El pensamiento sublime en 3D. Proyecto experimental de Instalación Museográfica Virtual

Entre los años 2005 y 2006, se realizaron en Madrid dos interesantes encuentros internacionales denominados Tecnologías para una Museografía Avanzada, promovidos por el Consejo Internacional de Museos (ICOM), donde representantes de diversas instituciones culturales explicaban las influencias enriquecedoras que han aportado a sus exposiciones los nuevos medios tecnológicos en conjunto con la didáctica y la Museografía Interactiva como elementos mediadores de discurso. Representantes y Directores de instituciones como el Museo de Historia de Valencia (MHV), el Museo Arqueológico Provincial de Alicante (MARQ) o el Museo de la Cultura Bizantina de Grecia por ejemplo, han presentado las propuestas que en este contexto les ha permitido comunicar ideas refrescantes y nuevas estrategias para la compresión de diversos tipos de patrimonios. La premisa expuesta por ellos enfatizaba el pensamiento de que las nuevas tecnologías aunadas a la Museografía Interactiva, constituyen un apoyo didáctico a la hora de transmitir significados provenientes de los objetos patrimoniales para desarrollar y ampliar la comprensión del visitante en relación a los contenidos de las exposiciones. A este respecto, llama la atención la ausencia de museos especializados en Arte ante este tipo de discursos innovadores que suelen provocar en los visitantes soluciones educativas in situ, otorgando nuevos enfoques de las cosas, de la historia, de los objetos y de las generaciones pasadas.

Concepciones de la educación artística en museo: el caso de las educadoras del Museo Nacional de Bellas Artes de Chile

Este estudio pretende ser una aproximación preliminar que intenta sentar las bases para lo que será mi proyecto de tesis doctoral que tiene por objetivo comprender cómo influyen las concepciones de educación artística de museos en las prácticas educativas de las educadoras a partir del estudio del Museo Nacional de Bellas Artes de Chile

Percepção Ambiental em Museus Paisagens de Arte Contemporânea: a legibilidade dos museus Inhotim/Brasil e em Serralves/Portugal avaliada pelo público/visitante

This thesis nalyzes the wayfinding in Landscape Museum of Contemporary Art (MPAC), based on the Institute of Contemporary Art CACI, Minas Gerais, Brazil and the Museum of Contemporary Art of the Serralves Foundation, Porto, Portugal. The study focuses on the interrelationship of the public/visitors with the landscape, architecture and contemporary art museums in these, in order to understand visual perception and apprehension of such an environment for their users. For both were confronted documentation (visual and written) and people talk. The main hypothesis put forward is that the audience/visitor MPAC appreciates the interrelationship between the natural environment (park/garden) and built environment (the works of contemporary art and the galleries), giving equal value to both. To complement this, a second hypothesis is that during the visit to MPACS, visitors define their paths spontaneously, but strongly influenced by existing visual indicators (maps, signage and striking landscape elements), which facilitate the readability of space, which also contribute to the offered services and the experiences of similar institutions. The analytical basis of the research used the concepts of legibility (LYNCH, 2009), wayfinding (GIBSON, 2009; ARTHUR, PASSINI, 2002; WEISMAN, 1982), Experiential Cotinnum (TUAN, 1985), Space Bound (CRUZ PINTO, 2007) and habitus (BOURDIEU, 1992). Methodologically was used qualitative research (DEMO 2000) by means of a case study (YIN, 2005; STAKE, 1999) and participant observation (WHYTE, 2005). In the two institutions interviews with researchers and curators, behavior observation and questionnaires from employees, trainees, monitors and the public/visitor of the two museums were performed. Although partially referende the initial hypothesis, the research showed that the public/visitor value appears more natural environments, they experience a greater intensity and in addition to the factors listed in the second case, your perception and definition of paths suffer significant influence of emotional relations established with space. Generally the audience/visitor adapts easily to different demands of contemporary art exhibition in the two museums and the built environment (park/garden and museum) interferes with your reading path during the visit, perceived by the public/visitor condition as a factor that favors the enjoyment of works on different mounts (wayfinding), though often become a factor that hinders the legibility of the building and its built environment

A guide in the National Museum of Naples : and its principal monumentes [sic], illustrated.

Mode of access: Internet.

Guida delle antichità del Museo nazionale di Napoli : secondi i più recenti riordinamenti con tavole /

Mode of access: Internet.

Guide général du Musée national de Naples : suivant la nouvelle numération d'après le dernier classement : avec plan du musée et des notices sur Pompéi et Herculanum /

Mode of access: Internet.

A short account of portraits, pictures, plate, etc., etc., in the possession of the Company,

At head of title: Worshipful company of fishmongers of London.

Catalog of copyright entries.

Issues for 1898-1901 called v. 14-29. The volumes of the new series as numbered as follows: pt. 1, group 1, Books, v. 1-143; group 2, Pamphlets, etc., v. 1-43; group 3, Dramatic compositions, etc., v. 1-19; pt. 2,Musical compositions, v.1-41; pt. 4, Works of art, etc., v. 1-41.

Führer durch die Antiken in Florenz /

Mode of access: Internet.

Deutsche Museen: Entstehung und kulturgeschichtliche Bedeutung unserer öffentlichen Kunstsammlungen.

Mode of access: Internet.

Die galerien Europas; farbige nachbildungen alter Meister ...

Cover title.

The nation's pictures : a selection from the finest modern paintings in the public picture galleries of Great Britain : printed in colour.

Unbound and in original printed covers, as issued.

Flint Institute of Arts 1928 to 1963.

Inscribed May 1966.

New authorized historical catalogue of the pictures & tapestries in the King's collection at Hampton court ...

Mode of access: Internet.

Führer durch die öffentlichen Sammlungen klassischer Altertümer in Rom,

1. Bd. Die päpstlichen Sammlungen im Vatikan. Die städtischen Sammlungen auf dem Kapitol. Antiquarium Comunale und Museo Barracco.--2. Bd. Die päpstliche Sammlung im Lateran. Die staatlichen Sammlungen im Thermenmuseum, Villa Borghese, dem Collegio romano und dem Museo di Villa papa Giulio. Privatsammlungen: Palazzo Spada, Palazzo Barberini, Villa Albani.