La Representación de la mujer en la prensa internacional online durante la Primavera Árabe en Egipto

El presente trabajo de investigación tiene como objetivo principal analizar la representación del papel de la mujer egipcia en la organización y participación en la primavera árabe en Egipto. Por medio del análisis de contenido aplicado a los titulares e imágenes publicados durante un periodo deteminado de las revueltas sociales en los periódicos The New York Times, Le Monde y El Mundo en su versión on line. Concluyendo se puede indicar que la representación internacional de la mujer egipcia durante las revueltas desde el año 2011, ha sido insuficiente y además sirvió a los medios de comunicación hasta cierto punto como medida de estereotipar la situación social de la mujer.

La escultura de las villae de la zona del noreste hispánico: los ejemplos de Tarragona y Tossa

Se presenta en primer lugar un estudio de las esculturas procedentes del ager Tarraconensis que incluye también los nuevos descubrimientos. Se da a conocer un conjunto recuperado recientemente en la villa de Els Ametllers (Tossa de Mar, Gerona). En cuanto a la plástica del entorno de Tarraco, se ha podido constatar que existen dos grupos claramente diferenciados. Uno de ellos está constituido por hallazgos poco numerosos o aislados, las piezas son de dimensiones menores que el natural y, salvo algunas excepciones, de factura modesta y de temática relacionada con el entorno dionisiaco. El otro, que se corresponde con el importante conjunto de estatuas procedente de la villa de Els Munts, se caracteriza por las grandes dimensiones y por la buena calidad estilística de algunas de ellas, así como por la variedad de los tipos escultóricos representados. El conjunto de la villa de Els Ametllers da testimonio de su riqueza con una decoración escultórica más que notable en el siglo i d. de C. realizada en mármoles de gran calidad. En general, las esculturas de las villae de la zona del noreste hispánico nos dejan constancia del alto nivel social y del poder económico de los dueños de las mansiones y al mismo tiempo nos indican el lujo del que se querían y podían rodear las clases privilegiadas.

Interventions présumées des scribes concernant le motif de l'arbre sacré dans le Pentateuque

Abstract: This article deals with several presumed scribal interventions which all concern the sacred tree motif. One finds deliberate changes in the MT, in the Septuagint, in Targum Onkelos and in the Vulgate. The Greek translators of Genesis and Samuel (1-2 Kingdoms) avoided rendering the word אשׁל "tamarisk" by its equivalent μυρίκη, chosing instead the word ἄρουρα "field". Similarly, the Greek translator of Genesis, in the passage of the death of Rebecca's nurse Deborah, passed over the motif of her burial under a grand tree. According to the hypothesis of the present article, all four changes are related to one other; they might be due to the translator's fear to connect the respective texts with traditions and customs concerning the Egyptian god Osiris. On the other side, a scribe of the proto-Massoretic tradition modified the readings mentioning the large tree of Mamre close to Hebron. By changing the noun's number from singular to plural the corrector tried to conceal the existence and importance of the sacred tree in the tradition of Abraham. By contrast, the scribe did not modify texts related to the sacred tree of Shechem. This disparity of treatment may be explained by the fact that, in the view of the Judean scribe, the tree of Shechem would put the Samaritans in a bad light. Finally, the authors of Targum Onkelos and of the Vulgate intervened almost systematically in Pentateuchal texts having the terms אֵלוֹן) אלון or אַלּוֹן ), which always designate a holy tree. The two expressions are rendered by terms referring to plains (Targum Onkelos) or a valley (Vulgate).

Romanisation in Gaul: new methodological approaches for the study of Gaulish fine wares (200 B.C.-50 A.D.).

The twenty-second Theoretical Roman Archaeology Conference (TRAC) was held at the Goethe-University Frankfurt am Main in spring 2012. During the three-day conference fifty papers were delivered, discussing issues from a wide range of geographical regions of the Roman Empire, and applying various theoretical and methodological approaches. An equally wide selection of subjects was presented: sessions looked at Greek art and philhellenism in the Roman world, the validity of the concept of 'Romanisation', change and continuity in Roman religion, urban neighbourhood relations in Pompeii and Ostia, the transformation of objects in and from the Roman world, frontier markets and Roman archaeology in the Provinces. In addition, two general sessions covered single topics such as the 'transvestite of Catterick', metal recycling or Egyptian funeral practice in the Roman period. This volume contains a selection of papers from all these sessions.

Pere Compte, mestre major de l'obra de la Seu de Tortosa.

[cat] En aquest article es documenta Pere Compte com a mestre major de la Seu de Tortosa(1490), fet que es relaciona amb la promoció del protonotari apostòlic Joan Girona i es compara amb la direcció de les obres de Pere Moragues, que tingué lloc un segle abans. D'altra banda, es proposa la hipòtesi que sigui Pere Compte el responsable del disseny de la capella del Roser de l'esmentat edifici. També s'apunta la possibilitat que fos Antoni Queralt el mestre encarregat de dirigir el dia a dia de l'obra mentre Compte n'era absent i es posa de manifest la importancia que va poder tenir aquest mestre, especialment a Tortosa i a Lleida, a l'entorn del 1500. Finalment, es dóna notícia de la presencia d'altres mestres importants a la Tortosa del canvi de segles paral·lelament a la de Compte i Queralt al front de les obres de la Seu.

Andreu Sala i l'arribada del barroc a Catalunya

Andreu Sala és l’escultor que millor patentitza la introducció de l’estètica i l’univers conceptual i espiritual de l’alt-barroc romà a Catalunya. En aquest treball s’intentarà donar llum a l’univers documental que amaga amb recel les poques notícies referides a l’escultor i també aportar noves hipòtesis i arguments per tal de forjar una idea més clarivident de la vida i obra de l’imaginaire Andreu Sala

Como si fuera posible recoger sentimientos = As if it were possible to collect suffering

Se trata de una propuesta como resultado del trabajo conjunto entre la escuela de Arte Pigment y el ESPAI ZERO1 del Museu Comarcal de la Garrotxa, destinado exclusivamente a exposiciones temporales de creación contemporánea y como continuidad de propuestas anteriores de colaboración: REPLICA23 y SONESNAT JUNIOR. Com si fos possible recollir el sofriment es un proyecto de la artista Anna Manel.la, y se consideró una propuesta interesante y un reto para conversar, intercambiar y crear con los alumnos sobre el tema de la exposición: la muerte y el sufrimiento. Asimismo porque es una artista conocida por los alumnos de la escuela Pigment, ya que anteriormente habían realizado un proyecto de apadrinamiento de esculturas y habitualmente ella participa en programas divulgativos en la escuela. El trabajo desarrollado centra el aprendizaje en la creación y en la investigación artística como ejes de los procesos de conceptualización con el objetivo de atender las dinámicas y los estímulos característicos de los niños. Facilitando procesos de búsqueda, exploración y manipulación sin condicionantes y promoviendo procesos autónomos en los que los mismos niños se planteen dudas e interrogantes y se enfrenten a situaciones cada vez mas complejas

Caracterização através de análise química da escultura portuguesa sobre madeira de produção erudita e de produção popular da época barroca

Making use of several analytical techniques, four erudite and four popular Portuguese baroque wooden sculptures were studied. The materials and techniques employed were identified and the relationship between their artistic quality and the materials used was investigated. In general, the pigments were common at the time, but one pigment discovered in the beginning of the 18th century and two rare arsenic pigments were also identified. In popular sculptures cost-saving was detected, particularly concerning the gold leaf. Regarding some technical procedures identified, recommendations found in historical documents did not seem to have been entirely followed, neither in erudite nor in popular sculptures.

Geochemistry and water quality of Lake Qarun, Egypt

Water geochemistry is a very important tool for studying the water quality in a given area. Geology and climate are the major natural factors controlling the chemistry of most natural waters. Anthropogenic impacts are the secondary sources of contamination in natural waters. This study presents the first integrative approach to the geochemistry and water quality of surface waters and Lake Qarun in the Fayoum catchment, Egypt. Moreover, geochemical modeling of Lake Qarun was firstly presented. The Nile River is the main source of water to the Fayoum watershed. To investigate the quality and geochemistry of this water, water samples from irrigation canals, drains and Lake Qarun were collected during the period 2010‒2013 from the whole Fayoum drainage basin to address the major processes and factors governing the evolution of water chemistry in the investigation area. About 34 physicochemical quality parameters, including major ions, oxygen isotopes, trace elements, nutrients and microbiological parameters were investigated in the water samples. Multivariable statistical analysis was used to interpret the interrelationship between the different studied parameters. Geochemical modeling of Lake Qarun was carried out using Hardie and Eugster’s evolutionary model and a model simulated by PHREEQC software. The crystallization sequence during evaporation of Lake Qarun brine was also studied using a Jänecke phase diagram involving the system Na‒K‒Mg‒ Cl‒SO4‒H2O. The results show that the chemistry of surface water in the Fayoum catchment evolves from Ca- Mg-HCO3 at the head waters to Ca‒Mg‒Cl‒SO4 and eventually to Na‒Cl downstream and at Lake Qarun. The main processes behind the high levels of Na, SO4 and Cl in downstream waters and in Lake Qarun are dissolution of evaporites from Fayoum soils followed by evapoconcentration. This was confirmed by binary plots between the different ions, Piper plot, Gibb’s plot and δ18O results. The modeled data proved that Lake Qarun brine evolves from drainage waters via an evaporation‒crystallization process. Through the precipitation of calcite and gypsum, the solution should reach the final composition "Na–Mg–SO4–Cl". As simulated by PHREEQC, further evaporation of lake brine can drive halite to precipitate in the final stages of evaporation. Significantly, the crystallization sequence during evaporation of the lake brine at the concentration ponds of the Egyptian Salts and Minerals Company (EMISAL) reflected the findings from both Hardie and Eugster’s evolutionary model and the PHREEQC simulated model. After crystallization of halite at the EMISAL ponds, the crystallization sequence during evaporation of the residual brine (bittern) was investigated using a Jänecke phase diagram at 35 °C. This diagram was more useful than PHREEQC for predicting the evaporation path especially in the case of this highly concentrated brine (bittern). The predicted crystallization path using a Jänecke phase diagram at 35 °C showed that halite, hexahydrite, kainite and kieserite should appear during bittern evaporation. Yet the actual crystallized mineral salts were only halite and hexahydrite. The absence of kainite was due to its metastability while the absence of kieserite was due to opposed relative humidity. The presence of a specific MgSO4.nH2O phase in ancient evaporite deposits can be used as a paleoclimatic indicator. Evaluation of surface water quality for agricultural purposes shows that some irrigation waters and all drainage waters have high salinities and therefore cannot be used for irrigation. Waters from irrigation canals used as a drinking water supply show higher concentrations of Al and suffer from high levels of total coliform (TC), fecal coliform (FC) and fecal streptococcus (FS). These waters cannot be used for drinking or agricultural purposes without treatment, because of their high health risk. Therefore it is crucial that environmental protection agencies and the media increase public awareness of this issue, especially in rural areas.

Effect of the human leukocyte antigen HLA-DRB1 and anti-cyclic citrullinated peptide on the outcome of rheumatoid arthritis patients

Our objective was to determine whether the presence of the human leukocyte antigen HLA-DRB1 locus is associated with production of anti-cyclic citrullinated peptide antibodies (anti-CCP Abs) and to what extent they are associated with increased susceptibility to and severity of rheumatoid arthritis (RA) in Egyptian patients. Twenty-nine RA patients gave informed consent to participate in a case-control study that was approved by the Ain Shams University Medical Ethics Committee. RA disease activity and severity were determined using the simplified disease activity index and Larsen scores, respectively. We used a wide scale national study on the pattern of HLA typing in normal Egyptians as a control study. Anti-CCP Abs and HLA-DRB1 typing were determined for all subjects. The alleles most strongly associated with RA were HLA-DRB1 [*01 , *04 and *06] (41.4%). RA patients with serum anti-CCP Ab titers above 60 U/mL had a significantly higher frequency of HLA-DRB1*01 (58.3%) and HLA-DRB1*04 alleles (83.3%). Significant positive correlations were found between serum and synovial anti-CCP Ab titer, RA disease activity, and severity (r = 0.87, 0.66 and 0.63, respectively; P < 0.05). HLA-DRB1 SE+ alleles [*01 and *04] were highly expressed among Egyptian RA patients. The presence of these alleles was associated with higher anti-CCP Ab titer, active and severe RA disease. Early determination of HLA-DRB1 SE+ alleles and serum anti-CCP Ab could facilitate the prediction of the clinical course and prognosis of RA when first evaluated leading to better disease control.

La Revue des beaux-arts (1906)

Etat de collection : 1906/04/15 (A76) à 1926/04 (SER4,N456)

[21 lettres autographes signées de Léon Halévy à Jacques Léopold Heugel, 1861?-1875]

1er juillet [1861] : Promet un article sur la distribution des récompenses des Salons et des Concours où il rappellera le nom et les oeuvres de Gustave Doré dont il a "le talent en grande estime" : "Le concours de sculpture a été très fort ; le nombre de médailles est trop restreint, et les Grands Prix de Rome toujours favorisés". Evoque aussi le nom de Charles Garnier : "Le "Sujet d'Opéra" de Garnier a obtenu la première médaille d'architecture. Décision tout exceptionnelle et très flatteuse car l'oeuvre ne faisait point partie, à proprement parler, de l'Exposition d'Architecture" (NLAS-212-1). - Février 1865 : Réclame un droit de réponse à un article de Blaze de Bury paru dans le "Ménestrel". La lettre contient également la réponse de Heugel datée du 3 février 1865 dans laquelle l'éditeur lui demande d'adoucir ses propos (NLAS-212-9). - 30 juillet 1866 : Echanges et négociations au sujet de la publication de "Tobie" de Fromental Halévy. Est vexé que l'éditeur ne voie pas dans cette parution une bonne affaire et rappelle qu'il a donné au "Ménestrel" "à titre purement gratuit" un travail important sur l'oeuvre de son frère, alors que tant d'autres collègues sont très bien payés pour fournir des notices sur des compositeurs auxquelles il reproche "un esprit de dénigrement à l'égard de [s]on cher frère". Tente de rendre justice à son frère : "Je ne puis cependant m'empêcher de remarquer, quand j'entre chez vous, qu'à côté des bustes ou portraits de Meyerbeer, de Rossini, d'Auber, qui décorent vos magasins, je ne vois pas une seule image du grand maître qui fut leur égal" (NLAS-212-11). - 2 août 1866 : Le remercie pour le témoignage personnel de ses sentiments à l'égard de son "cher et regretté frère" : "cette justice que vous lui avez toujours rendue me dédommage amplement des torts que peuvent avoir envers sa mémoire plusieurs écrivains qui ont coopéré avec moi au monument que vous élevez à la gloire de nos grands maîtres français et étrangers" (NLAS-212-12). - 25 avril 1867 : au sujet des droits d'auteur de "Tobie" (NLAS-212-16). - 7 mai 1873 : Se dit heureux que son article convienne au directeur du "Ménestrel". Évoque "Carmen" de Bizet : "Ludovic [Halévy] et Meilhac sont à l'oeuvre et achèvent un poème où l'ami Bizet aura toute occasion de déployer son talent" (NLAS-212-17). - 16 juin 1875 : Le remercie pour son article consacré à "[leur] cher et infortuné Bizet" : "Impossible de rendre un hommage plus complet et en meilleurs termes à une existence si courte et si bien remplie" (NLAS-212-19). - 22 juin 1875 : Au sujet d'un opéra inachevé de Bizet, "Le Cid" : "La seule personne qui pourrait vous donner des renseignements que vous désirez sur l'opéra laissé inachevé par Bizet [...] serait sa jeune et malheureuse veuve, ma pauvre nièce Geneviève, mais elle est dans un tel état de prostration, d'accablement et d'inconsolable affliction qu'il est encore impossible de l'interroger sur un sujet si douloureux pour elle et qui raviverait de si poignants souvenirs" (NLAS-212-20). - Contient aussi 2 LAS de sa belle-soeur Léonie Halévy au sujet de sa fondation "Le Pain à bon marché" (NLAS-212-22/23)

La gloire offerte par les Alsaciens-Lorrains au maréchal Foch, sculpteur Pierre Feitu : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59555

La gloire offerte au maréchal Foch, sculpteur Pierre Feitu : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59557

Bust of Albert Schweitzer outside Argyros Forum

Bust of Albert Schweitzer, on the Argyros Forum patio, Chapman University, Orange, California, ca. 1992. Text on base supporting the sculpture: "Albert Schweitzer (1975-1965) -- 'Search and see whether there is not some place where you may invest your humanity.' " Created by sculptor Sandro da Verscio in 1990.