1000 resultados para Rilke, Rainer Maria, 1875-1926 - Crítica e interpretação


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O objetivo deste trabalho foi o de demonstrar a importncia e pertinncia do dilogo entre literatura e religio, concentrando o mbito de sua pesquisa a partir das relaes entre a escritura de Clarice Lispector e as ressonncias de uma tradio (judasmo), que embora no tenha sido assumida pela autora, persiste, encalacrada em toda a sua obra. Tendo, como objeto de pesquisa o romance A Hora da Estrela, esta dissertao procurou entender como o drama da narrativa, em seu jogo de tenses e identidades, em sua pluralidade de ttulos e referncias, sinaliza tambm um profundo problema com a religio. Focando, de forma especial a personagem Macaba, este estudo procurou compreender como as referencias da personagem, sua dificuldade com as palavras, seus desencontros do outro (tu) e sua rejeio social, revelam um grave problema de ordem teolgica, demonstrando os equvocos de uma sociedade, que fundada sobre o prisma da religio, massacra os mais fracos. O desfecho do livro sinaliza uma possvel epifania, mas, desvela-se num fracasso da religio e de seu poder salvfico. O trabalho procurou a partir dos principais temas do romance, perceber suas correspondncias com o tema da religio. Pode com isso, a partir das contribuies de Scholem, ver como dilema existencial e subjetivo da personagem possui proximidade com o drama mstico cabalstico, alm disso, perceber as correlaes entre a obra clariceana e textos da tradio judaca, quer na sua referncia explcita (nome da personagem), como tambm, em seu aspecto de busca, em sua forma de midrash e nas inmeras exegeses e comentrios que propicia. Finaliza seu esforo, levantando uma discusso tica sobre os valores teolgicos da sociedade e seus profundos equvocos, ante a vida e morte da pobre Macaba, uma mulher que viveu a religio nos limites da prpria existncia.

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A dissertao objetiva estudar o papel que o apocalipsismo, desempenhou na histria e no contexto da redao do orculo isaiano em Isaas 24,1-6. A proposta de que sua funo foi de grande importncia no processo de formao do judasmo ps-exlico, fomentando uma nova reidentificao e reetnizao dos israelitas-judatas num contexto de frustrao nacionalista e religiosa que gerou uma grande heterogeneidade teolgica. Identificamos este contexto como sendo o ambiente em que se deu um complexo processo de transio scio-teolgica na histria dos judaitas no perodo de dominao persa. O apocalipsismo, enquanto fenmeno religioso e scio-histrico, se mostrou como resultado de uma realidade hostil e desumanizadora na qual a identidade teolgico-cultural e os relacionamentos scioeconmicos das pessoas foram extremamente ameaados e violentados gerando uma contraposio aos desgnios de Yahweh expressos na aliana firmada por ele para com seu povo. Atravs da pesquisa e anlise exegtica de Isaas 24,1-6, a presente dissertao prope que, a partir dessa realidade conflituosa, a profecia apocalipsista isaiana se manifesta contra as estruturas e suas articulaes geradoras de segregao e desumanidade, lanando uma esperana no ato transformador por intermdio de Yahweh, o senhor da histria, que possibilita um reverso histrico, a partir do qual ser possvel reconstruir relacionamentos favorveis no mbito social e espiritual.(AU)

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Esta pesquisa prope um estudo do Evangelho produzido pela comunidade de Mateus, mais especificamente, o trabalho consiste em demonstrar a possibilidade de leitura desse evangelho a partir de implicaes econmicas no seio da comunidade que o produziu. Entendemos o Evangelho de Mateus como um dos diversos movimentos judaicos do perodo ps-destruio do templo em 70 d.C.. Por causa desse contexto percebemos que o Evangelho de Mateus, debate com uma realidade de disputas religiosas desse perodo. importante frisar que essas questes possuem vertentes e no terminam no mbito religioso. As disputas religiosas conseqentemente tm relaes com todas as dimenses da vida, entre elas a econmica. Mateus resignifica para seu grupo a questo das posses, das riquezas, em virtude de uma realidade de crise econmica. E em meio a essa crise o Evangelho de Mateus, a partir de um trabalho redacional, d novos significados vida de f da comunidade luz das histrias de Jesus recebidas das fontes Marcos e Lucas. Este estudo justifica-se pela lacuna existente no material produzido sobre o Evangelho de Mateus, uma vez que o que produzido a respeito dessas narrativas quase sempre se preocupa em analisar o conflito entre a comunidade de Mateus e os Fariseus somente no campo religioso deixando de lado as demais possibilidades, entre elas as relaes econmicas.(AU)

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trabalho a seguir visa apresentar um estudo da palavra multido no Evangelho de Marcos, considerando-a como personagem importante na estrutura literria concebida pelo autor, destacando especialmente sua atuao na cena da apresentao de Jesus diante de Pilatos em que dada a ela a multido a oportunidade de escolher pela libertao de Jesus ou de Barrabs. O texto em referncia ser estudado levando-se em conta o contexto de dominao romana em que estava inserido, como composio literria que reproduz a estrutura dos munera (combate ente gladiadores), fenmeno caracterstico da civilizao romana e smbolo de sua dominao, fazendo com que o escrito de Marcos seja uma pardia que visa esclarecer seu pblico acerca de sua prpria situao.(AU)

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As pessoas com deficincias so excludas da sociedade devido marca negativa de descrdito recebida pelo meio social - por sua aparncia ou seu modo de ser diferentes - que os coloca fora da norma classificando-os como seres desviantes. No cotidiano escolar essas marcas se afirmam e se reproduzem, no promovendo s pessoas com deficincias uma superao desse estigma. A pesquisa visa analisar como o estigma incorporado pelos alunos com deficincias influencia no processo de interao e incluso escolar, de forma a estudar indcios de como se desenvolve o processo de estigmatizao no cotidiano escolar sob a luz dos pensamentos de Erving Goffman. O presente estudo utiliza-se uma reviso de literatura especifica do tema, fundamentada nos estudos de Erving Goffman, conjuntamente pesquisa emprica baseada na etnografia vivenciada pelo autor em seus estudos de comunidade, foram utilizadas como estratgias de pesquisa, entrevistas com trs professores e observaes registradas por meio de de observao de cenas do cotidiano escolar de duas escolas pblicas do estado de SPSo Paulo . No captulo 1 buscamos entender os constructos de Goffman principalmente por meio de sua trajetria acadmica, no captulo 2 o trabalho centrou-se na compreenso da interao social e principalmente na questo definida pelo autor como ordem da interao, em queentende-se que as pessoas so autores dentro de um palco social, no captulo 3. a pesquisa aborda o termo estigma e explica sua influncia na interao e no avano das pessoas com deficincia. Por fim, o trabalho se encerra no captulo .4 apresentando a anlise das entrevistas e dos registros das cenas do cotidiano escolar. As cenas selecionadas apresentam os atores envolvidos, o cenrio, e o enredo das interaes, identificando as estratgias do estigma incorporado pelos alunos com deficincia e buscando ligaes com as polticas inclusivas e as escolas brasileira. A pesquisa identificou que a escola, como meio de socializao e criao de saberes, possui um papel importante neste processo de mudana, apesar de muitas vezes reproduzir o estigma social. Observamos ento que a escola pode auxiliar na mudana do olhar que exclui, maneira que mostra algumas mscaras do social e da prpria incluso; no entanto importante salientar que sua renovao e de seus agentes sociais deve valorizar as diferenas para construo de novos conhecimentos.(AU)

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Este livro realiza uma travessia pela obra de Joo Cabral de Melo Neto (1920-1999), buscando apreender o ser do tempo e seus desdobramentos no espao do poema. Ao leitor que j conhece a obra do poeta, este estudo possivelmente oferecer um novo olhar focado no seu processo criativo ao percorrer o trajeto de sua poesia atravs da temtica do tempo.

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This dissertation aims at showing the importance of the Nietzsche s and Spinoza s philosophy in Deleuze thought, about body, force, and potency concepts. The search starts from Deleuze texts around two authors of his inspiration, reaching understand in the plan of immanence of the relationship between concepts and the way life as ethics and political affirmation. The first goal is the concept of rhizome; propose by Deleuze in what manner to walk the ways traced by philosophers and at the same time to create self ways. The second chapter examines the body in Nietzsche as force s relations. Find to show the genesis of the force in its determination as relative quantity strong or weak, and as absolute quality active or reactive; and for other side the genesis of the force from two poles of the will to power affirmation or negation, examining the consequences for life and thought. In the third chapter explained the definitions of body in Spinoza. The body, in Spinoza, defines itself complex relation of movement and repose, velocity and slowness and by it s to affect and be affecter s power. Find to show understanding the mediums for to amplify the power of to exist or the potency of to act, in what manner ethics of to live. The fourth chapter makes one parallel between the war and the thought in the constitution of socials body and collectives agenciamientos, for understand in the fifth chapter the body as war s machine of the thought, from the relationship between nomad way life and war s machine showed in Tractate of Nomadologia. Wait like this to show the importance of the ethics and political thought than affirm the existence in the world through active force from that body s power.

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We intend with this research to contribute to the contemporary debate pertinent to the history of Brazilian cinema, its historiography and its writing procedures. Thereunto, we sustain the view that the historical interpretation composed by the essays Panorama do Cinema Brasileiro: 1896/1966 (1966) and Cinema: trajetria no subdesenvolvimento (1973) arranged by the critic and historian Paulo Emilio Salles Gomes, due to their epistemological postulates and narrative strategies, constitutes a version about the history of national cinema of expressive discursive efficacy.

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The issue of this dissertation is the problem of personal identity. More specifically, the objective of this work is to investigate and compare how Hume and Kant construct, within their own philosophical systems, their theories of personal identity (of the self), so that these theories can set the grounds for the construction of theoretical knowledge. Humes theory of personal identity is closely connected to his empirical model of investigation, according to which no metaphysical conclusion can be accepted. This implies a very specific limitation to the humean description of personal identity. Because he cant find a safe empirical reference for the self, Hume is obliged to describe it as a mere fiction, which the imagination creates to try to give unity to the set of perceptions that composes the mind. Kant, on the other hand, constructs his theory of the self with the aim of explaining the possibility of the a priori knowledge in Mathematics and in Physics. Kant tries to find which attributes must necessarily belong to the self so that this self can be, at the same time, the a priori transcendental condition of a subjectivity in general and the equally a priori transcendental condition for the construction of objective knowledge. Moreover, Kant shows the impossibility of objectively knowing, as intuition, the self, and limits himself to the description of the self as a mere subjective consciousness of the synthetic capacities of the understanding. Several disparities, thus, can be perceived between the theories of personal identity of these two authors. Based on these differences, the present work also examines the possibility of making an interpretation of the humean theory of the self by using elements of the kantian philosophy. The purpose of this kind of interpretation is to propose a solution to the difficulties faced by Hume in the description of his theory of personal identity.

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Our work aims at investigating the notion of relation in Ferdinand de Saussures linguistic reflections. As we observe his theoretical production, we see this notion was amply worked in the elaboration of other concepts of his, for example, language, signe, value, arbitrariness, among others. However, beyond the capacity of the notion of relation to produce other concepts, the way it was conceived and the theoretical space it was placed allowed Saussure to break through the essentially historical-comparative studies of the epoch, what made a new way of thinking language to have its starting point. Taking it into account, firstly, by reading the work of Herman Paul, the one who represents the neogrammarians in our text, we examine in which way Saussure is distant from his contemporary linguistics when he distinguishes the linguistic relations and give them a new status in his investigation. Secondly, we study how the notion of relation has it own place in Saussures theoretical process of thinking the fundamentals which later would be considered the milestone for Modern Linguistics. For that, we analyse one of his manuscripts, Notes pour un livre sur la linguistique gnrale, and the Course in General Linguistics. The first is composed by sketches which would become a book, as Saussure promised in a letter to Meillet; and the latter contains the principals for the science of Linguistics. So we aim at researching how the notion of relation is treated in this corpus in order to see the way it is conceived both in the particular production of a manuscript written by Saussure itself and the book which was published and considered the turning point for Linguistics.

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Through the philosophical movements in Ionia and through researches made on phsis (started by the first wise men in Miletus), we elected Anaximanders cosmology as a fertile ground for exploring the Greek notion of symmetry. From a geographical perspective, initially, the Greeks originality towards the notion of a due measure will be questioned, since the astrological and mathematical knowledge were common in Babylon and Egypt. Although the cultural environment on the Milesian commercial ports and its architecture show evidences of a possible eastern impact on the Greek thought, it will be noted (from fragments validated by the Doxography tradition) that the problem with the birthplace of the notion of harmony and of due measure is something specific of the Greek culture and inherent to its remote religiosity. The resumption of these notions refers to the issue of arch and to its divinity assumed by Thales, Anaximander and Anaximenes. The divine was not an extrinsic notion to the Milesian thought towards the first element. Therefore, we will have as a result of this investigation some assumptions for which the notion of symmetry in Anaximander, stated in his peiron, could be, from the dialogue between philosophy and Orphism, an assimilation of the One, as witnessed in the Derveni papyrus.

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This work aims to analyze the short stories Prelude, At the Bay and The Dolls House, by Katherine Mansfield under the prism of the gender studies (mainly on the works of Joan Scott and Elisabeth Badinter). To reach such objective, and based on the feminist criticism works (especially those of Elaine Showalter and Toril Moi), we analyzed the three stories, which are from the writers so-called family phase. The present work contains a bibliographical contextualization of Mansfields modernist work under three main aspects: modernism, the short story and womens writing/writings on women. From the analysis of the three short stories, we observed that questions of gender, representation and identity were depicted by means of the preponderance of female characters from all ages, marital statuses and classes. At the end it was possible to verify how Mansfield works contributed to a reflection about places and roles occupied by women in turn of the XIX and XX Centuries, whereas how this author was also in search for her own identity as a woman and as a writer, exactly in a context when women writers and womens writings started to become more visible face to a predominantly masculine literary canon.

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Ce travail est le rsultat dune recherche ddie tudier le processus philosophique de la dcouverte du cogitochez Descartes. Ses buts ont t : a) de prciser quil existe dautres possibilits dinterprtation du cogito au-del de celles les plus courantes et b) de montrer que, dans cette dcouverte, il y a un trajet qui passe ncessairement par les degrs de la sagesse. La mise en oeuvre du travail denqute a exig la manipulation des sources bibliographiques primaires, constitues des principaux crits de Descartes, avec une plus grande attention laLettre-prface des Principes de la philosophie, aux Mditations sur la philosophie premire, aux Principes de la philosophie et aux Rponses aux secondes objections. Nous avons cherch lier ces textes traditionnels aux textes de la littrature secondaire de la modernit, prouvant ainsi la pertinence du sujet au sein du domaine de la Philosophie dans les universits brsiliennes. Pour attester nos constatations, nous nous sommes appuys sur lanalyse linguistique de termes spcifiques au discours cartsien, en utilisant des dictionnaires de latin (langue dans laquelle a t crite une grande partie du texte de Descartes), du franais de la Renaissance et de portugais. Largumentation sest arrte dans la mise en contexte du cadre des degrs de la sagesse. Pour cela, il a t ncessaire dexpliquer les notions fondamentales de la philosophie cartsienne explicites dans la Lettre-prface. Par exemple, le concept de philosopher qui, chez Descartes, est fortement associ la pulsion sceptique, source commune dinspiration pour le philosophe et pour le sceptique, tant, en outre, point de convergence entre Descartes et un autre penseur avec lequel il ralise une espce de conversation : Montaigne. Pendant le moment du quatrime degr de la sagesse, Descartes identifie, dans la pense de Montaigne, les traces permettant de transcender le quatrime vers le cinquime degr de la sagesse, celui-ci signifiant surtout la dcouverte des premires causes, des premires notions, des principes qui engendrent toute la Philosophie. La porte des premires notions ou causes, des principes est lobjectif principal du philosopher cartsien. Descartes distingue, mme si de faon non explicite, entre des notions communes et des notions primitives. Dans les deux cas, il sagit de notions premires, nanmoins, chacun a une fonction diffrente au sein de la philosophie cartsienne. Les notions communes sont les rgles de la raison ou les principes logiques qui confirment la dcouverte dun savoir. Les notions primitives sont les principes qui engendrent le savoir. La conclusion prsente dans ce travail la dcouverte du cogito passe par les quatre degrs de la sagesse, en ralisant avec excellence, dans son cinquime degr, une exprience dans laquelle il faut trouver linstance originelle de la pense renforce notre constatation, ne mettant pourtant pas fin aux discussions. Puisque, dans la myriade de rflexions sur le sujet, ce nest quune modeste collaboration.

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In our work, we analyze some works of Bartolomeu Campos de Queirs that compose the autobiographical cycle, especially those ones that bring the image of fathers absence/presence, the relationship between life and writing, as well as the fathers figurations and his intermediates and substitutes. We especially investigated the aspect of repetition about how the family relations are articulated, highlighting those ones that happen between father and son and that appear in these texts. This problematic interested us as a research object, a priori, because the works of Bartholomeu Campos de Queirs are an exponent of literature for children field, as far as they show that the childhood is not always colorful, happy and perfect as several productions supposedly made for children seek to have us believe. In addition, the selected texts that have an autobiographical characteristic and put the issue of child suffering because of the fathers absence are configured as a very rich corpus for studies related to the relation between life/work and investigations in the dialogue between Literature and Psychoanalysis. These aspects will permit us to understand why the pain of missing father be repetitive and insistent in these books. Thus, we problematize, by the selected works for this study, the concept of literature for children and young people and the notion of literary reading. We also analyzed in the statements given by the author the relationship between life and writing and we investigated, based on psychoanalytic studies, the literary writing as a possibility of both unconscious development of memory marked by the fathers absence remedy as of a perpetuation of this same conflict poison. Furthermore, we analyzed how the relationship between son and father are processed considering the mothers absence, since the works that have this persons presence, she seems to mediate such relationships in a certain way.

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Slvio Romero, crtico, ensasta e historiador da literatura brasileira, cujo nome de batismo era Slvio Vasconcelos da Silveira Ramos, nasceu em Lagarto, Sergipe, em 1851, e morreu no Rio de Janeiro, em 1914.