Translating the gothic tradition: St Patrick's Cathedral Melbourne

During the 1850s, England and France were the leading centres of debate over the Gothic Revival. As Barry Bergdoll argues, the issues that loomed large were at once architectural and political: stylistic eclecticism versus national purity, invention versus tradition, nationalism versus cosmopolitanism, as well as the challenge of new building programmes and new materials to the historicist logic of the Gothic Revival position. William Wilkinson Wardell (1823-99), the architect of St Patrick's Cathedral, Melbourne, Victoria, Australia (1858-97) found himself in the midst of this debate. ln.,1858, Wardell's client, James Alipius Goold, Bishop of the Catholic Diocese of Melbourne, found that local circumstances significantly influenced his aspirations for a new Catholic cathedral for Melbourne. The choices Wardell made eventually gave shape to the Gothic Revival in Australia.The New World perhaps echoing Didron, demanded of the past all it could offer the present and especially the future: a Gothic cathedral was deemed a fitting carrier of the principles, morals, beliefs and spirit of a Christian civilisation. Unlike many of his contemporaries in Britain and Europe, Wardell in Australia was to see his Gothic Cathedrals of St Patrick's and St Mary's substantially realised in his lifetime. This paper presents a building history of Wardell's St Patrick's, Melbourne, and critically examines the translations which are embedded in the design and fabric of this nineteenth-century Gothic revival cathedral.

Transformación y desarrollo: la gran tarea de América Latina (capítulos I y VIII) = Change and development: Latin America's great task (chapters I and VIII)

Incluye Bibliografía

History of the ancient synagogue of the Spanish and Portuguese jews : the Cathedral Synagogue of the jews in England situate in Bevis Marks ; a memorial vol. wirtten spec. to celebrate the 200. anniversary of its inaug., 1701 - 1901

by Moses Gaster

The Prophecies of Zechariah : with special reference to the origin and date of chapters 9-14

Leipzig, Univ., Diss., 1896

The makers of Hebrew books in Italy : being chapters in the history of the Hebrew printing press

by David Werner Amram

Chapters on Jewish literature

by Israel Abrahams

My first twenty chapters of the Mahawanso and prefatory essay on Pali buddhistical literature, originally published as an introduction to the above mentioned portion of the Mahawanso

by George Turnour

The threefold cord : being sketches of three treatises of the Talmud, Sanhedrin, Baba Metsia, and Baba Bathra ; with an appendix containing a lecture on the Shemonah peraḳim le-ha-Rambam, The eighth chapters of Maimonides

by B. Spiers

Map of Cathedral Massif Glacier and forefield

The map covers the Cathedral Massif Glacier with its proglacial area and the surrounding terrain - altogether an area of about 5.2 square kilometers. The small cirque glacier is located in the Cathedral Massif on the continental slope of the northern Boundary Range in British Columbia, Canada. The field survey and the terrestrial photogrammetry was carried out in July 1977. In addition aerial photos taken in August 1975 were used for the photogrammetric plotting. Due to the lack of connection with the official Canadian geodetic net, a local net was used. The main objective of the mapping was to document the present-day glacier with its specific topographical features of the forefield. The map is printed in five colours in offset. The surface area of the glacier was 1.71 square kilometers in 1977 and has further reduced since then. During the stage of "maximum" neoglacial extend, the glacier area must have been close to 2.8 square kilometers.

Functionalism and Caprice in Stonecutting. The Case of the Nativity Chapel in Burgos Cathedral

Starting from the inaugural text of Philibert de L'Orme, stereotomic treatises and manuscripts are subject to the opposing forces of reason and fancy. The Nativity Chapel in Burgos Cathedral provides an outstanding case study on this subject. It was built in 1571-1582 by Martín de Bérriz and Martín de la Haya, using an oval vault resting on trumpet squinches to span a rectangular bay. Bed joints and rib axes are not planar curves, as usual in oval vaults. This warping is not capricious; we shall argue that it is the outcome of a systematic tracing method. As a result of this process, the slope of the bed joints increases slightly in the first courses, but stays fairly constant after the third course; this solution prevents the upper courses from slipping. Thus, in the Nativity Chapel of Burgos Cathedral, the constraints of masonry construction fostered a singular solution verging on capriccio. It is also worthwhile to remark that the warping of the joints is not easily appreciable to the eye and that the tracing process does not seem to start from a previous conception of the resulting form. All this suggests that we should be quite careful when talking about the whimsical character of Late Gothic and Early Renaissance; in some occasions, apparent caprice is the offspring of practical thinking.