Leetle bateese : high voice, in F /

Cover title.

Cortège : extrait de la Petite suite à 4 mains /

Part for violin.

Schweizerlieder von verschiedenen Verfassern : als ein zweyter Theil zu Hrn. Lavaters Schweizerliedern.

Part for cantus and piano and part for other voices on confronting pages; bass parts figured.

4 works for wind instruments.

Opus 24, Ouvertüre für Harmoniemusik.--(Opus) 103, Trauermarsch, in memory of Norberg Burgmüller, for military band.--(Opus) 113, Concertstück no. 1, F minor, for clarinet, basset horn and piano.--(Opus) 114, Concertstück no. 2, D minor, for clarinet, basset horn and piano.

Canons. 6 various instrumental compositions.

Canons.- Praeludium and fugue (lute).- Suite (lute).- Suite (lute).- Sonata (Piano transcription for a solo instrument and piano).- Four inventions (violin and piano).- Overture, G minor.

Eliland : ein Sang vom Chiemsee = Song of Chiemsee /

Op. 9.

Dreimal sieben Gedichte aus Albert Girauds Pierrot Lunaire : op. 21 : für eine Sprechstimme, Klavier, Flöte (auch Piccolo), Klarinette (auch Bass-Klarinette), Geige (auch Bratsche), und Violoncello /

For narrator, flute (and piccolo), clarinet (and bass clarinet), violin (and viola), violoncello, and piano.

Konzert für Violine und Orchester : op. 52 /

For violin and piano.

Columbia University songs /

English, Latin or German words, in part printed as text.

Violoncello recital

Program: Passacaglia for Violin and Cello ........... Johan Halvorsen (1864-1935) Cello Concerto in E minor Op. 85 .............. Edward Elgar (1857-1934) Sonata for Cello and Piano Op. 38 .......... Johannes Brahms (1833-1897)

A recital of selected repertoire for the mezzo-soprano voice

JOHANN SEBASTIAN BACH Buss und Reu, St Matthew Passion Es ist vollbracht, St John Passion FRANZ JOSEPH HAYDN O luna lucente, Il Mondo della luna ROBERT SCHUMANN Gedichte der Königin Maria Stuart Abschied von Frankreich Nach der Geburt ihres Sohnes An die Königin Elisabeth Abschied von der Welt Gebet STEFAN WOLPE Simeini kahotam al libeha, Two Songs for Alto and Piano SRUL IRVING GLICK "...i never saw another butterfly... " To Olga Yes, That's The Way Things Are The Little Mouse On A Sunny Evening Narrative The Butterfly LEILA LUSTIG Wretched Highway WILLIAM BOLCOM The Actor George

Explorando a execução de técnicas estendidas no oboé encontradas em quatro peças contemporâneas

This dissertation presents an investigation of the evolutionary process of extended oboe techniques, through literary analysis and practical research. The objective of this work is to provide assistance to oboists interested in learning these techniques. Additionally, this work encourages the student, through the process of experimentation, to explore the questions that may arise around the aesthetics of sound, the concept of gesture as an additional visual and aural element in music, and the collaboration and “real-time” creation processes. Discussed within the work, are the relationship between the instrument (the oboe) and extended techniques, and two possible definitions of extended techniques, provided by Luk Vaes (2009) and Gardner Read (1993). Also explored are the how and why some composers have utilized extended techniques in their compositions, including brief discussions relating to extended techniques in real-time composition (improvisation), extended techniques and technological resources, theatrical gesture as an extended technique, and suggestions of how musicians might approach theatrical gestures in performance. Four works were visited: “I Know This Room So Well” – Lisa Bielawa (2007-9); “Four Pieces for Oboe and Piano” – Ernst Krenek (1966); “In Freundschaft” – Karlheinz Stockhausen (1978); “Atem” – Mauricio Kagel (1969-70); and an exploration of the difficulties and solutions associated with each extended technique found within these pieces, was carried out. The following founding works on extended oboe techniques were used, as a basis for research: books - Heinz Holliger’s Pro Musica Nova (1972); Gardner Read’s Compendium of Modern Instrumental Techniques (1993); Peter Veale & Claus-Steffen Mahnkopf’s The Techniques of Oboe Playing (1994); and Libby Van Cleve’s Oboe Unbound: Contemporary Techniques (2004); and articles - Nora Post’s “Monophonic sound resources for the oboe: Part I – Timbre” (1984), “Part II- Pitch and other techniques” (1984), and “Multiphonics for the oboe” (1982).

La guerrière: No. 1, baryton ou mezzo-soprano

Augusta Holmès.

La guerrière: No. 2, ténor (ton original)

Augusta Holmès.

Paysages d'amour. IV. No. 2 en Sol. Parmi les meules

Augusta Holmès.