569 resultados para HABITUS


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This thesis nalyzes the wayfinding in Landscape Museum of Contemporary Art (MPAC), based on the Institute of Contemporary Art CACI, Minas Gerais, Brazil and the Museum of Contemporary Art of the Serralves Foundation, Porto, Portugal. The study focuses on the interrelationship of the public/visitors with the landscape, architecture and contemporary art museums in these, in order to understand visual perception and apprehension of such an environment for their users. For both were confronted documentation (visual and written) and people talk. The main hypothesis put forward is that the audience/visitor MPAC appreciates the interrelationship between the natural environment (park/garden) and built environment (the works of contemporary art and the galleries), giving equal value to both. To complement this, a second hypothesis is that during the visit to MPACS, visitors define their paths spontaneously, but strongly influenced by existing visual indicators (maps, signage and striking landscape elements), which facilitate the readability of space, which also contribute to the offered services and the experiences of similar institutions. The analytical basis of the research used the concepts of legibility (LYNCH, 2009), wayfinding (GIBSON, 2009; ARTHUR, PASSINI, 2002; WEISMAN, 1982), Experiential Cotinnum (TUAN, 1985), Space Bound (CRUZ PINTO, 2007) and habitus (BOURDIEU, 1992). Methodologically was used qualitative research (DEMO 2000) by means of a case study (YIN, 2005; STAKE, 1999) and participant observation (WHYTE, 2005). In the two institutions interviews with researchers and curators, behavior observation and questionnaires from employees, trainees, monitors and the public/visitor of the two museums were performed. Although partially referende the initial hypothesis, the research showed that the public/visitor value appears more natural environments, they experience a greater intensity and in addition to the factors listed in the second case, your perception and definition of paths suffer significant influence of emotional relations established with space. Generally the audience/visitor adapts easily to different demands of contemporary art exhibition in the two museums and the built environment (park/garden and museum) interferes with your reading path during the visit, perceived by the public/visitor condition as a factor that favors the enjoyment of works on different mounts (wayfinding), though often become a factor that hinders the legibility of the building and its built environment

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Despite Bourdieu having written nothing explicitly about education policy, the chapter argues the usefulness of his social theory to doing policy analysis in education within a policy sociology frame. The chapter draws on Bourdieu's 'thinking tools', including the concepts of habitus, capitals, fields and practice, which sit in a synergistic relationship with each other, and applies them to an approach for doing education policy analysis. It then considers the education policy field, logics of practice of different fields in relation to the policy cycle, policy habitus, and the emergent global education policy field.

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School prospectuses and promotional videos appeal to parents by presenting idealised images of the education a school provides. These educational idealisations visually realise the form of discipline a school is expected to provide, depending on the social habitus of the parents. This paper presents a content analysis of the images used in 33 sets of marketing materials from a maximally diverse sample of schools from the state of Victoria. These images are interpreted using the lenses of Bernstein's control and Bourdieu's habitus and cultural capital. The promotional images are found to vary systematically in terms of content and form depending on the perceived social class of the students which the schools attract.

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This study investigates the ‘self’ of six Irish working-class women, all parenting alone and all returned to the field of adult education. Bourdieu’s concepts of habitus, field and capital are the backdrop for the study of the ‘self’, which is viewed through his lens. This study commenced in September 2012 and concluded in August 2014, in a small urban educational setting in an Irish city. All of the women in the study are single parents, most of them did not complete second level education, and none of them had experienced adult or third level education. Their ages vary from 30 to 55 years. The study pursues the women’s motivations for returning to education, the challenges they faced throughout the journey, and their experiences, views and perspectives of Adult Education. The methodology chosen for this research is critical eethnography, and as an emerging ethnographer, I was able to view the phenomena from both an emic (inside) and an etic (outside) perspective. The critically oriented approach is a branch of qualitative research. It is a holistic and humanistic approach that is cyclical and reflective. The critical ethnographic case studies that developed are theoretically framed in critical theory and critical pedagogy. The data is collected from classroom observations (recorded in a journal) and interviews (both individual and group). The women's life experiences inform their sense of self and their capital reserves derive from their experience of habitus. It also attempts to understand the delivery of the programmes and how it can impact the journey of the adult learners. The analysis of the interviews, observations, field notes and reflective journals demonstrate what the women have to say about their new journey in adult education. This crucial information informs best practice for adult education programmes. This study also considers the complexity of habitus and the many forms of capital. The theme of adults returning to education and their disposition to this is one of the major themes of this study. Findings reflect this uncertainty but also underline how the women unshackled themselves of some of the constraints of a restricted view of self. Witnessing this new habitus forming was the core of their transformational possibility becoming real. The study provides a unique contribution to knowledge as it utilises Bourdieuian concepts and theories, not only as theoretical tools but as conceptual tools for analysis. The study examined transformative pedagogy in the field of adult education and it offers important recommendations for future policy and practice.

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This article explores the complex struggles associated with intersections of class, rurality and masculinity, and the ways in which such intersections work to preserve a gendered status quo within and beyond school communities in Australia. Drawing on the stories of Monica and Phoebe, two teachers who understand schooling as a site of contestation, resistance and possibility for gender justice, the article draws on the theoretical constructs of Bourdieu to make visible the struggles for power arising from the gendered distribution of capital in schools located in low socio‐economic rural communities. In making sense of these struggles, we identify strategies of conservation that seek to reinscribe gender inequities and preserve the field and the taken‐for‐granted understandings of females and femininity as subordinate to males and masculinity within it. We also identify pedagogies of subversion employed by Phoebe and Monica and highlight the potential of these practices to disrupt the field in ways that seek to broaden and transform the gendered habitus of students.

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El concepto de actividad física es concebido de diferentes formas. Mostrando que existen varios factores que afectan de manera directa e indirecta la percepción que los sujetos construyen entorno a él, generando así una aproximación a diferentes definiciones de la actividad física desde varias perspectivas y dimensiones, donde predomina una noción netamente biológica. Este estudio pretende analizar, como desde las clases sociales se concibe la actividad física en sus conceptos y prácticas considerando los modelos de determinantes y determinación social para la salud. Con fin de comprender como los autores de la literatura científica conciben la actividad física y la relación con las clases sociales, desde una perspectiva teórica de los determinantes sociales de la salud y la teoría de la determinación social, se realizó una revisión documental y análisis de contenido de los conceptos y prácticas de la actividad física que se han considerado en los últimos 10 años. Para ello se seleccionaron las bases de datos PubMed y BVS (Biblioteca Virtual de Salud) por sus énfasis en publicaciones de salud mundialmente. Mostrando que la actividad física es concebida dominantemente desde una perspectiva biológica que ejerce una mirada reduccionista. Las relaciones entre actividad física y las clases sociales están claramente establecidas, sin embargo, estas relaciones pueden discrepar teniendo en cuenta el concepto de clase social, el contexto y la orientación de los autores y las poblaciones objetos de estudio. Obteniendo como resultado que los estudios documentados, revisados y analizados muestran una clara tendencia al modelo de determinantes; no obstante, algunos estudios en sus análisis se orientan hacia el modelo de determinación social. En cuanto al concepto de clases sociales los autores consideran una combinación de factores culturales y económicos sin atreverse a adoptar un concepto específico.

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Esta investigación se centra en analizar la danza del vientre como una práctica sociocultural que transforma las subjetividades de sus practicantes, en el caso particular de las mujeres integrantes de la academia Anasi de Bogotá. Basada en la autoetnografía y a partir de experiencias individuales y colectivas de las mujeres integrantes del lugar, la danza es presentada como un proceso que conduce al empoderamiento femenino individual y colectivo. Esto sucede en el marco de una sociedad patriarcal, donde los cuerpos femeninos están cargados de connotaciones y limitaciones. Además de que el estilo dancístico ha sido dotado histórica y socialmente de prejuicios y nociones sexistas y machistas en torno a él y a sus bailarinas.

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El trabajo a continuación tiene como objetivo mostrar cómo la música ha estado ligada al afroamericano desde su llegada al continente Americano en 1800, y cómo ha sido usada para lograr una transformación político-social que permitiría alcanzar la igualdad de trato en Estados Unidos durante la mitad del siglo XX. Se observará la evolución del Blues desde sus raíces y la introducción del R&B como expresión de pensamiento, ideas y experiencias utilizado por The Black Panther Party en la escena social negra de la época. Para lograr el objetivo anteriormente mencionado, se utilizará la Teoría de Campos de Pierre Bourdieu, junto con los conceptos de Capital y Habitus.

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Tem-se como objetivo discutir as cozinhas regionais (conjunto de saberes-fazeres que englobam ingredientes, técnicas culinárias e receitas que são dispostas em um panorama relativamente coerente, delimitado geograficamente e passível de ser reconhecido como tal) como forma de mediação do homem com o meio, de criação e reforço de identidades, bem como atrativo turístico. Isso se dá na medida em que tais cozinhas são construídas a partir de ingredientes próprios de uma localidade (diretamente influenciados pelas características climáticas e de solo) e de todo um arcabouço cultural relativo ao grupo humano que a pratica e que propõe, inclusive, soluções tecnológicas associadas a mediações simbólicas a partir de seu habitus e estilo de vida (Bourdieu, 1983). A partir de exemplos brasileiros, e valendo-se do aporte teórico-metodológico da geografia cultural, este estudo entende as sociedades humanas como construções culturais (Claval, 2001) e o território dentro da perspectiva da apropriação e valorização simbólica de um grupo sobre o seu espaço (Haesbaert, 2001); utilizando-se ainda dos conceitos de topofilia (Tuan, 1980) e lugar (Tuan, 1983) para a discussão das relações do homem com o meio a partir da construção das cozinhas regionais e de seu uso no contexto turístico.

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En la actualidad los datos estadísticos demuestran el aumento de una población inmigrante latinoamericana en Chile. Lo que convierte a la ciudad de Santiago en un punto receptor de estos entes sociales que intensifican los procesos de transformación urbana a través de la apropiación espacial.El siguiente artículo propone la “Línea de vida del inmigrante latinoamericano en la ciudad de Santiago”, que comprende la evolución espacio-temporal a partir de las practicas cotidianas que generan espacios de integración y diferenciación. Dichos espacios reactivan algunas zonas al interior de la ciudad, re-significando espacialmente las condiciones sociales, económicas       y culturales que allí convergen. Así, fueron definidas dentro de la Región Metropolitana, las comunas de Santiago Centro, Recoleta e Independencia, al ser las comunas que albergan en su interior la mayor cantidad de inmigrantes latinoamericanos. Finalmente, esta investigación al abordar la vida cotidiana de los inmigrantes y los habitantes locales desde el encuentro de identidades, pretende realizar un recorrido desde la cultura, pasando por multiculturalidad y desenlazando en el enfoque Intercultural, que contempla mas allá de la co-existencia de las culturas en una misma sociedad, la vinculación entre ellas hacia una nueva forma de ver el habitus de las ciudades. El recorrido se realiza desde una perspectiva de extranjero, ya que la autora se encuentra en condición de “investigador- inmigrante” en la ciudad de Santiago, lo que genera un mayor acercamiento a la población en estudio y una amplia comprensión de la condición de inmigrante en un país de acogida.