The works of Alexander Pope, esq., with notes and illustrations, by himself and others. To which are added, a new life of the author, an Estimate of his poetical character and writings, and occasional remarks by William Roscoe, esq.

Does not include his translations of Homer.

The dramatic works of William Shakespeare,

Rowe's life, Johnson's preface, and Farmer's Essay on the learning of Shakespeare prefixed to v. 1.

The dramatic works of William Shakspeare, with explanatory notes. : To which is added, a copious index to the remarkable passages and words /

"Some account of the life, &c. of Mr. William Shakspeare written by Mr. Rowe"--P. [11]-[19] at front of v. 1.

The works of Mr. William Shakespear, in nine volumes:

Contemporary panelled calf; g.e.

The dramatic works of William Shakespeare : from the correct edition of Isaac Reed, with copious annotations ...

v. 1. Some account of the life, &c. of William Shakespeare / Nicholas Rowe. Dr. Johnson's preface. Farmer's essay on Shakespeare. The tempest. Two gentlemen of Verona.--v. 2. Midsummer-night's dream. Merry wives of Windsor. Twelfth night. Much ado about nothing.--v. 3. Measure for measure. Love's labour's lost. Merchant of Venice.--v. 4. As you like it. All's well that ends well. Taming of the shrew.--v. 5. Winter's tale. Macbeth. King John.--v. 6. King Richard II. King Henry IV, Parts I and II.--v. 7. King Henry V. King Henry VI, Parts I and II.--v. 8 King Henry VI, Part III. King Richard III. King Henry VIII.--v. 9. Troilus and Cressida. Coriolanus. Julius Caesar.--v. 10. Antony and Cleopatra. King Lear. Hamlet.--v. 11. Cymbeline. Timon of Athens. Othello.--v. 12. Romeo and Juliet. Comedy of errors. Titus Andronicus. Pericles.

The family memoirs of the Rev. William Stukeley, M. D., and the antiquarian and other correspondence of William Stukeley, Roger & Samuel Gale, etc.

Portrait engraved from painting by Sir G. Kneller.

Letters addressed from London to Sir Joseph Williamson while plenipotentiary at the congress of Cologne in the years 1673 and 1674.

Mode of access: Internet.

Light on masonry : a collection of all the most important documents on the subject of speculative free masonry : embracing the reports of the Western committees in relation to the abduction of William Morgan : proceedings of conventions, orations, essays, &c &c : with all the degrees of the order conferred in a master's lodge, as written by Captain William Morgan ... : also, a revelation of all the degrees conferred in the lodge of perfecton and fifteen degrees of a still higher order with seven French degrees making forty-eight degrees of Free Masonry with notes and critical remarks /

Mode of access: Internet.

The dramatic works of William Shakespeare, from the text of Johnson, Stevens, and Reed;

Mode of access: Internet.

The dramatic works of William Shakspeare, from the text of Johnson, Stevens, and Reed; with glossarial notes, his life, and a critique on his genius & writings

Title vignette.

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".