Choral ode I[-IV] from Atalanta in Calydon /

Performance instructions at beginning of choral ode IV.

The slave's dream : a choral ballad for four-part mixed chorus and tenor solo /

Also published for women's voices.

The ideal : a collection of new music, consisting of duets, quartets, hymn-tunes, anthems, etc., together with a full and complete course of elementary instruction : designed for singing schools, musical institutes, conventions, etc. /

Mode of access: Internet.

The David Bispham treasury of song : selected choruses for mixed voices for home, school and community singing and for choral societies /

Mode of access: Internet.

Various choral works, without accompaniment [op.22, 29,74, 110, 109]

German words.

Various choral works, with piano or organ.

German words.

Various choral works without accompaniment (Mixed chorus)

German words.

Various choral works, without accompaniment (Women's chorus)

German words.

Various choral works with piano accompaniment.

German words.

Five choral works.

Mode of access: Internet.

Various choral works, with piano accompaniment [Op.92, 103, 112, 93b]

Quartette...Op.92 [no.] 1-4.--Zigeunerlieder...op.103 [no.]1-11.--Sechs Quartette...op.112 [no.] 1-6.--Tafellied...op.93b.--Kleine Hochzeitskantate.

Seven sacred choral works.

Mode of access: Internet.

Twelve sacred choral works.

Psalm 2, op.78, no. 1.--Psalm 43, op.78, no.2.--Psalm 22, op. 78, no. 3.--Psalm 100.--3 Motetten, op.69.--6 Sprüche, op.79.--2 Geistliche Chöre, op.115.--Trauergesang, op.116.--Ehre sei Gott in der Höhe.--Heilig.--Kyrie eleison.--Zum Abendsegen.

The art of music; a comprehensive library of information for music lovers and musicians.

Each volume also has special title-page.

Joseph Mainzer (1801-1851) and the popularisation of choral singing in Britain

Singing master Joseph Mainzer came to England in 1841 as a political refugee from Germany. Through his music schools, his textbook Singing for the Million, and his journal Mainzer’s Musical Times (today The Musical Times) he contributed significantly to the popularisation of choral singing in Britain. This essay takes Mainzer’s political background as a starting point to investigate the complex relationship between refuge and artistic production. It is argued that the latter was deeply informed by the former. Mainzer not only transferred choral traditions but also a politicised concept of popular culture which started to take hold in pre-revolutionary Vorma¨rz-Germany. The case study is integrated into the larger framework of Anglo-German cultural relations and political refuge in mid-nineteenth century Britain.