Del caos a Bach : trabajo pedagógico desde el área de Música.

Resumen tomado de la publicación. La publicación recoge resumen en inglés

La influencia del estilo italiano en la obra de Johann Sebastian Bach

Resumen basado en el de la publicación. Resumen en inglés

Un model de guia didàctica [Ressenya del llibre Itinerari geològic de Banyoles : descoberta del funcionament del sistema lacustre, de David Brusi , Joan Bach i Miquel Sanz]

Ressenya del llibre 'Itinerari geològic de Banyoles : descoberta del funcionament del sistema lacustre' de David Brusi, Joan Bach i Miquel Sanz, editat per l' Ajuntament de Banyoles i Eumo Editorial l'any 1990

Ciaccona em ré menor BMW 1004 de J.S. Bach : um estudo das articulações e uma transcrição para violão

Este trabalho é uma análise das articulações indicadas por Johann Sebastian Bach (1685-1750) na sua Ciaccona em ré menor - quinto movimento da Partita II para violino solo, BWV 1004 – e uma transcrição desta obra para violão. A questão da interpretação dos sinais de articulação assinalados por Bach é abordada a partir de referenciais teóricos e práticos. São discutidas as tradições de execução e os variados entendimentos atribuídos por estas aos sinais de articulação.

Efetividade dos florais de Bach no bem estar espiritual de estudantes universitários: ensaio clínico randonizado duplo cego

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Bach-Busoni Chaconne: A Piano Transcription Analysis

In 1893 Ferruccio Busoni transcribed, for the piano, the famous Bach Chaconne for violin solo from the Partita No.2 in D minor. Numerous transcriptions of this piece for different various instruments exist; however Busoni's transcription stands above all others. The purpose of this study was to analyze what the famous, twentieth-century pianist did when he transcribed Bach's Chaconne. What information exists on the topic comes primarily from pianists who dared to learn this exceptionally difficult, beautiful composition. Busoni's accomplishments lie in the new concept, a conceptual transcription, which has two roots: understanding how, historically, we are connected to the music, and how once genres have a special meaning in the twentieth-century. Every generation of musicians brings their own specific point of view and interpretation. Busoni lived on the border of the two centuries and, in his transcription, reveled in several issues overlooked by the previous generation. With his keen understanding of the piece, Busoni highlighted many different genres present in the music, thus allowing recognition of the last movement of the Partita No. 2 in D minor as a Requiem for Bach's wife. By underscoring the genres, Busoni used them as strata. The idea of strata comes from the aesthetics of “play,” and from a different approach to the quality of sound on piano originally intended for a high string instrument. Busoni's arrangement of the texture added both orchestral quality and stereophonic perception. The strata add to a certain reading of Bach's original. Busoni promoted a dramatic approach opening the possibility of reading the chaconne as a multi-layered form. Through Busoni', we see the possibility not only of a tripartite, variation form, but also a composition, with the elements of a concerto, and a sonata. Who could imagine, that a composition written by a young composer at the fin de siecle, intended for practical use by pianists, would subtly influence so many contemporaries and generations, that they will find his findings and music inspiring. Adviser: Dr. Mark K. Clinton

Tondichtungen alttestamentlicher Texte von Johann Sebastian Bach

Leopold Hirschberg

Tondichtungen alttestamentlicher Texte von Johann Sebastian Bach : (Schluss)

Leopold Hirschberg

Bildnisplakette [Illustration] : Ludwig Bach, München

Arnold Zadikow

Bach und Händel : zu ihrem 250. Geburtstag

Oskar Guttmann