CEIP Cervantes, Madrid

Monogr??fico con el t??tulo: 'Historia de un olvido: patrimonio en los centros escolares'. Resumen basado en el de la publicaci??n

Flamenco para aprender y convivir mejor

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M??sica y sociedad en la f??bula de los tres cerditos

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Aprenentatge servei : aprendre de forma competencial i amb responsabilitat social

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Analizar, repensar y mejorar los proyectos : una r??brica para la autoevaluaci??n de experiencias de Aprendizaje Servicio

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Les pintures rupestres prehistòriques del Zemmur (Sahara Occidental)

El treball de tesi ha tingut per objectiu estudiar les pintures rupestres del Zemmur, al Sahara Occidental. El Zemmur és una regió muntanyosa molt rica en abrics, que s'obren a les cingleres dels seus turons de gres baixos, aplanats i allargassats. Aquestes pintures foren descobertes al 1995, quan el personal del ministeri de Cultura de la República Àrab Sahrauí i Democràtica les va mostrar a un equip d'arqueòlegs i antropòlegs de la Universitat de Girona. Les campanyes d'estudi continuades que s'han realitzat en aquests jaciments de pintura rupestre prehistòrica des d'aleshores han proporcionat les dades per aquesta investigació. En total es tracta d'un conjunt de 2734 figures repartides en 130 abrics de 5 jaciments diferents: Uad Ymal, Uadi Kenta, Rekeiz Ajahfun, Rekeiz Lemgasem i Asako. Les hipòtesis a contrastar eren dues. La primera que al Zemmur hi havia diversos estils de pintura rupestre. La segona que la majoria d'aquests estils dataven de la prehistòria. Ambdues han pogut ser verificades i s'han aportat arguments que demostren que eren certes. El treball de tesi ha consistit en fotografiar les pintures, digitalitzar-les, reproduir-les i estudiar-les. Concretament l'estudi ha consistit en descriure-les, classificar-les estilísticament i datar-les. La classificació s'ha realitzat a partir d'una sèrie de criteris morfològics i tècnics. Posteriorment les imatges han estat atribuïdes a diversos estils, que també havien estat definits amb criteris morfotècnics a partir de l'observació de les imatges. La seva existència, i per tant la verificació de la primera hipòtesi, es dedueix de la presència de recurrències morfotècniques en les representacions. Més tard aquests estils han estat ordenats de manera relativa tot estudiant les seves superposicions. La seqüència dels cinc estils identificats, de més antic a més recent és: Balladors, Modelats, Tracejats, Figures Fosques i Linial. Posteriorment s'ha intentat datar cadascun dels estils a partir de les representacions ja que les anàlisis efectuades indicaren que no era possible datar les imatges per tècniques radiomètriques a causa de la manca de matèria orgànica en les pintures. En qualsevol cas, gràcies a les representacions d'armes, d'animals i els textos escrits hem pogut verificar que la majoria d'elles són prehistòriques, tal com apuntàvem en la nostra segona hipòtesi. Finalment s'ha arribat a la conclusió que l'estil dels Balladors data, de manera molt aproximada, d'ara fa entre 3800 i 3200 anys tal com indiquen les representacions d'alabardes. L'estil Linial, el més recent, data d'entre ara fa 2400 i 2000 anys perquè és acompanyat de textos líbico-berbers però no de representacions de camells. Els estils Modelat, Tracejat i Figures Fosques es daten entremig. A part de les conclusions obtingudes, un dels resultats més importants d'aquest treball ha estat la realització del corpus de pintura prehistòrica del Zemmur que consta, com ja hem dit, de milers d'imatges. Per tant aquesta recerca, a més de tractar sobre un material inèdit i d'un gran interès històric, hauria d'ésser útil per a la gestió de tot aquest patrimoni.

Las Hermanas Mirabal. Latinoamérica se pronuncia por la no violencia contra las mujeres (Actualidad)

Las hermanas Mirabal (Patria Mirabal, Minerva Mirabal y María Teresa Mirabal), nacidas en República Dominicana se opusieron a la dictadura de Rafael Leónidas Trujillo. La hermana mayor, Patria, no tenía el mismo nivel de actividad política que sus otras hermanas, pero las apoyaba, incluso prestaba su casa para guardar armamentos y herramientas de los insurgentes. El 25 de noviembre de 1960 fueron brutalmente asesinadas a palos y estranguladas, junto a Rufino de la Cruz que las acompaño, conduciendo el jeep, a visitar en la cárcel al líder del Movimiento Revolucionario 14 de Junio, Manolo Tavárez y a Leandro Guzmán esposos de Minerva y María Teresa Mirabal respectivamente. En 1999 recibieron el reconocimiento de la Asamblea General de la Organización de las Naciones Unidas, que designó, en su memoria, el 25 de noviembre como el Día Internacional de la Eliminación de la Violencia contra la Mujer.

The influence of viscous and latent heating on crystal-rich magma flow in a conduit

The flow dynamics of crystal-rich high-viscosity magma is likely to be strongly influenced by viscous and latent heat release. Viscous heating is observed to play an important role in the dynamics of fluids with temperature-dependent viscosities. The growth of microlite crystals and the accompanying release of latent heat should play a similar role in raising fluid temperatures. Earlier models of viscous heating in magmas have shown the potential for unstable (thermal runaway) flow as described by a Gruntfest number, using an Arrhenius temperature dependence for the viscosity, but have not considered crystal growth or latent heating. We present a theoretical model for magma flow in an axisymmetric conduit and consider both heating effects using Finite Element Method techniques. We consider a constant mass flux in a 1-D infinitesimal conduit segment with isothermal and adiabatic boundary conditions and Newtonian and non-Newtonian magma flow properties. We find that the growth of crystals acts to stabilize the flow field and make the magma less likely to experience a thermal runaway. The additional heating influences crystal growth and can counteract supercooling from degassing-induced crystallization and drive the residual melt composition back towards the liquidus temperature. We illustrate the models with results generated using parameters appropriate for the andesite lava dome-forming eruption at Soufriere Hills Volcano, Montserrat. These results emphasize the radial variability of the magma. Both viscous and latent heating effects are shown to be capable of playing a significant role in the eruption dynamics of Soufriere Hills Volcano. Latent heating is a factor in the top two kilometres of the conduit and may be responsible for relatively short-term (days) transients. Viscous heating is less restricted spatially, but because thermal runaway requires periods of hundreds of days to be achieved, the process is likely to be interrupted. Our models show that thermal evolution of the conduit walls could lead to an increase in the effective diameter of flow and an increase in flux at constant magma pressure.

Roman barrows and their landscape context: a GIS case study at Bartlow, Cambridgeshire

This paper examines the landscape context of the Bartlow Hills, a group of large Romano-British barrows that were excavated in the 1840s but have been largely neglected since. GIS is employed to test whether it was possible to view the mounds from nearby roads, barrows and villas. Existing research on provincial barrows, and especially their landscape context, and some recent relevant applications of GIS are reviewed. We argue that barrows are active and symbolically charged statements about power and identity. The most striking pattern to emerge from the GIS analysis is a focus on display to a local rather than a transient audience.

The Effects of Stratification on Flow Separation

Separation of stratified flow over a two-dimensional hill is inhibited or facilitated by acceleration or deceleration of the flow just outside the attached boundary layer. In this note, an expression is derived for this acceleration or deceleration in terms of streamline curvature and stratification. The expression is valid for linear as well as nonlinear deformation of the flow. For hills of vanishing aspect ratio a linear theory can be derived and a full regime diagram for separation can be constructed. For hills of finite aspect ratio scaling relationships can be derived that indicate the presence of a critical aspect ratio, proportional to the stratification, above which separation will occur as well as a second critical aspect ratio above which separation will always occur irrespective of stratification.

Clastic and core lava components of a silicic lava dome

The formation of a lava dome involves fractionation of the lava into core and clastic components. We show that for three separate, successive andesitic lava domes that grew at Soufrière Hills volcano, Montserrat, between 1999 and 2007, the volumetric proportion of the lava converted to talus or pyroclastic flow deposits was 50%–90% of the lava extruded. Currently, only 8% of the total magma extruded during the 1995–2007 eruption remains as core lava. The equivalent representation in the geological record will probably be even lower. Most of the lava extruded at the surface flowed no further than 150–300 m from the vent before disaggregation, resulting in a lava core whose shape tends to a cylinder. Moderate to high extrusion rates at the Soufrière Hills domes may have contributed to the large clastic fraction observed. Creating talus dissipates much of the energy that would otherwise be stored in the core lava of domes. The extreme hazards from large pyroclastic flows and blasts posed by wholesale collapse of a lava dome depend largely on the size of the lava core, and hence on the aggregate history of the partitioning process, not on the size of the dome.

Time series analysis of lava flux

We have applied time series analytical techniques to the flux of lava from an extrusive eruption. Tilt data acting as a proxy for flux are used in a case study of the May–August 1997 period of the eruption at Soufrière Hills Volcano, Montserrat. We justify the use of such a proxy by simple calibratory arguments. Three techniques of time series analysis are employed: spectral, spectrogram and wavelet methods. In addition to the well-known ~9-hour periodicity shown by these data, a previously unknown periodic flux variability is revealed by the wavelet analysis as a 3-day cycle of frequency modulation during June–July 1997, though the physical mechanism responsible is not clear. Such time series analysis has potential for other lava flux proxies at other types of volcanoes.

Characterisation of virgin olive oil of Italian olive cultivars: 'Frantoio' and 'Leccino', grown in Andalusia

Work was carried out on the characterisation of virgin olive oils from the main Italian cultivars, 'Frantoio' and 'Leccino', grown in two different locations in Andalusia: Mengibar (Jaen) and Cabra (Cordoba), with important differences in altitude. The study was carried out during the crop years 1999/2000 and 2001/2002. There were significant differences between the oils from both cultivars when grown in the different environments, Cabra close to the hills and Mengibar in the open at 280 m height. At higher altitude, the oils showed a greater content of oleic acid and higher stability, while in the open the oils had higher tocopherol and linoleic acid contents. For the phenolic compounds, the environment influenced each cultivar in different ways. Sensorial characteristics, showed significant differences between the oils from each cultivar and location. In general, the oils from Andalusia had higher levels of natural antioxidants, greater oxidative stability and more marked sensorial characters. (C) 2004 Elsevier Ltd. All rights reserved.

Return of the 'Angry Woman': authenticating female physical action in contemporary cinema

In 1999, Elizabeth Hills pointed up the challenges that physically active women on film still posed, in cultural terms, and in relation to certain branches of feminist theory . Since then, a remarkable number of emphatically active female heroes have appeared on screen, from 'Charlie’s Angels' to 'Resident Evil', 'Aeon Flux', and the 'Matrix' and 'X-Men' trilogies. Nevertheless, in a contemporary Western culture frequently characterised as postfeminist, these seem to be the ‘acceptable face’ – and body – of female empowerment: predominantly white, heterosexual, often scantily clad, with the traditional hero’s toughness and resolve re-imagined in terms of gender-biased notions of decorum: grace and dignity alongside perfect hair and make-up, and a body that does not display unsightly markers of physical exertion. The homogeneity of these representations is worth investigating in relation to critical claims that valorise such air-brushed, high-kicking 'action babes' for their combination of sexiness and strength, and the feminist and postfeminist discourses that are refracted through such readings. Indeed, this arguably ‘safe’ set of depictions, dovetailing so neatly with certain postfeminist notions of ‘having it all’, suppresses particular kinds of spectacles in relation to the active female body: images of physical stress and extension, biological consequences of violence and dangerous motivations are all absent. I argue that the untidy female exertions refused in popular “action babe” representations are now erupting into view in a number of other contemporaneous movies – 'Kill Bill' Vols 1 & 2, 'Monster', and 'Hard Candy' – that mark the return of that which is repressed in the mainstream vision of female power – that is, a more viscerally realistic physicality, rage and aggression. As such, these films engage directly with the issue of how to represent violent female agency. This chapter explores what is at stake at a representational level and in terms of spectatorial processes of identification in the return of this particularly visceral rendering of the female avenger.