Jane Katz outside family court

General note: Title and date provided by Bettye Lane. Digital reproduction

Circle of support rally for Jane Alpert (Anti-war activist). Left to right: Kierstan Grimstand, Susan Rennie, Andrea Dworkin, Florence Rush, Rosetta Reitz.

General note: Title and date provided by Bettye Lane. Digital reproduction

Jane Austen and her men : ancestors of the modern romances

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

2011 18 August Mark Guyer-Jane Peterson interview

Mark Guyer and Jane Peterson, in-person interview with Kathryn Maxson and Robert Cook-Deegan, conducted in Rockville, MD (NIH campus), 18 August 2011. Mark Guyer and Jane Peterson were grants program officers at the NIH during the HGP, and were some of the longest-standing employees in the HGP administrative structure. Both witnessed the transformation of the Office of Genome Research into the National Center for Human Genome Research and, finally, the National Human Genome Research Institute. They were close participants in the history of the Bermuda Principles within the NIH.

Jane Austen and her men : ancestors of the modern romances

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Jane Smiley's "A Thousand Acres": A Feminist Revision of "King Lear"

Jane Smiley retells the tale of “King Lear” through the perspective of one of the evil sisters, in her novel “A Thousand Acres”. While the literary canon places William Shakespeare and his plays at the top of the list, I disagree that the canon should denote what is considered “classic” and what would be disregarded. Jane Smiley's novel is not canonized, but why? Her feminist revision of “King Lear” answers why Goneril and Regan were so evil. I argue that “King Lear” (both the text and the play) does not provide the evidence of dysfunction that Smiley's novel exhibits. “A Thousand Acres” opens up questions about gender formation, issues that are misrepresented and occluded in Shakespeare's “King Lear”. By bringing the trauma of incest to the forefront of the novel, its reverse emotional structures allow the reader to obtain a new perspective to a complex four-century-old play.