265 resultados para Codorna japonesa


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In the autumn the vas deferens of the Italian variety of domestic quail appeared as a single, thin, and straight duct along its total extension. Thus, transversal histologic sections of this duct showed a circular tubular shape. The pseudoestratified columnar epithelium that lined the vas deferens presented longitudinal folds which invaded the lumen frequently empty of spermatozoa. Although in the winter, spring and summer the usual morphological appearance of the quail's vas deferens was seen as a highly coiling duct. So, each transversal histologic section of the vas deferens, in all the segments, showed parallel cut sections of the duct being irregular in shape and variable in number and interconnected by the adventitial loose connective tissue. In these observations, the tubular lumen was totally performed by spermatozoa and seminal fluid. Consequently, with previous base on the testis kinetics of the Italian quail variety, it was concluded that the spermatozoa production, followed by emission, storage and ejaculation of spermatozoa through the vas deferens did not stop during the winter, spring and summer, but ceased in the autumn the quiescent phase of the circannual reproductive cycle in this bird.

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Pós-graduação em Ciências Sociais - FFC

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Pós-graduação em Televisão Digital: Informação e Conhecimento - FAAC

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Pós-graduação em Geografia - FCT

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Este artigo apresenta um panorama geral da história econômica das mesorregiões do estado do Pará, principalmente ao longo do século XX, analisando-se também os fatos históricos e econômicos mais relevantes que caracterizam a trajetória dos 70 anos dos japoneses na região nordeste do Pará, a mais atrasada do estado. Nessa região, os japoneses conseguiram lançar as bases e consolidar o empreendimento associativo de pequenos produtores agrícolas mais bem sucedido da Amazônia, a atual Cooperativa Agrícola Mista de Tomé-Açu, que se constitui no único arranjo produtivo local efetivo em território paraense.

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This paper proposes to investigate a specific fragment of the history of Japanese immigration to Brazil: labor relations during the period before the outcome of World War II. To this end, choosing oral history as a research method, and assumptions of historical materialism as a theoretical framework, we sought to examine the accounts of experiences remembered by a group of elderly women in this community of immigrant settlers. Theys participated both in the São Paulo coffee work in the first decades of the twentieth century, as the planting of cotton, in the 1930s.

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From a reading of the novel Brazil-Maru by Karen Tei Yamashita, this article focuses mainly on discussing about Japanese colonies’formation in Brazil, as well as the reasons that stimulated Japanese immigrants to invest their efforts in the process of this new undertaking. Some peculiarities between nucleous in the countryside of the state of São Paulo and Esperança’s community formation of this novel will be discussed and compared in the present work. The theoretical supports about the concept of Nation by Ernest Renan and the concept of Imagined Communities by Benedict Anderson compose the theoretical basis for understanding the constitution of Japanese diasporic nation in Brazil.

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Aiming to understand the Japanese aesthetic in Brazilian culture and to produce a photographic exhibition of artistic and ethnographic nature, we performed a symbolic exegesis of the ritual performance of Garça Cherry Festival - SP (Brazil). The event takes place annually and is held in memory and honor of oriental culture. The festival features various elements of Japanese culture through expressive forms such as dance, music, costumes, martial arts and cooking. Therefore, the study was based on the anthropology of performance and visual anthropology with regard to symbolic exegesis of the party and look artistic and ethnographic photographic records of the proceedings. Such procedures supported the realization of artistic display that contributed, in turn, in promoting the local culture to a wider audience, and, methodologically, have contributed in visual identification and interpretation of the cultural elements of the ceremony.

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Pós-graduação em Artes - IA