903 resultados para Richmond Region (Va.)--History--Civil War, 1861-1865--Maps, Manuscript.


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The Hutchison Family Papers consist of diaries, journals, speeches, correspondence, genealogical material and financial papers, concerning the personal and business affairs of a Rock Hill family. Subjects include post-colonial life in the Carolinas, the antebellum plantation system in South Carolina, post-Civil War cotton farming, especially the Rock Hill Cotton Mill, and Rock Hill during World War I. There is also material concerning relations and negotiations with the Catawba Indians by David Hutchison who was one of several commissioners designated by the South Carolina legislature to investigate Catawba land claims and leasing practices; and historical sketches of Glencairn Garden, the White House and the Oakland Avenue Presbyterian Church, all located in Rock Hill, South Carolina. There are also included in the “General Correspondence and Related Papers” series such records as: last will and testament, inventory lists, certificates of indentured servants, legislative acts, (eg. 1840 Treaty with the Catawba Indians) and other similar documents. Correspondents include Jude Grimke, A.E. Hutchison, David Hutchison, Hiram Hutchison, James Moore, John N. Morehead and Thomas Spratt.

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The Chester Genealogical Society Records consist of typescript material of writings and publications that covers mainly Chester County, SC history and genealogy from the 18th century to the 20th century. The collection includes information on covenanters, lists of Chester county American Civil War soldiers, Obadiah Hardin, Revolutionary War Lieut. Col. John R. Culp, Rev. Samuel McCreary, Mrs. M.A. Smith and the Smithton Lumber Co in Smithton, Arkansas, the Kulp family, Matthew Elder, Jr., Rev. Josiah Henson, the Gaston family, the Murphy family, Confederate Capt. G.L. Strait’s Company-6th regiment, Company B during the American Civil War, the McClure family and Revolutionary War Capt. John McClure, and recollections of Chester, South Carolina.

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The Mary Elizabeth Massey Papers consist of Dr. Massey’s professional and organizational files and includes biographical data, correspondence, lecture and teaching materials, rough notes and unpublished drafts of Dr. Massey’s journal articles and books, speeches, research notes and photo and typescript copies of historical manuscripts from other repositories. Most of the material pertains to Dr. Massey’s publishing efforts, her work as a Winthrop faculty member and scholar and her involvement with professional organizations, especially the Southern Historical Association and the Civil War Centennial Commission. While there is material extending from Dr. Massey’s student days at Hendrix College (a 1937 graduate), most of the substantive material extends from 1953-1973.

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The Samuel Avon Smith Diary is a journal written Samuel Avon Smith who was a Confederate soldier during the American Civil War (Company H, 5th Regiment, SC) and a doctor. The journal was written from ca. 1830-1876 or beyond (some pages have been destroyed). The first part is a reminiscence of his life from 1830 to ca. 1873 and from that point on he gives a monthly account of life in Bullock’s Creek, SC. Subjects covered in the journal are the battles of Manassas and Seven Pines, Confederate Troops at Leesburg, the reorganization of the Confederate Army, the march to Richmond, the conditions of the troops, wounds received at the battle of Seven Pines and his medical treatment at the Confederate hospital in Manchester, Virginia, his education at the Ebenezer Academy and the Medical College of SC in Charleston; his life, practice, and health conditions in Gaston County, NC, Lincoln County, NC, and in Bullock’s Creek, SC; and sentiments towards the reconstruction government and Ku Klux Klan. There is also mention of a conflict between Blacks and Whites in Chester County, SC in 1871.

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The Miller Family Papers consist of notes on the Miller, Cathcart, and Roddey families, genealogical data on the Lindsay, Stewart, and McCaughrin families, and an American Civil War reminiscence of William Joseph Miller entitled, “My Experience as a Soldier in the Confederate Army. Written at the Request of Barnette, My Only Living Daughter.” Miller served in the 12th Regiment, South Carolina Volunteers of the Confederate Army.

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The Arnold Shankman Papers consist mainly of photocopies of manuscript collections which Dr. Shankman used for his research and writing. Included are pamphlets, biographical sketches, correspondence and newspaper accounts. Most of the collection relates to the American Civil War, particularly in Illinois, Georgia, and Pennsylvania, but there is material relating to Jewish history, African-Americans and United States foreign relations.

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The Stewart Papers consist of correspondence, newspaper articles, photographs, financial records, and other papers, relating to Stewart’s family history as well as such subjects as slavery, the American Civil War, Reconstruction in the South, and Mrs. Stewart’s professional career.

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[ES]El poeta Vicente Aleixandre prestó su apoyo durante la Guerra Civil española al bando republicano, hasta que en los primeros meses de 1937 los mismos republicanos lo detuvieron y lo llevaron a la cárcel, aunque antes de las veinticuatro horas fue puesto en libertad. A partir de ese momento –y tras un intento frustrado de salir del país– se retiró de la vida pública y optó por el silencio. Acabada la guerra, mantuvo una distancia crítica con el régimen franquista e hizo cuanto le fue posible por la reconciliación entre las dos Españas.

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La tesi di Marco Perez intitolata “Luis Arana e i veterani di Euzkeldun Batzokija: la corrente ortodossa del nazionalismo basco”, può essere considerata come la biografia politica di uno dei personaggi più importanti del nazionalismo basco. Il lavoro di ricerca si centra fondamentalmente sull'ispiratore del nazionalismo euskaldun (e cofondatore del Partido Nacionalista Vasco) e della corrente che ne accompagnò e sostenne l'azione politica. Euzkeldun Batzokija fu il nome dato al primo circolo del PNV, fondato da Luis e Sabino Arana nel 1894. Successivamente, gli statuti del circolo e i suoi membri veterani furono presi come modello del nazionalismo primordiale (che si pretendeva definire sull'esempio dell'Ordine gesuita). Sul piano organizzativo la tesi si divide in sette capitoli che ricostruiscono il percorso politico di Luis Arana, dai primi documenti del 1879 fino alle ultime lettere inviate negli anni quaranta. Si tratta di un lungo periodo, che comprende momenti diversi della storia spagnola (dalle guerre carliste alla Guerra Civile spagnola) e del movimento aranista. In questo senso, sulla base di una generale e comparata riflessione sul nazionalismo, si analizza il movimento basco nei suoi rapporti con la modernità. Una realazione costruita attraverso concetti “diacronicamente” legati a un passato mitico e leggendario e comunque subalterna ai rapporti di forza tra le correnti del PNV. La corrente ortodossa fece sempre riferimento al nazionalismo “originario” (definito dai fratelli Arana nei primi anni del movimento) che fu un'espressione regionale del nazionalcattolicesimo spagnolo. Fu proprio Luis Arana a ricordare la finalità religiosa ed etnica del nazionalismo basco, respingendo qualsiasi aggiornamento teorico e organizzativo del PNV, intesi come una grave violazione dell'ortodossia aranista.

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This thesis is an analysis of Spain’s development from dictatorship to democracy in light of the trauma that it endured during the Spanish Civil War of 1936 – 1939 and the dictatorship of Francisco Franco, which lasted until 1975. Drawing from the work of Maurice Halbwachs and Pierre Nora, this thesis seeks to use the concepts of collective memory and lieux de mémoire to analyze what role memory has played in Spanish society from 1939 to the present day. Theanalysis begins with an overview of the Spanish Civil War and Franco’s ensuing dictatorship in order to establish an understanding of the trauma endured by Spain and its people. Of importance will be the manner in which the presentation of history became manipulated anddistorted under Franco as the dictator sought to control the country’s collective memory. With this background in mind, the thesis then turns to analyze how the memory of Spain’s past has affected the country’s development in two eras: during its transition to democracy in the 1970s and in the present day. Of central importance is the pact of silence that was established during the transition to democracy, which was a tacit agreement among the Spanish people to notdiscuss the past. This pact of silence still clouds Spain’s memory today and affects modern discourse concerning the past. Yet it is clear that Spain has not been reconciled to its past, as the provocation of history inevitably results in tension and controversy. The central contention of this thesis is that the pact of silence that surrounds Spain’s past has not eliminated the trauma of the Civil War and dictatorship, as demonstrated by the controversy stirred up by people, groups and places in the present day. This contention has repercussions for the study of history as a whole, as it indicates that the past cannot be muted in order to achievereconciliation; rather, it suggests that we must engage the past in order to be reconciled to it.

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We offer an analysis of the American Revolution in which actors are modeled as choosing the sovereign organization that maximizes their net expected benefits. Benefits of secession derive from satisfaction of greed and settlement of grievance. Costs derive from the cost of civil war and lost benefit of Empire membership. When expected net benefits are positive for both secessionists and the Empire civil war ensues, otherwise it is settled or never begins in the first place. The novelty of our discussion is to show how diverse economic and non-economic factors (such as pamphleteering by Thomas Paine and the morale of the Revolutionary forces) can be integrated into a single economic model.

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La utilización de la poesía costumbrista de contenido ético-social-poesía moralizante- durante el período de guerra civil entre unitarios y federales, tuvo en la región de Cuyo un representante en el periódico federal sanjuanino El Constitucional (1835). El otro tipo de poesía a la que apelaron los periódicos en aquellos años, fue la de carácter satírico-político. A partir de la minuciosa lectura y confrontación de fuentes periodísticas inéditas y del análisis bibliográfico necesario para la elaboración del marco teórico, se demuestra la intención de escribir literatura útil a la realidad político-social y de contribuir al desarrollo integral del hombre. Las composiciones literarias analizadas corresponden estrictamente al costumbrismo de contenido ético-social, motivada por la preocupación social y moral, la lucha contra los vicios, corrupciones y falacias del ser humano.

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Francisco Romero (Sevilla, 1891 – Buenos Aires, 1962) es una de las personalidades más significativas de América Latina. Sus escritos, su labor pedagógica, la difusión de su pensamiento y el intercambio epistolar con figuras de renombre internacional dan muestra de ello. En el trabajo nos detenemos en este último aspecto para comprobar su manifiesta intención de construir una red intelectual de filósofos en América Latina. También están presentes las inquietudes editoriales tanto de Romero, como de sus pares mexicanos. Asimismo hacemos hincapié en el tópico del exilio y la Guerra Civil Española (1936–1939) a través de las cartas que el autor argentino recibió de algunos refugiados en México. El análisis de esta fuente histórica nos permite ver el estado del campo intelectual (preferentemente filosófico) de la región en los años estudiados, al mismo tiempo que indica un panorama valioso del contexto histórico argentino y de América Latina.

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La poesía de José Hierro, Ángel González y Guillermo Carnero es abordada en su proceso autoconciente de escritura, cuando problematiza la naturaleza del lenguaje y sus vinculaciones con la referencia, la representación y el poder. Esta lectura da cuenta de la sistematicidad, riqueza y diversidad de una teoría poética en la escritura española del siglo XX. El presente libro aporta una nueva mirada a los estudios realizados sobre el tema, al cuestionar la linealidad usual de las periodizaciones y entender la secuencia literaria del ´40 al ´80 en términos de serie y cada segmento de la misma como una trama de diversos espesores, en la que no hay cabida para programas estéticamente cerrados. La denominación de "coartada metapoética" designa una táctica conciente o inconciente de escritura, desde una mirada no restrictiva, que va descubriendo temas, que no sólo incluyen el debate acerca de la autonomía o el compromiso del arte, sino también y principalmente arrojan luz sobre aspectos menos revisados, pero no menos importantes en la actualidad, cuando las circunstancias político culturales de España no obligan ya a las urgencias de una toma de posición.

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Una cierta lectura de la posmodernidad ha diagnosticado (en realidad, ofertado) el final de la historia y, por consiguiente, el de la novela histórica, aunque algunos optamos por no enterrarla sino por renovarla. En el contexto de este debate vale la pena detenerse en el Laberinto mágico de Max Aub, magno mural de la guerra civil española, una de las últimas manifestaciones del modelo puro de episodio nacional, máximo legado de Galdós y Valle Inclán. A pesar de los elementos aparentemente heterogéneos que contiene, el gesto histórico e ideológico que traza Campo cerrado (escrita en 1939), la primera novela del Laberinto mágico, es el de la novela histórica moderna. En los Campos posteriores, la fórmula de la novela histórica aubiana alcanzará su sazón, siendo quizá Campo del moro (1963) el más brillante y equilibrado ejemplo de esta modalidad entre las de la serie. En ella, el sentido de la historia que se anunciaba en Campo del moro se disipa, víctima de la traición y asaltado por la locura que se desata en las calles de Madrid. Campo del moro puede considerarse novela histórica pura, ya que se cumplen en ella las condiciones de felicidad necesarias para que esta modalidad genérica se realice plenamente: historicidad de los acontecimientos; respeto al orden cronológico en que se suceden; ficcionalidad limitada por el referente histórico; iniciativa de lo histórico sobre lo ficcional y primacía de la lógica de lo público sobre la de lo privado; por último, narratibilidad de los acontecimientos que se manifiesta en la selección del golpe de estado de Casado y Besteiro y su potenciación como clave del relato histórico. Tres grandes temas se despliegan en la lógica argumental de la novela: la traición, la confusión del laberinto y la degradación de una causa heroica. En el discurso de Max Aub que alimenta la novela, la ficción, la verdad y la historia se entrelazan hasta formar el hilo de Ariadna en el Laberinto.