Willy and Hugh.

Willy es un ser solitario que no tiene amigos. Hasta que paseando por el parque conoce a Hugh. Ambos son muy diferentes, pero cada uno tiene algo especial que aportar a su nueva amistad.

La vida de Willy.

Programa emitido el 22 de marzo de 1996

Morphometry and morphology of the antennae of Panstrongylus megistus Burmeister, Rhodnius neglectus Lent, Rhodnius prolixus Stal and Triatoma vitticeps Stal (Hemiptera: Reduviidae)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

The reformulation of nonlinear complementarity problems using the Fischer-Burmeister function

A bounded-level-set result for a reformulation of the box-constrained variational inequality problem proposed recently by Facchinei, Fischer and Kanzow is proved. An application of this result to the (unbounded) nonlinear complementarity problem is suggested. © 1999 Elsevier Science Ltd. All rights reserved.

Willy Corrêa de Oliveira: por um ouvir materialista histórico

Pós-graduação em Música - IA

The identity of Hyla leucotaenia Burmeister, 1861 (Anura: Hylidae)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Willy Loman and the "Soul of a New Machine": Technology and the Common Man

As Death of a Salesman opens, Willy Loman returns home “tired to the death” (p. 13). Lost in reveries about the beautiful countryside and the past, he's been driving off the road; and now he wants a cheese sandwich. But Linda's suggestion that he try a new American-type cheese — “It's whipped” (p. 16) — irritates Willy: “Why do you get American when I like Swiss?” (p. 17). His anger at being contradicted unleashes an indictment of modern industrialized America: The street is lined with cars. There's not a breath of fresh air in the neighborhood. The grass don't grow any more, you can't raise a carrot in the back yard. (p. 17). In the old days, “This time of year it was lilac and wisteria.” Now: “Smell the stink from that apartment house! And another one on the other side…” (pp. 17–18). But just as Willy defines the conflict between nature and industry, he pauses and simply wonders: “How can they whip cheese?” (p. 18). The clash between the old agrarian ideal and capitalistic enterprise is well documented in the literature on Death of a Salesman, as is the spiritual shift from Thomas Jefferson to Andrew Carnegie to Dale Carnegie that the play reflects. The son of a pioneer inventor and the slave to broken machines, Willy Loman seems to epitomize the victim of modern technology.

Willy Hess, Ganzfigurbildnis, mit Violine

Signatur des Originals: S 36/F00790

Willy Thern, Louis Thern, Doppelbildnis

Signatur des Originals: S 36/F01985

Willy Bruckhoff, Hüftbild

Signatur des Originals: S 36/F03250

Willy Burmester, Brustbild

Signatur des Originals: S 36/F03290

Willy Burmester, Brustbild

Signatur des Originals: S 36/F03291

Richard Burmeister, Brustbild

Signatur des Originals: S 36/F03292