900 resultados para Cebellos, Jacqueline Michot , 1925-


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Official publication no. 307j.

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On spine: Bibliographies of American statute law. Contents.-Bibliographies of the states and the United States.-Law library catalogues.-Selected miscellaneous catalogues.

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O objetivo da pesquisa é sistematizar como foi articulada a propaganda política de Washington Luís no processo eleitoral de 1925/1926, como também verificar de que forma ocorreu a cobertura deste processo pelos jornais O Estado de S. Paulo e Correio da Manhã. Utilizando a metodologia de pesquisa histórica e conceitos de propaganda política, será analisado como o paulista de Macaé construiu sua trajetória política e pessoal até ser indicado ao mais alto cargo político da República.(AU)

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Casenote considers nature of ruling in Fitzkriston v Panayi and its implications for the interpretation of S.54(2) Law of Property Act 1925

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We demonstrate an all-fiber Tm3+-doped silica fiber laser operating at a wide selectable wavelength range by using different fiber Bragg gratings (FBGs) as wavelength selection elements. With a specifically designed high reflective (HR) FBG and the fiber end as an output coupler, the lasing in the range from 1975 nm to 2150 nm with slope efficiency of >30% can be achieved. By employing a low reflective (LR) FBG as the output coupler, the obtainable wavelengths were extended to the range between 1925 nm and 2200 nm which is the reported longest wavelength from the Tm3+-doped silica fiber lasers. Furthermore, by employing a FBG array in the laser cavity and inducing bend loss between adjacent FBGs in the array, six switchable lasing wavelengths were achieved. © 2014 Optical Society of America.

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The Profiles that ran in the New Yorker magazine from its inception in 1925 are valuable examples of literary journalism and are of lasting value to scholars both as texts and as cultural artifacts. This thesis assembles a bibliography of all Profiles that appeared under the magazine's first three editors, with some explanation of their importance to biographical and literary studies. ^

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The purpose of this study was to recast Miami's social history during the first three decades of the twentieth century through an examination of working class life. The thesis attempts to fill a gap in the literature while also expanding on the advances made in race and class studies of the United States. Through an analysis of local newspapers, minutes of a carpenter's union, and other archival sources, the thesis demonstrates how white workers obtained a virtual monopoly in skilled jobs over black workers, particularly in the construction industry, and exacted economic pressure on business through the threat of work stoppages. Driven by the concern to maintain smooth and steady growth amidst a vibrant tourist economy, business reluctantly worked with labor to maintain harmonious market conditions. Blacks, however, were able to gain certain privileges in the labor market through challenging the rigid system of segregation and notions of what constituted skilled labor. The findings demonstrate that Miami's labor unions shaped the city's social, cultural, and political landscape but the extent of their power was limited by booster discourse and the city's dependence on tourism. ^

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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1969-1970 Miss Lincoln

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Images of domestic textiles (items made at home for consumption within the household) and textile making form an important subtext to women’s writing, both during and after industrialization. Through a close reading of five novels from the period 1811-1925, this thesis will assert that a detailed understanding of textile work and its place in women’s daily lives is critical to a deeper understanding of social, sexual and political issues from a woman’s perspective. The first chapter will explore the history of the relationship between women and domestic textile making, and the changes wrought to the latter by the Industrial Revolution. The second chapter will examine the role of embroidery in the construction of “appropriate” feminine gentility in Jane Austen’s Mansfield Park (1814). The third chapter, on Elizabeth Gaskell’s Cranford (1853), will explore how the older female body became a repository for anxieties about class mobility and female power at the beginning of the Victorian era. The fourth chapter will compare Sara Jeannette Duncan’s A Social Departure (1890) and Kate Chopin’s The Awakening (1899) to consider how later Victorian women both internalized and refuted public narratives of domestic textile making in a quest for “self-ownership.” The last chapter, on Martha Ostenso’s Wild Geese (1925), examines the corrosive, yet ultimately redemptive, relationships of a family of women trapped by abuse and degradation. For all five authors, images of textiles and textile making allow them to speak to issues that were usually only discussed within a community of women: sexuality, desire, aging, marriage, and motherhood. In all five works, textile making “talks back” to the power structures that marginalize women, and lends insight into the material and emotional circumstances of women’s lives.

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