977 resultados para Anglo-French War, 1793-1802


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"Les lettres de l'amiral, quelques lettres parmi celles qui lui furent adressées et ses rapports envoyés au ministre ... "

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Bibliographical footnotes.

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I. Introductory: The River, its place and power.--II. Where France and England met.--III. The old French war in the West.--IV. One of the vanguard of the pioneers.--V. The "Monongahela country" and its metropolis.--VI. The Ohio in the revolution.--VII. The fighting Virginians.--VIII. Fort Washington and the "Bloody way."--IX. The reign of the rowdy and outlaw.--X. From keelboat to schooner.--XI. From Pittsburg to Louisville in 1806.--XII. Blennerhassett island.--XIII. Where Yankee and Virginian met.--XIV. When the steamboat was king.--XV. The workshop of the world.

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Index at end of each volume: Classified subject index to the set at end of v. 4.

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"Fifty sets were printed on large paper of which this is one of two sets for copyright."--Ms. note on p. 2 of v. 1, signed Archer Butler Hulbert.

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Nueva España aportó la mayor parte de los recursos que sostuvieron a las fuerzas armadas españolas durante la guerra contra Gran Bretaña que se desarrolló en el Caribe entre 1779 y 1783. En el artículo se analizan las medidas a las que recurrieron las autoridades reales para obtener recursos extraordinarios del Consulado y varios mercaderes de la ciudad de México. Asimismo se exponen algunas de las contraprestaciones que negociaron a cambio de dichos servicios financieros y se plantean diversas hipótesis acerca de los motivos económicos, sociales y políticos que los llevaron a colaborar con el monarca, teniendo en cuenta los negocios que realizaban durante el conflicto bélico y la forma en que eran afectados por la reciente apertura comercial.

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Legislation introducing the concept of translation rights within British copyright law. The document contains the following associated material: Hansard: 119 (1852): 498-502 (uk_1852a); 121 (1852): 4 (uk_1852b); Anglo-French Copyright Treaty (uk_1851).
Introduced to implement the obligations of the Anglo-French Copyright Convention, agreed in November 1851, this Act provided that the British monarch could, by Order in Council, provide foreign authors with the right to prevent the reproduction and performance of their literary and dramatic works in translation. The Act also introduces the first statutorily defined permitted acts within the UK, and is indicative of the increasing influence that international standards and obligations began to exert upon the content and substance of domestic copyright law.
The commentary locates the Act within the context of the two previous International Copyright Acts (see: uk_1838; uk_1844) and the Anglo-French Convention, highlighting the selective manner in which the British legislature implemented its obligations under the 1851 Convention, in particular in drawing a distinction between the reproduction of political and non-political material, as well as the difficulty that foreign authors experienced in complying with the provisions of the legislation.

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This chapter looks at the ways in which Anglo-American participants in the Liberation of France have been represented in French narratives in the decades since the Second World War, through the developing French historiography of Allied participation in the War, and through the various roles assigned to the Allies in key postwar memorialisation ceremonies in France.