Francisco de Quevedo e Gregório de Matos: diálogos barrocos sobre literatura e mulher

This study investigates the theme of misogyny on the works of Francisco de Quevedo and Gregório de Matos. The investigated material consists in five selected poems of each author which conform to this perspective. The objective is to establish an initial approach that indicates the prejudice against women on the poetics of both writers, in association with the historical context of the 17th century and the baroque´s aesthetics on literature

Fragmento d'alma

Fragmento D' Alma is an artistic research that part of a poetic tale through an initial charge of dawn one fantastic universe where words have life and willingly. The work includes sculptural works in order to interpret through the use of allegory situations of the tale in the form of sculptural compositions considering one or more characters in the story. In the sculptural work, I tried figuring the relations tale as my interpretations and poetic, so I sought theoretical studies of allegory after noting my affinity with the theme to contribute to the relationship text and image set in my work. I also sought to understand the relationships that the text played with sculptural work, so the chances that I could address this through dialogue between text and image. The studies collected through surveys pointed allegory by João Adolfo Hansen, as well as in various artistic and visual references present in my repertoire, such as the Baroque sculpture of Bernini, the performances of Berna Reale and literature of Neil Gaiman, contributed in this research to the development of my creative process during the preparation of this research work of art, making the complexity of the relationship between textual production and poetic sculptural three-dimensional, also became a concern and an integral theme of my work and my reflections presented here. Therefore, I conclude based on my own experience in this work, the artistic research inspired allegory might contribute to the development of my creative process during the preparation of this artwork, besides assigning relations between textual production and poetic dimensional sculpture

Memória e espaço: a experiência dos músicos seresteiros na cidade de Rio Claro-SP

This paper will examine the experience of serenaders in the city of Rio Claro – SP. The trajectory of this cultural expression will be described, reconstructed, interpreted and mapped and mapped from the late 1940s to the present day via the oral history of the memories of the musicians who have experienced the practice and experience. The changes occurring in this cultural expression will be analysed form marks of the displacement of culture in time and space in the city of Rio Claro, taking into account the different socio-cultural contexts that characterized Brazil over this period and will track the path of identity serenade over time and among the different spaces that allowed the continuation of practice of romantic songs in Rio Claro

Diálogos entre Mário de Andrade e Francisco Curt Lange: nacionalismo e americanismo musicais nas décadas de 1930 e 1940

Pós-graduação em História - FCLAS

Efeitos de diferentes estímulos auditivos musicais sobre a regulação autonômica cardíaca

Pós-graduação em Fisioterapia - FCT

Avaliação comparativa em educação e música entre crianças precoces com comportamento de superprodução e crianças com desenvolvimento típico

Pós-graduação em Educação - FFC

Uma proposta de educação musical para a sensibilização ambiental

Pós-graduação em Educação Escolar - FCLAR

Ciência e colecionismo na poesia de Giacomo Lubrano

This essay aims to analise the temporal dimension and the temporal instruments which the baroques poets utilized in Italy, especially in Lubrano’s poetry. We intend to demonstrate that Lubrano” made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

Relógios e óculos no barroco italiano

This essay aims to analyse the temporal dimension and the temporal instruments which the baroques poets utilized in Italy. We intend to demonstrate that the “minor poets” of that period made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

Música de duas dimensões: correspondências entre os universos instrumentais e eletroacústico

Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES)

A interferência da música na ginástica rítmica: estado de ânimo e qualidade de movimento

Pós-graduação em Ciências da Motricidade - IBRC

Identidade e reconhecimento na cultura de rua

Direct descendant of the music of the Black Atlantic, hip hop became the spokesman of excluded minorities, for example setting up of the reunification that is geographically separated through communication. The hip hop appropriated new forms of mass communication, allowing the reworking of the story through a counter-hegemonic discourse that seeks self-knowledge and appreciation of the roots of black people. The street culture is the narrative of disenfranchised youth, generating narrative of inclusion, which gave a space of enunciation periphery enabling them to intersubjective recognition. This project aims to discuss the role of hip hop as an agent conscientizing youth peripherals in order to bring to the debate the form of identity construction around the peripheral street culture since, as an intervention that acts as a symbolic system guiding cultural practices and attitudes of these young people. Methodologically, we analyzed specific bibliographical about hip hop and literature originating from the periphery itself. Selected discography of some rap groups. They are Racionais Mc's, 509-E and DJ Hum and Thaíde that constitute the vanguard of hip hop in Brazil. We use music from rapper Emicida this while some contemporary exponents of rap, with national and international. State of São Paulo in order to demonstrate that there is similarity between the questions proposed by the hip hop and the interior of the capital, the group selected Survey. We have used also press material, raising the issue in research on the internet, periodicals include the Rolling Stones and Caros Amigos

Estúdio na estrada

O presente trabalho visa apresentar o processo e resultados do projeto Estúdio na Estrada, concepção de produção musical, que tem como objetivo levar um estúdio móvel até o artista e realizar todas as atividades relacionadas com a gravação musical. O projeto também contempla os serviços de edição, mixagem e masterização musical, pelo programa ProTools 10. Todo o processo foi dividido em três etapas, de acordo com as cidades do interior paulista as quais o estúdio atuou: Santa Rosa de Viterbo, São Carlos e Ribeirão Preto. O Estúdio na Estrada foi idealizado com o propósito de fomentar o cenário musical do interior paulista e os artistas independentes

As canções de Camargo Guarnieri e Suzanna de Campos: um estudo para a interpretação

Pós-graduação em Música - IA