (E), 23 - Clayton Teetzel (H), 24 Captain Allen Steckle (T), 25 – Harry Durant (F), 26 -Lewis Larsen (C), 27 – Richard France (G), 28 Leo Keena (F),

Front Row: 29 – Scott Turner (G), 30 – George Burns ( H), 31 – Jesse L. Yount (T), 32 - Carl Mohr (Q), 33 - Walter Shaw (F), 34 - Harrison Weeks (H)

Inset: trainer Keene Fitzpatrick

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Mode of access: Internet.

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"La musique des chœurs d'Esther et d'Athalie par J. B. Moreau, et celle des quatre Cantiques spirituels, œuvre de même musicien pour les trois premiers, de Michel-Richard de la Lande pour le quatrième, sont données ici telles qu'elles ont été imprimées ou gravées du temps des compositeurs ... On a fidèlement reproduit les titres portent les éditions du Conservatoire." (Chœurs de la tragedie d'Esther avec la musique composée par J.-B. Moreau ... [Paris] Chez Denys Thierry [etc.] 1689.--La Musique d'Athalie par J.-B. Moreau ... Paris, Chez l'autheur [etc.] [n. d.]--Cantiques chantez devant le roy et composez par M. Moreau ... A Paris, Chez Christophe Ballard ... 1695)

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This work by Richard Shapcott is, as the title provides, an introduction to international ethics. By taking a quick glance at the table of contents (see Figure 1) we see that he has systematically divided this particular discourse into its normative areas of concern (in other words its major areas of argument or research). When reading, we also see that a great deal of work has gone into the publication because the narrative is flowing, the arguments continuous, and because the tone of the work maintained its critical position throughout.

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Dr. Richard Shapcott is the senior lecturer in International Relations at the University of Queensland. His areas of interest in research concern international ethics, cosmopolitan political theory and cultural diversity. He is the author of the recently published book titled International Ethics: A Critical Introduction; and several other pieces, such as, “Anti-Cosmopolitanism, the Cosmopolitan Harm Principle and Global Dialogue,” in Michalis’ and Petito’s book, Civilizational Dialogue and World Order. He’s also the author of “Dialogue and International Ethics: Religion, Cultural Diversity and Universalism, in Patrick Hayden’s, The Ashgate Research Companion to Ethics and International Relations.