998 resultados para Letter Sound


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A letter from Sean O'Sullivan to John Diefenbaker, 29 November 1969. O'Sullivan mentions a confrontation between Diefenbaker and Prime Minister Trudeau, during which Trudeau made an error and apologized to the House. Instead of seizing the moment to ridicule, Diefenbaker crossed the floor to accept the apology. O'Sullivan remarks "The gesture you made brought new honour to Parliament; an honour far too often lacking; and serves to remind all Canadians of the difference between a true leader and a petty political opportunist". He ends his letter by mentioning graffiti on the walls of Brock University that reads: "Mickey Mouse wears a Robert Stanfield watch".

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A letter to John Diefenbaker from Sean O'Sullivan in regards to a position working for the Diefenbaker campaign. O'Sullivan does not ask for any special consideration, but does remark on his experience thus far.

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A handwritten letter from Olive Diefenbaker to Sean O'Sullivan, 6 December 1966. Mrs. Diefenbaker remarks about a phone call she received from a Hamiltonian who had met O'Sullivan at "the Convention" and had "'tried to help him over his disillusion"'. Mrs. Diefenbaker took offense to the comments and responded to the individual "I wouldn't worry about Sean. He is mature and wise, and will think his way through like the rest of us".

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A letter from John Diefenbaker to Sean O'Sullivan following the election in 1968. Diefenbaker thanks O'Sullivan for his work for the Diefenbaker campaign in Prince Albert. He also mentions that O'Sullivan has "a knowledge of political issues that is amazing".

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A letter from Mr. Julian Porter to R.A. Brown of Longmans Green Publishing Company. The letter indicates that Mr. Porter was introduced to Sean O'Sullivan during a political function. Mr. O'Sullivan mentioned that he had written a manuscript about Mr. J. Diefenbaker. Mr. Porter suggests that Longmans Green Publishing Company take interest in the manuscript. The company eventually rejects the book due to it being "so highly personal". The publishing company also remarks "I am personally most impressed with Mr. O'Sullivan's sincerity. I can't imagine anything will stop him from eventually going into politics."

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A letter from Hamilton Mayor, Victor K. Copps, stating that he received a letter from Mr. O'Sullivan inviting him to a show at his school. Mr. O'Sullivan would have been about 11 years at the time. The Mayor plans to attend the show at his school and thanks Mr. O'Sullivan for the invitation.

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A letter from Sean O'Sullivan to John G. Doherty, editor of The Spectator, 28 April 1975. The letter includes comments from O'Sullivan regarding the direction of the Progressive Conservative Party.

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A correspondence between Ian Green and Sean O'Sullivan from July 1977. The first letter is from 4 July 1977 from Sean O'Sullivan, titled "The Nation's Business". He requests a discussion about "Caucus morale". O'Sullivan requests that Joe Clark individually acknowledge members of the party and say "a few words about how proud he is of the men and women who form the P.C. Caucus, and how well they represent the country--moreover, how well they are prepared to help form the next Government." A response from Ian Green (Legislative Assistant) is positive and he forwards the memo to Jodi White, Director of Communications.

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A brief letter from Sean O'Sullivan to Richard Nixon, 20 December 1975. O'Sullivan thanks Nixon for a meeting they had in San Clemente, California. O'Sullivan remarks "It is my hope that the future will permit us to work towards the goal of a lasting Peace -- a goal to which you have already made such an outstanding contribution".

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Geography has long been a predominantly visual discipline, but recent work in geography has sought to explore the multisensory, embodied, emotional and affective dimensions of people’s relations with places. One way to engage this type of exploration is through the use of sound walks: walks along a specified route accompanied by a soundtrack (on headphones or stationary speakers) that conveys information, enacts a story, produces an ambience or atmosphere, or illuminates certain aspects of the environment through which the listener is walking. This thesis aims to show how geographers can benefit from using sound walks as thinking tools, representational tools and teaching tools. Drawing on my own experiences producing sound walks, I first examine the ways that sound walk production processes help generate productive geographical thinking for those producing sound walks (Chapter Two). The various stages of producing a sound walk require different skill sets, pose different challenges, and require different sorts of environmental awareness, and therefore present novel opportunities for developing geographical insights about specific places or spatial relations. Second, I focus on four experientially-oriented aspects of sound walks – using multiple senses, walking, contingency, and moments of interaction – to argue that sound walks can be useful representational tools for geographers, whether those creating sound walks subscribe to a representational or non-representational theory of knowledge (Chapter Three). The value of sound walks as representational tools is in the experience of ‘doing’ them. That is, audiences discover for themselves through interaction what is being represented, rather than having it delivered to them. The experiential elements of ‘doing’ sound walks recommend them as potentially helpful representational tools for geographers. Third, by examining the work of a small sample of fourth year “Advanced Geography of Music” students, I develop the argument that sound walks can be effective tools for teaching students and for creating circumstances for students to learn independently (Chapter Four). Sound walks have potential to be effective pedagogical tools because they are commensurate with several key pedagogical schools of thought that emphasise the importance of requiring students to engage actively with their environment using a combination of senses. The thesis demonstrates that sound walks are a worthwhile resource for geographers to use theoretically, representationally and pedagogically in their work. The next step is for geographers to put them into practice and realize this potential.

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A letter from Cal Cavendish of Cavenidish Country in Calgary, Alberta. Cavendish has written a song about former prime minister R. Honourable John Diefenbaker. He has included the lyrics to his song. A few of the lyrics: "...Well it took a little while, but he reached his destiny, He was right, he was wrong, but he ran this big country. He didn't waste much time when he had a job to do, He worked the House of Commons like a prairie thrashing crew. Good old John, we heard you John, when a man got paid for the job when the job got done."

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A letter from John Diefenbaker, 10 September 1965. It reads "I was delighted with your letter. Your loyalty is surpassed only by your enthusiasm. I hope all of our friends will work as hard as I know you will, and if so, we cannot fail. Keep up the good work, and I will look forward to seeing you during the campaign. With very best wishes"

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A letter written by Napoleon Buonaparte (Bonaparte) to Guillaume Thomas Francois Raynal, dated at Ajaccio [Corsica] June 24 the first year of freedom [1790]. The letter is written in French. A transcription and a translation of the letter are also available.

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A letter from Governor General of Canada, Adrienne Clarkson, to Dorothy Wetherald Rungeling. This correspondence is in response to a letter Dorothy Wetherald Rungeling had sent to Adrienne Clarkson. In the letter, Clarkson thanks Wetherald Rungeling for a copy her book "It's Fun to Grow Old!" and mentions "it was wonderful to hear you speak about your experiences as a pilot at the Order of Canada ceremony. I can assure you that you have had as great an impact on others (myself included) as we have had on you."

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A letter from Prime Minister Jean Chretien to Dorothy Wetherald Rungeling, in congratulations of her appointment as a Member of the Order of Canada.