La creación imposible. Poética de las ficciones sobre el fracaso artístico desde la modernidad

La intención de este trabajo ha sido el estudio hermenéutico de films que, a partir de la Modernidad cinematográfica occidental, muestran el proceso de un fracaso artístico autoconsciente, mediante el inacabamiento de un relato de ficción emprendido por el protagonista de la diégesis, quien suele actuar como alter ego del autor real. Se ha pretendido justificar históricamente la aparición de este motivo, así como señalar las características cualitativas que lo diferencian de su tradición, que también se ha rastreado tanto en cine como en literatura. Además, se han agrupado temáticamente las cuestiones estéticas aludidas mediante estos fracasos artísticos ficticios, entre los que se ha procurado establecer relaciones de significado.La metodología utilizada ha sido el comparatismo hermenéutico entre diversos films, así como entre películas y obras literarias con que se han observado correspondencias, que se han contrastado con textos de Teoría y Crítica. La principal cuestión a dilucidar ha sido el discernimiento de las causas del fracaso artístico mostrado en los films y textos del corpus, tanto como hallar una justificación estética a su proliferación.Así, se ha observado que estas películas aparecen a partir de un momento concreto, la década de los sesenta; que tienen dos precedentes claros en Fellini 8 ½ y en Le mépris y que durante la Postmodernidad el esquema narrativo de la creación fracasada ha sido aún más productivo para desarrollar cuestiones estéticas, siempre en un tipo de cine autorial.

Intuitiosta esitykseen : Lear-prosessi itsereflektion ja katsojapalautteen valossa

My final project presents the directing process of my experimental production based on King Lear by William Shakespeare. I describe the process from the first visions of the beginning to the completed performance and finally the feedback from the audience. I concentrate on the special qualities of the production, such as interaction, small and moveable audience, cinematic qualities, polyphonic dramaturgy, and use of the video. The Project is divided into six parts. The first part introduces the project as a whole. The second part concentrates on the process before the beginning of the rehearsals. The third part focuses on the rehearsals and co-operation with the actors, whereas the fourth part deals with the performance and its special qualities. Following this, in the fifth part I study the interaction of the performance with the help of the audience feedback. In the final part conclusions are drawn. The focus of this work is the use of intuition even as a starting point of the theatre directing process. My conclusions drawn from the description of the process suggest that the starting point of the theatre production may be an intuitive vision as well as some conscious subject or message.

Mielikuvien luominen traileroinnilla : tutkimuskohteena Big Brother Suomi

The thesis studies the launch campaign of Big Brother Finland, especially from the viewpoint of on-air promotion. Interest to the subject arose when participating in the campaign as an on-air promotion planner together with Subtv's marketing director, on-air promotion editor and the channel's advertising agency. The launch of the campaign was a challenge due to the format, since not a lot of information can be revealed before the start of the program. When the planning started, all the material consisted of two logos. The first season of the Finnish version of Big Brother begun on Subtv August 2005. The goal of the program was to become a topic of discussion on TV on the fall 2005 and to raise the profile of the channel. The goal of the launch was to get good ratings for the first episode. The launch campaign was also supposed to open up the format to the viewers and to arouse interest in the show. Secrecy and the size of the program were set to be the marketing tones of the launch. Although partly different messages were told via on-air promotion and external media, the campaign was congruent in visual design. In the study, interviews of Subtv's staff, campaign plans and notes were used as research material. From the aspect of affecting images and emotions, the finished campaign promos and other on-air elements were analyzed. In on-air promotion, all choices in audio and visual design affect the outcome and therefore the images that the viewer constructs. The two promo series were made to affect emotions and to awaken curiosity. Other on-air elements were merely used to present program information. The campaign and the series were accepted with enthusiasm. The launch of the second season was even more massive than the first. Participation in the launch campaign of Big Brother Finland was an essential experience in the development of professional identity. When one has taken part in the creation of a massive campaign from scarce materials, tools are given to future assignments in the field of on-air promotion.

[Archives de la Parole]. , Chanson fantaisiste en mēwātī / [Sir George Grierson], éd. ; Linguistic survey of India ; [Hassaina], voix ; accompagnement instrumental (harmonium indien et tabla)

[Traditions. Asie. Inde. Province de Delhi. Delhi]

[Archives de la Parole]. , Fortune favours the brave : in Bhojpuri of Shahabad (récit, fable) / [Sir George Grierson], éd. ; Linguistic survey of India ; [Hari Sankar Nath], voix

[Traditions. Asie. Inde. Bihar]

[Archives de la Parole]. , The covetous Brahmin [and his reward] : in Oriya - Récit - Indo-Aryen - Ling[uistic] Survey of India / [Sir George Grierson], éd. ; Linguistic survey of India ; [Bepin Chandra Patra], voix

[Traditions. Asie. Inde. Orissa]

[Archives de la Parole]. , The Monkey and the Cats : in Bhojpuri of Shahabad / [Sir George Grierson], éd. ; Linguistic survey of India ; [Radha Mohan Prasad Srivastava], voix

[Traditions. Asie. Inde. Bihar]

[Archives de la Parole]. , Parable of the prodigal son : in Nagpuria Bhojpuri / [Sir George Grierson], éd. ; Linguistic survey of India ; [Shiva Sahay Lal], voix

[Traditions. Asie. Inde. Bihar]

[Archives de la Parole]. , The rājā and his subjects : in Magathi (récit) / [Sir George Grierson], éd. ; Linguistic survey of India ; [Jadunandan Sahay], voix

[Traditions. Asie. Inde. Bihar]

[Archives de la Parole]. , Chait song in Bhojpuri of Shahabad : Hindi / [Sir George Grierson], éd. ; Linguistic survey of India ; [Radha Mohan Prasad Srivastava], voix

[Traditions. Asie. Inde. Etat du Bihar. Shahabad]

[Archives de la Parole]. , Birah : in Oriya [chant] / [Sir George Grierson], éd. ; Linguistic survey of India ; [Bepin Chandra Patra], voix

[Traditions. Asie. Inde. Provinces du Bihar et d'Orissa. Etat d'Orissa [i.e. Odisha]. Cuttack]

[Archives de la Parole]. , Jhumar : song in Nagpuria Bhogpuri (Hindi) / [Sir George Grierson], éd. ; Linguistic survey of India ; [Sheo Sahay Lal], voix

[Traditions. Asie. Inde. Provinces du Bihar et de l'Orissa. Etat du Jharkhand. Ranchi]

[Archives de la Parole]. , Pūrbi Song (mélodie) : magahli of Gaya / [Sir George Grierson], éd. ; Linguistic survey of India ; [Jadunandan Sahay], voix

[Traditions. Asie. Inde. Province du Bihar. Gaya]