Journal of the House of Assembly of Upper Canada (1836-1837) (1837)

The earlier Journals of the House of Assembly are to be found in: Ontario. Bureau of Archives. Report of the Bureau of Archives for the Province of Ontario (where they have been printed due to their non-existence in their original form.).

Distinct in the House of Commons: The Bloc Québécois as Official Opposition

Le succès électoral du Bloc québécois était prévisible. Il s'est également avéré significatif à court terme et aura des implications majeures dans les mois à venir. La première section de ce chapitre explique le caractère prévisible de la performance du Bloc, en montrant que le nouveau parti représentait une part importante et stable de l'électorat québécois. La deuxième partie traite du rôle du Bloc québécois à Ottawa et souligne, en particulier, la proximité idéologique du parti et de son électorat. Enfin, la troisième partie discute des possibilités qui s'offrent au Bloc et au Parti québécois dans la bataille référendaire qui s'amorce, insistant notamment sur les perceptions des électeurs moins décidés. En conclusion, une brève discussion suggère que le Bloc pourrait demeurer un acteur important dans les années à venir, même si les souverainistes perdaient leur référendum.

Analytical index to the reports of the Commissioners appointed to inquire into the municipal corporations (England and Wales) : ordered, by the House of Commons, to be printed, 15 July 1839.

"The reports to which this index is now attached form four volumes ... The present Digest forms a fifth volume and completes the set." - Pref.

Decisions of the Rt. Hon. Charles Shaw Lefevre, Speaker of the House of commons, on points of order, rules of debate, and the general practice of the House /

Mode of access: Internet.

The bill, entituled, An act for preventing occasional conformity, with the amendments made by the Lords, and the amendments made by the House of Commons to those amendments: and the reports of the several conferences relating thereunto; and the proceedings thereupon.

"The report of the conferences and free conference ... London, 1703" has special t.p.

Substance of the debate in the House of Commons, on the 15th May, 1823, on a motion for the mitigation and gradual abolition of slavery throughout the British dominions : with a preface and appendixes, containing the facts and reasonings illustrative of colonial bondage.

Mode of access: Internet.

Repeal of the Union : report of the debate in the House of Commons, on Mr. O'Connell's motion : and the proceedings in the House of Lords on Earl Grey's motion for concurring in the address of the Commons : April 1834.

Mode of access: Internet.

The speech of Michael Thomas Sadler, M. P. on the ministerial plan of reform : delivered in the House of Commons on seconding General Gascoyne's motion for retaining the present number of members for England and Wales.

Goldsmiths'-Kress no. 27139.

Debates in the House of Commons in 1625. /

Mode of access: Internet.

Speech on Jesuits' Estates Act, delivered in the House of Commons, Ottawa, on Tuesday March 26, 1889.

Cover title.

Education (Ireland); speech in the House of Commons on Tuesday, May 19, 1835, on moving for leave to bring in a bill for the establishment of a Board of National Education, and the advancement of elementary education in Ireland.

"Extracted from the 'Mirror of Parliament'."

Knowmore (House of Commons)

Knowmore (House of Commons) is a large scale generative interactive installation that incorporates embodied interaction, dynamic image creation, new furniture forms, touch sensitivity, innovative collaborative processes and multichannel generative sound creation. A large circular table spun by hand and a computer-controlled video projection falls on its top, creating an uncanny blend of physical object and virtual media. Participants’ presence around the table and how they touch it is registered, allowing up to five people to collaboratively ‘play’ this deeply immersive audiovisual work. Set within an ecological context, the work subtly asks what kind of resources and knowledges might be necessary to move us past simply knowing what needs to be changed to instead actually embodying that change, whilst hinting at other deeply relational ways of understanding and knowing the world. The work has successfully operated in two high traffic public environments, generating a subtle form of interactivity that allows different people to interact at different paces and speeds and with differing intentions, each contributing towards dramatic public outcomes. The research field involved developing new interaction and engagement strategies for eco-political media arts practice. The context was the creation of improved embodied, performative and improvisational experiences for participants; further informed by ‘Sustainment’ theory. The central question was, what ontological shifts may be necessary to better envision and align our everyday life choices in ways that respect that which is shared by all - 'The Commons'. The methodology was primarily practice-led and in concert with underlying theories. The work’s knowledge contribution was to question how new media interactive experience and embodied interaction might prompt participants to reflect upon the kind of resources and knowledges required to move past simply knowing what needs to be changed to instead actually embodying that change. This was achieved through focusing on the power of embodied learning implied by the works' strongly physical interface (i.e. the spinning of a full size table) in concert with the complex field of layered imagery and sound. The work was commissioned by the State Library of Queensland and Queensland Artworkers Alliance and significantly funded by The Australia Council for the Arts, Arts Queensland, QUT, RMIT Centre for Animation and Interactive Media and industry partners E2E Visuals. After premiering for 3 months at the State Library of Queensland it was curated into the significant ‘Mediations Biennial of Modern Art’ in Poznan, Poland. The work formed the basis of two papers, was reviewed in Realtime (90), was overviewed at Subtle Technologies (2010) in Toronto and shortlisted for ISEA 2011 Istanbul and included in the edited book/catalogue ‘Art in Spite of Economics’, a collaboration between Leonardo/ISAST (MIT Press); Goldsmiths, University of London; ISEA International; and Sabanci University, Istanbul.

Wasting Time? Art, Science and New Experience. Examining the Artwork, Know more (House of Commons)

Today the future is travelling rapidly towards us, shaped by all that which we have historically thrown into it. Much of what we have designed for our world over the ages, and much of what we continue to embrace in the pursuit of mainstream economic, cultural and social imperatives, embodies unacknowledged ‘time debts’. Every decision we make today has the potential to ‘give time to’, or take ‘time away’ from that future. This idea that ‘everything‘ inherently embodies ‘future time left’ is underlined by design futurist Tony Fry when he describes how we so often ‘waste’ or ‘take away’ ‘future time’. “In our endeavours to sustain ourselves in the short term we collectively act in destructive ways towards the very things we and all other beings fundamentally depend upon”