987 resultados para Hamilton, William D.
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n.s. no.41(2000)
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v.44:no.7(1961)
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v.31:no.1(1939)
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n.s. no.21(1993)
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Pensar en William Shakespeare, apropar-se a una de l'obres què més tinta han fet córrer, se'ns presenta com voler trobar una agulla en un paller. Amb tot, aquest treball de recerca a volgut discernir la dramatúrgia de Shakespeare, des de l'òptica espacial i estètica. El seu marc, a l'Anglaterra renaixentista -ss,XVI-XVII-, és: l'abundosa legislació -important l'Acta promulgada l'any 1572, per la reina Elisabet I-; la tipologia constructiva i formal del Lloc del Teatre, amb la formulació empresarial què se’n deriva; l'altre element, la participació de l'espectador implÃcit. Conclusivament, com l'artialització shakespeariana s'insereix, podem dir, 'dramatològicament', dins l'historiografia general del teatre.
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The main result is a proof of the existence of a unique viscosity solution for Hamilton-Jacobi equation, where the hamiltonian is discontinuous with respect to variable, usually interpreted as the spatial one. Obtained generalized solution is continuous, but not necessarily differentiable.
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This paper examines the explanation of commercial crises offered by William Huskisson in 1810 in the wake of the debate on the Bullion Report. Huskisson argued that the suspension of convertibility made it possible to extend issues of paper currency beyond its proper limits. Such an expansion, being in the interest of all parties concerned, would actually take place and stimulate excessive speculations, which would eventually prove unsustainable and bring generalized ruin and distress. Although some elements of this explanations were not new (having been anticipated by writers sucha as James Currie in 1793, William Roscoe in 1793, William Anderson in 1797 and an anonymous in 1796), Huskisson's explanation is more systematic and better organized, and his emphasis on the endogenous character of the crisis and on the instability of the dynamics of trade and credit makes it an interesting foreshadower of the theories of crises that were advanced half a century later.
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Comprend : Hamlet, prince de Danemark : [drame en 10 parties] / en collaboration avec Alexandre Dumas - Falstaff : tiré de Henri IV : [pièce en 7 parties, en vers] : [Paris, Odéon, 2 octobre 1842] / en collaboration avec Auguste Vacquerie - Paroles : tiré de Tout est bien qui finit bien : [pièce en 1 acte, en vers] : [Paris, Odéon, février 1843] / en collaboration avec Auguste Vacquerie
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Référence bibliographique : Rol, 57442