957 resultados para French wit and humor, Pictorial
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In this thesis I examine the issues of postcolonial Algerian identity expressed in literature, and the difficulty of defining an Algerian identity independent of French influence. I analyze and contextualize three novels (Le Polygone etoile by Kateb Yacine,L'Amour, la fantasia by Assia Djebar, and Le Village de l'allemand ou le journal des freres Schiller) representative of their respective periods. I explore the evolution of expressions of identity through post-liberation Algeria. The years immediately following decolonization are marked by the effort to return to aprecolonial blank slate, an effort that Yacine cautions against. The 1980s and 1990s are most concerned with re-inserting Algeria into the Western historical discourse, and the most recent literature moves beyond decolonization to discuss the current Islamistchallenge and immigration. Among the pertinent issues are language, oral vs. written traditions, the often blatant absence of Algerians and women from the accounts in the French colonial archives, and, of course, the Self/Other binary. I have found that theserepresentative authors and texts use asynchronic time, fragmented narrative, re-written history, and expressions of violence in an attempt to cope with the colonial period and decolonization. I show that these authors provide a commentary on those who have triedto erase their French side, but with little success. Ultimately, though in different ways, each author writes that Algerians much accept their French past and move beyond it,rather than fighting their collective history.
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This paper explores the possible contribution of various types of storage to grammaticalization processes, and the description of such processes by means of Construction Grammar(s) (CxG). The grammaticalization processes of French pas and certain complex adpositions in German and Finnish serve to illustrate that storage can background the literal meaning of elements like pas, thus enabling the constructions containing them to grammaticalize. A further form of storage, the emergence of a productive template on the basis of high type frequency, may in turn stand behind their grammaticalization. Two further assumptions about language use are also exploited in the explanation of grammaticalization: the possibility of processing complex units holistically and a human urge to interpret recurring forms as signs.
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This anniversary book gives an animated description of the first one hundred years of the Swiss Society of Dermatology and Venereology (SSDV – SGDV). The approximately 60 authors write from the subjective perspective of the contemporary witness and thus create a vibrant picture of their field and the times in which we live. “Spirit and Soul of Swiss Dermatology and Venereology 1913 – 2013” is therefore an ideal companion to the medical history book “Dermatologie und Venerologie in der Schweiz – ein historischer Rückblick” (2002 Editions Alphil, ISBN 2-940235-08-2), published in 2003 by the SSDV – SGDV for its 90th anniversary. The anniversary edition for the centennial is written in English in order to make the history of the SSDV – SGDV accessible to a larger international public. The introductory chapter is written in all four national languages (German, French, Italian, and Romansh) and also translated into English. It is followed by chapters about the university and non-university public dermatology and venereology departments, the memoirs of those presidents still living, and the depiction of the numerous sub-disciplines of dermatology. Further important chapters include a large contribution on the beginnings of dermatological research in Switzerland, a series of pieces on medical education and continuing education, and finally an overview of healthcare politics in Switzerland. Our friends in Germany, Austria, France, Italy and the USA have provided the outside perspective on Swiss dermatology and venereology in their essays. All in all an informative and entertaining overview of a very diverse medical specialty has been created, which combines historical facts with dynamic insights into this topical field and the current political healthcare framework.
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AIMS In symptomatic fever management, there is often a gap between everyday clinical practice and current evidence. We were interested to see whether the three linguistic regions of Switzerland differ in the management of fever. METHODS A close-ended questionnaire, sent to 900 Swiss paediatricians, was answered by 322 paediatricians. Two hundred and fourteen respondents were active in the German speaking, 78 in the French speaking and 30 in the Italian speaking region. RESULTS Paediatricians from the French and Italian speaking regions identify a lower temperature threshold for initiating a treatment and more frequently reduce it for children with a history of febrile seizures. A reduced general appearance leads more frequently to a lower threshold for treatment in the German speaking than in the French and Italian speaking areas. Among 1.5 and 5-year-old children the preference for the rectal route is more pronounced in the German than in the French speaking region. French speaking respondents more frequently prescribe ibuprofen and an alternating regimen with two drugs than German speaking respondents. Finally, the stated occurrence of exaggerated fear of fever was higher in the German and Italian speaking regions. CONCLUSIONS Switzerland offers the opportunity to compare three different regions with respect to management of febrile children. This inquiry shows regional differences in symptomatic fever management and in the perceived frequency of exaggerated fear of fever. The gap between available evidence and clinical practice is more pronounced in the French and in the Italian speaking regions than in the German speaking region.
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INTRODUCTION The orthographic depth hypothesis (Katz and Feldman, 1983) posits that different reading routes are engaged depending on the type of grapheme/phoneme correspondence of the language being read. Shallow orthographies with consistent grapheme/phoneme correspondences favor encoding via non-lexical pathways, where each grapheme is sequentially mapped to its corresponding phoneme. In contrast, deep orthographies with inconsistent grapheme/phoneme correspondences favor lexical pathways, where phonemes are retrieved from specialized memory structures. This hypothesis, however, lacks compelling empirical support. The aim of the present study was to investigate the impact of orthographic depth on reading route selection using a within-subject design. METHOD We presented the same pseudowords (PWs) to highly proficient bilinguals and manipulated the orthographic depth of PW reading by embedding them among two separated German or French language contexts, implicating respectively, shallow or deep orthography. High density electroencephalography was recorded during the task. RESULTS The topography of the ERPs to identical PWs differed 300-360 ms post-stimulus onset when the PWs were read in different orthographic depth context, indicating distinct brain networks engaged in reading during this time window. The brain sources underlying these topographic effects were located within left inferior frontal (German > French), parietal (French > German) and cingular areas (German > French). CONCLUSION Reading in a shallow context favors non-lexical pathways, reflected in a stronger engagement of frontal phonological areas in the shallow versus the deep orthographic context. In contrast, reading PW in a deep orthographic context recruits less routine non-lexical pathways, reflected in a stronger engagement of visuo-attentional parietal areas in the deep versus shallow orthographic context. These collective results support a modulation of reading route by orthographic depth.
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Este artículo es dedicado a la memoria de Aaron, jovencito español y amigo del gimnasio, a quien el ring no lo salvó de los peligros de la calle. Este trabajo se benefició de las respuestas, los comentarios críticos y el aliento de una serie de colegas, entre los cuales se encuentran Pierre Bourdieu, Rogers Brubaker, Dan Chambliss, S. Lynn Chancer, Rick Fantasia, Harvey Molotch, Bill Wilson, y los miembros del Centro de Sociología Europea en París. También agradezco a mis colegas de la "la dulce ciencia", que me enseñaron mucho más que a lanzar gancho de izquierda, y a mi familia y amigos que me apoyaron moralmente durante este extenuante proyecto (con mención especial para Elizabeth Bonamour du Tartre, una importante asistente en el lugar). Esta investigación fue posible en parte por el apoyo financiero de la Maison des sciences de l'homme, un Lavoisier Fellowship del Gobierno Francés y la Fundación Milton de la Universidad de Harvard.
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Este trabajo se inscribe en la discusión en torno a la relación existente entre la cinematografía y la llamada "literatura experimental" de Antonio Di Benedetto. Se parte de la consideración del cine como manifestación artística central en la escena de los años 50, es decir, como un fenómeno cultural de amplio alcance cuyas proyecciones se pueden advertir en la literatura de mediados de siglo. Esta apreciación, por un lado, explica ciertos aspectos de las dos corrientes literarias con las que el escritor de Mendoza ha sido relacionado: el objetivismo francés y el behaviorismo de la novela norteamericana de entreguerras; por el otro, ilumina muchas características formales y temáticas de sus textos
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Este artículo es dedicado a la memoria de Aaron, jovencito español y amigo del gimnasio, a quien el ring no lo salvó de los peligros de la calle. Este trabajo se benefició de las respuestas, los comentarios críticos y el aliento de una serie de colegas, entre los cuales se encuentran Pierre Bourdieu, Rogers Brubaker, Dan Chambliss, S. Lynn Chancer, Rick Fantasia, Harvey Molotch, Bill Wilson, y los miembros del Centro de Sociología Europea en París. También agradezco a mis colegas de la "la dulce ciencia", que me enseñaron mucho más que a lanzar gancho de izquierda, y a mi familia y amigos que me apoyaron moralmente durante este extenuante proyecto (con mención especial para Elizabeth Bonamour du Tartre, una importante asistente en el lugar). Esta investigación fue posible en parte por el apoyo financiero de la Maison des sciences de l'homme, un Lavoisier Fellowship del Gobierno Francés y la Fundación Milton de la Universidad de Harvard.
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Este trabajo se inscribe en la discusión en torno a la relación existente entre la cinematografía y la llamada "literatura experimental" de Antonio Di Benedetto. Se parte de la consideración del cine como manifestación artística central en la escena de los años 50, es decir, como un fenómeno cultural de amplio alcance cuyas proyecciones se pueden advertir en la literatura de mediados de siglo. Esta apreciación, por un lado, explica ciertos aspectos de las dos corrientes literarias con las que el escritor de Mendoza ha sido relacionado: el objetivismo francés y el behaviorismo de la novela norteamericana de entreguerras; por el otro, ilumina muchas características formales y temáticas de sus textos
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Este artículo es dedicado a la memoria de Aaron, jovencito español y amigo del gimnasio, a quien el ring no lo salvó de los peligros de la calle. Este trabajo se benefició de las respuestas, los comentarios críticos y el aliento de una serie de colegas, entre los cuales se encuentran Pierre Bourdieu, Rogers Brubaker, Dan Chambliss, S. Lynn Chancer, Rick Fantasia, Harvey Molotch, Bill Wilson, y los miembros del Centro de Sociología Europea en París. También agradezco a mis colegas de la "la dulce ciencia", que me enseñaron mucho más que a lanzar gancho de izquierda, y a mi familia y amigos que me apoyaron moralmente durante este extenuante proyecto (con mención especial para Elizabeth Bonamour du Tartre, una importante asistente en el lugar). Esta investigación fue posible en parte por el apoyo financiero de la Maison des sciences de l'homme, un Lavoisier Fellowship del Gobierno Francés y la Fundación Milton de la Universidad de Harvard.
Resumo:
Este trabajo se inscribe en la discusión en torno a la relación existente entre la cinematografía y la llamada "literatura experimental" de Antonio Di Benedetto. Se parte de la consideración del cine como manifestación artística central en la escena de los años 50, es decir, como un fenómeno cultural de amplio alcance cuyas proyecciones se pueden advertir en la literatura de mediados de siglo. Esta apreciación, por un lado, explica ciertos aspectos de las dos corrientes literarias con las que el escritor de Mendoza ha sido relacionado: el objetivismo francés y el behaviorismo de la novela norteamericana de entreguerras; por el otro, ilumina muchas características formales y temáticas de sus textos