¿Uno o dos frunimianos en 'Vita Emiliani' y cartas de Braulio de Zaragoza?

[EN] We try to prove, with arguments taken from the texts, that the person named "Fruinianus", to whom Braulio de Saragossa addresses his letters XIII and XIV in his epistolary, is the same Frunimianus as the one from the introductory letter to 'Vita Emiliani', that is, Braulio's brother.

Hagiografía hispanolatina visigótica y medieval (s. VII-XII)

Coordinador de las actas: Maurilio Pérez González

La «Vita Mahometi» del códice 10 de Uncastillo (s. XIII): estudio y edición

Actas coordinadas por Maurilio Pérez González

Las vitae sanctorum de la Hispania medieval: sus manuscritos y su historia editorial

Ejemplar dedicado a: Hagiografía y archivos de la Iglesia santoral hispano-mozárabe en las Diócesis de España. Actas del XVIII Congreso de la Asociación celebrado en Orense (1ª parte) (9 al 13 de septiembre de 2002).

Inscripciones sepulcrales latinas de la Hispania cristiana: algunas correcciones

[ES] En el trabajo que sigue presentamos una serie de correcciones y modificaciones de veintiocho lecturas del corpus de inscripciones cristianas latinas de la Península.

Pastoral

This chapter argues that Milton’s Epitaphium Damonis, a neo-Latin pastoral lament on the death of Charles Diodati, is marked by the author's Petrarchan self-fashioning. This is achieved through intertextual engagement with Petrarch's Bucolicum Carmen (especially Ecls. 1 and 10). Milton as the wandering Thyrsis, undertaking a methaphorical and literal journey into the world of Italian humanism, appropriates and adapts the metaphorical departure from and return to a pastoral world now shattered by plague and death. Recourse to the quasi-Augustinian monasticism of Petrarchan neo-Latin pastoral facilitates the poem's crossing of a monastic limen via its subtle interaction with a hagiographic intertext, the Vita Sancti Deodati. Now pastoral saint and scholar become united in death and in subsequent apotheosis.

Burnt offerings and harpies at Nasidienus’ dinner-party (Horace, Satires 2.8)

Horace's last Satire describes a disastrous dinner party hosted by the gourmet Nasidienus, which is ruined by a collapsing tapestry. The food served afterwards is presented in a dismembered state. This chapter argues that several elements of the scene recall the greedy Harpies of Apollonius' Argonautica, and that Horace's friend Virgil shows the influence of this Satire in his own Harpy-scene in Aeneid 3. It also argues that the confusion in the middle of the dinner causes the food cooking in the kitchen to be neglected and burned. This explains the state of the subsequent courses, which Nasidienus has salvaged from a separate disaster backstage.

Columnar translation: an ancient interpretive tool that the Romans gave the Greeks

Among the more peculiar literary papyri uncovered in the past century are numerous bilingual texts of Virgil and Cicero, with the Latin original and a Greek translation arranged in distinctive narrow columns. These materials, variously classified as texts with translations or as glossaries, were evidently used by Greek-speaking students when they first started to read Latin literature. They thus provide a unique window into the experience of the first of many groups of non-native Latin speakers to struggle with reading the classics of Latin literature.

Figuratividade na poesia bucólica de Virgílio

Pós-graduação em Estudos Literários - FCLAR

A VRBS no Cosme Velho: análise da presença da literatura latina em Memórias póstumas de Brás Cubas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)