Histoire de l'art roumain ancien,

Iorga, N. L'art roumain du XIVe au XIXe siècle. Bals, G. L'architecture religieuse moldave.

Œuvres badines complettes, du comte de Caylus. Avec figures.

Imperfect: v. 2 lacks plates; v. 4 lacks p. 377 to end (p. 369-[380] of the 3d vol. being inserted insted); v. 6 lacks 2d plate; v. 11 lacks "Table".

Versenyképesség-történetek - Nemzetgazdasági versenyképességről szóló vélekedések összehasonlító elemzése = Narratives on Competitiveness – A Comparative Analysis of Perceptions and Concepts about National Competitiveness

The scope of the present study is twofold. First, through in-depth interviews, it aims to explore the perception and concepts of non-political leaders (Deputy State Secretaries and Heads of Department) of the Hungarian economic bureaucracy concerning the competitiveness of the Hungarian economy. Second, it compares the obtained results to the perception and concepts salient in the political and business sphere as well as in the methodology of the international competitiveness rankings. The analysis covers issues of competitiveness such as (1) problems of the competitiveness of Hungarian economy, (2) directions of good policy, (3) agents of competitiveness, (4) future of the Hungarian economy, (5) political obstacles of good policy.

Radiocarbon dating of bottom sediments from the Baltic Sea

Results of radiocarbon dating of bottom sediments from the Baltic Sea are presented for four areas investigated during Cruises 16 and 26A of R/V Akademik Kurchatov. The dating was based mainly on organic matter from the sediments. At marine Holocene stage sedimentation rate was 0.2-1.0 mm/yr, with a sharp increase at the Sub-Atlantic Holocene phase. Considerable re-deposited sediment strata present in deep-water troughs. Material from bottom deposits of the stage of glacier-associated Baltic lakes, inherited from moraine deposits according to radiocarbon dating, represents sediments from a basin that existed at the site of the present-day Baltic Sea in the second half of Middle Würm and re-worked by a glacier.

Re-modelling clay: ceramic practice and the museum in Britain (1970-2014)

This thesis analyses how the dialogue between ceramic practice and museum practice has contributed to the discourse on ceramics. Taking Mieke Bal’s theory of exposition as a starting point, it explores how ‘gestures of showing’ have been used to frame art‑oriented ceramic practice. Examining the gaps between the statements these gestures have made about and through ceramics, and the objects they seek to expose, it challenges the idea that ceramics as a category of artistic practice has ‘expanded.’ Instead, it forwards the idea that ceramics is an integrative practice, through which practitioners produce works that can be read within a range of artistic (and non-artistic) frameworks. Focusing on activity in British museums between 1970 and 2014, it takes a thematic and broadly chronological approach, interrogating the interrelationship of ceramic practice, museum practice and political and critical shifts at different points in time. Revealing an ambiguity at the core of the category ‘ceramics,’ it outlines numerous instances in which ‘gestures of showing’ have brought the logic of this categorisation into question, only to be returned to the discourse on ‘ceramics’ as a distinct category through acts of institutional recuperation. Suggesting that ceramics practitioners who wish to move beyond this category need to make their vitae as dialogic as their works, it indicates that many of those trying to raise the profile of ‘ceramics’ have also been complicit in separating it from broader artistic practice. Acknowledging that those working within institutions that sustain this distinction are likely to re-make, rather than reconsider ceramics, it leaves the ball in their court.

Brachycephalic obstructive airway syndrome : a review with six clinical cases

Dissertação de Mestrado Integrado em Medicina Veterinária