995 resultados para Fotografia, Amazonas
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Este artigo descreve um ritual que ocorreo anualmente entre os Tenharim do rio Marmelos, um povo indígena que vive na região sul do estado do Amazonas. A intenção é demonstrar como os aspectos políticos estão diretamente relacionados à organização social e à cosmologia. Além disso, percebe-se que o ritual opera uma conexão temporal juntando o tempo do mito e dos ancestrais ao tempo presente. Utilizando-se de objetos técnicos de nossa sociedade - carros, panelas -, e distribuindo biscoitos e sucos artificiais aos convidados, os Tenharim mobilizam seu mundo e, através da linguagem da predação, atualizam suas reflexões sobre o mundo contemporâneo.
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The use of geostatistical techniques allows detection of the existence of dependence and the spatial distribution of soil properties, thus constituting an important tool in the analysis and detailed description of the behavior of soil physical properties. The aim of the present study was to use geostatistics in assessment of physical properties in a Latossolo (Oxisol) dystrophic under native forest and pasture in the Amazon region of Manicore. Grids with of 70 x 70 m were established in native forest and pasture, and points were marked in these grids spaced at every 10 m, for a total of 64 points. These points were then georeferenced and in each one, soil samples (128) were collected at the depths of 0.00-0.20 and 0.40-0.60 m for a survey of their physical properties. These grids are parallel at a distance of 100 m from one another. The following determinations were made: texture, bulk density and particle density, macroporosity, microporosity, total porosity and aggregate stability in water. After tabulating the data, descriptive statistical analysis and geostatistical analysis were performed. The pasture had a slight variation in its physical properties in relation to native forest, with a high coefficient of variation and weak spatial dependence. The scaled semivariograms were able to satisfactorily reproduce the spatial behavior of the properties in the same pattern as the individual semivariograms, and the use of the parameter range of the semivariogram was efficient for determining the optimal sampling density for the environments under study. The geostatistical results indicate that the removal of native forest for establishing pasture altered the natural variability of the physical properties.
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Pós-graduação em Agronomia (Horticultura) - FCA
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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In the contemporary society, the recurring preoccupation about the effective use and appropriation of information has forced a progressive maturing of Information Science and its extention to new fields of study. In archival management, some gaps can be found concerning the treatment of photographs that have not been solved either theoretically or methodologically. This study approaches one of these gaps: the one related to the processing of the informational content of the photographic documents in archives. After a literature review, several recommendations are proposed regarding the identification, organization, representation, retrieval and access to the informational content of photographs in archives.
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O jornalismo se estabeleceu no meio impresso (jornais e revistas) com textos tradicionais e, muitas vezes reféns do lide. A junção de fotografia e quadrinhos ainda é embrionária, mas surge como um recurso para a inovação do jornalismo, já tão dependente de antigos formatos. Nesta monografia, a obra O Fotógrafo é analisada para observar como essas mídias, quadrinhos e fotografia, podem servir de plataforma para uma narrativa jornalística. Em 1986 o fotojornalista Didier Lefèvre viajou ao Afeganistão para acompanhar a caravana de uma equipe da organização Médicos Sem Fronteiras. O intuito era fotografar o trabalho da ONG e revelar a situação do povo afegão em meio à invasão soviética, que durou 10 anos. Na época, seis fotos, de quatro mil, foram publicadas. Treze anos depois, o quadrinista Emmanuel Guibert sugeriu que a história, já esquecida dentro de caixas, virasse livro. Assim nasceu O Fotógrafo, uma obra em quadrinhos, mas que incorpora as fotografias de Lefèvre e seu relato jornalístico das consequências do conflito no país. Por diversas características, a história será analisada pelo viés do jornalismo gonzo e, ainda, do new journalism
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Pós-graduação em Agronomia (Ciência do Solo) - FCAV
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This article compares the different photographic acts of Henri Cartier-Bresson and Sebastião Salgado.
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Once the choices set involved in the selection of compositional techniques of a photography is mediated by ideological universes, this final project aims to analyze the photographic coverage of the World War II presented in the brazilian publication Revista da Semana during the period in which Brazil was part of the conflict (1942 to 1945). We study the different composition techniques used and the different effects of meaning articulated by these techniques. Thus, our goal is to see how the repetitions are articulated and the translations of meaning in photojournalistic composition from its narrative structure, that is, their way of coded organization. For this, we used the analysis methodology proposed by Umberto Eco on the rhetoric of the image, involving the five levels of photography decomposition (ie iconic levels, iconographic, tropological, topic and enthymematic). We will analyze these images from the perspective of the effects of meaning that the composition techniques to engender glimpse which were woven meanings to this event in that specific space, and which were mediated discourses of Brazilian participation in the conflict
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The aim of this paper is to investigate the environment in which a proposal for photographs and photo montages created in Spain in the 1930s was developed. To achieve this, the experiences of the Spanish artist Josep Renau and his work in the illustrated magazines Orto and Octubre is examined. There is an attempt to explore how the European experience of proletarian culture and photography was circulated and appropriated by the Spanish cultural universe. I believe that during these years Spain became a production hub and disseminator of political iconography which later spread to Mexico and Latin America.
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The hinterland of northern Paraná recorded in photographs held by Amedeo Boggio (1901-1967) is the motto to reflect on the technical ideologies for geographical mapping in the first decades of the twentieth century, the use of photography as documentary evidence and reading a group of photographs depicting the daily life of an exploratory and pioneering mission.
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This article analyzes and discusses the experience of time in old age through the relations of the elderly with photography. We did photography workshops with a group of elders exploring with them the sense of the photographic act death, as an act of freezing and stopping time and also the sense of exploring the future to create, through the photographic act, an image that can symbolize moving on in life.