Œuvres complètes de Victor Hugo ...

Mode of access: Internet.

Victor Hugo : L'homme qui rit - Quatrevingt-treize : suivi de Une après-midi chez Théophile Gautier /

Mode of access: Internet.

La huelga; novela inédita y original de Hugo Wast (G. Martínez Zuviría)

Mode of access: Internet.

Victor Hugo et son temps /

Mode of access: Internet.

Die Temporalconjunctionen der deutschen Sprache in der Ubergangszeit vom mhd zum nhd, besprochen im Anschluss an Peter Suchenwirt und Hugo von Montfort.

Thesis (doctoral)--Friedrich-Wilhelms-Universitat zu Berlin.

Die Menschheitsdichtungen der franzosischen Romantiker Vigny-Lamartine-Hugo.

Thesis (doctoral)--Ruprecht-Karls-Universitat Heidelberg.

Oeuvres complètes de Victor Hugo.

Mode of access: Internet.

Informe relativo a la empresa Huanchaca : basado sobre datos del injeniero Luis Eich, sobre los planos de los injenieros Vitriarius y Hugo Rek /

Mode of access: Internet.

Notre-Dame. With illus. by Hugo, Bayard, Brion, Johannot, and others.

Mode of access: Internet.

Arte y política : Las rarezas de la revista Hexágono '71 de Edgardo Antonio Vigo

Este trabajo presenta uno de los modos por los cuales el arte se encuentra con la política a través de la poética del artista plástico Edgardo Antonio Vigo, entre fines de lo '60 y mediados de los '70. Desde la vanguardia estética este artista trabajó con diversos materiales, generando una poética que apuntaba a provocar la participación del público, su asombro o desconcierto, así como formas expresivas que se alejaban de las Bellas Artes y sus cánones. Además, incorporó temas vinculados con la política, especialmente asociados a la radicalización, que tomaban elementos comunes a los discursos y prácticas culturales de la época, sin abandonar su posición vanguardista. El análisis de la revista Hexágono 71, permite pensar lo político del arte en tanto forma de desestructurar los modos de concebir la organización y jerarquías, sujetos y objetos del orden social, como su vinculación con la política, los acontecimientos y disputas del momento, aunque sin responder al modelo del artista comprometido

La participación del espectador y el autor en cuestión : La poética diversa de Edgardo Antonio Vigo

A fines de los '60, mientras gobiernos dictatoriales ejercían la represión sobre la sociedad argentina, la radicalización política y los cuestionamientos a las jerarquías sociales, a la autoridad y a las instituciones emergían con fuerza. En ese contexto el artista Edgardo Antonio Vigo desarrolló una poética centrada en la participación del espectador, partiendo de una ruptura con su estatuto como sujeto pasivo y distante respecto de la obra, y del artista como único autorizado a tomar parte en el proceso creativo. Veremos en este trabajo de qué modo el artista planteó sus definiciones en torno a esos temas a través de escritos teóricos y trabajos artísticos

Metaphors in Hugo Chávez's political discourse:conceptualizing nation, revolution and opposition

This book provides the first comprehensive analysis of metaphors used by Hugo Chávez in his efforts to construct and legitimize his Bolivarian Revolution. It focuses on metaphors drawn from three of his most frequent target domains: the nation, his revolution, and the opposition. The author argues that behind an official discourse of inclusion, Chávez's choice of metaphors contributes to the construction of a polarizing discourse of exclusion in which his political opponents are represented as enemies of the nation. Chávez constructs this polarizing discourse of exclusion by combining metaphors that conceptualize: (a) the nation as a person who has been resurrected by his government, as a person ready to fight for his revolution, or as Chávez himself; (b) the revolution as war; and (c) members of the opposition as war combatants or criminals. At the same time, by making explicit references in his discourse about the revolution as the continuation of Simón Bolívar's wars of independence, Chávez contributes to represent opponents as enemies of the nation, given that in the Venezuelan collective imaginary Bolívar is the symbol of the nation's emancipation.

Die Behandlung englischen Kulturgutes im Wiener fin de siècle:am Beispiel von Hugo von Hofmannsthal, Hermann Bahr und Peter Altenberg

This study explores the fascination which English culture represented in turn-of-the-century Vienna. The writers that are going to be discussed are the renowned Anglophile Hugo von Hofmannsthal, the more ambivalent Hermann Bahr and the idealizing, but Janus-faced Peter Altenberg. With the more widely known poet, prose writer and playwright, Hofmannsthal, individual aspects of his engagement with English culture have already been well researched; the same, however, cannot be said in the case of Hermann Bahr, whose extensive literary oeuvre has now largely been forgotten, and who has, instead, come to be valued as a prominent figure in the culture life of modernist Vienna, and Peter Altenberg, whose literary fame rests mainly on his prose poems and who, a legend in his life-time, has in recent years also increasingly attracted research interest as a phenomenon and ‘embodiment’ of the culture of his time: while their engagement with French literature, for example, has long received its due share of attention, their debt to English culture has, until now, been neglected. This thesis, therefore, sets out to explore Hofmannsthal’s, Bahr’s and Altenberg’s perception and portrayal of English civilization – ranging from English character and stereotypes, to what they saw as the principles of British society; it goes on to investigate the impulses they derive from Pre-Raphaelite art (Rossetti, Burne-Jones, Whistler) and the art and crafts-movement centred around William Morris, as well as their inspiration by the art criticism of John Ruskin and Walter Horatio Pater. In English literature one of the focal points will be their reading and evaluation of aestheticism as it was reflected in the life and writings of the Dubliner Oscar Wilde, who was perceived, by these Austrian authors, as a predominant figure of London’s cultural life. Similarly, they regarded his compatriot George Bernard Shaw as a key player in turn-of-the-century English (and European) culture. Hermann Bhar largely identified with him. Hofmannsthal, on the other hand, while having some reservations, acknowledged his importance and achievements, whereas Peter Altenberg saw in Shaw a model to reassure him, as his writings were becoming more openly didactic and even more miniaturistic than they had already been. He turned to Shaw, too, to explain and justify his new goal of making his texts more intelligent to a wider circle of readers.

Metaphors in Hugo Chávez's political discourse:conceptualizing nation, revolution and opposition

This dissertation examines Hugo Chávez's choice of metaphors in his efforts to construct and legitimize his Bolivarian Revolution. It focuses on metaphors drawn from three of the most frequent target domains present in his discourse: the nation, his revolution, and the opposition. The study argues that behind an official discourse of inclusion, Chávez's choice of metaphors contributes to the construction of a polarizing discourse of exclusion in which his political opponents are represented as enemies of the nation.The study shows that Chávez constructs this polarizing discourse of exclusion by combining metaphors that conceptualize: (a) the nation as a person who has been resurrected by his government, as a person ready to fight for his revolution, or as Chávez himself; (b) the revolution as war; and (c) members of the opposition as war combatants or criminals. At the same time, the study shows that by making explicit references in his discourse about the revolution as the continuation of Bolívar's wars of independence, Chávez contributes to represent opponents as enemies of the nation, given that in the Venezuelan collective imaginary Simón Bolívar is the symbol of the nation's emancipation.This research, which covers a period of nine years (from Chávez's first year in office in 1999 through 2007), is part of the discipline of Political Discourse Analysis (PDA). It is anchored both in the theoretical framework provided by the cognitive linguistic metaphor theory developed by George Lakoff and Mark Johnson described in their book Metaphors We Live By, and in Critical Metaphor Analysis (CMA) as defined by Jonathan Charteris-Black in his book Corpus Approaches to Critical Metaphor Analysis.The study provides the first comprehensive analysis of metaphors used by Chávez in his political discourse. It builds upon the findings of previous studies on political discourse analysis in Venezuela by showing that Chávez's discourse not only polarizes the country and represents opponents as detractors of national symbols such as Bolívar or his wars of independence (which have been clearly established in previous studies), but also represents political opponents as enemies of the nation.

The United States Congress and Venezuela's Hugo Chávez

The Soviet Union's dissolution in December 1991 marks the end of the Cold War and the elimination of the United States' main rival for global political-economic leadership. For decades U.S. foreign policymakers had formulated policies aimed at containing the spread of Soviet communism and Moscow's interventionist policies in the Americas. They now assumed that Latin American leftist revolutionary upheavals could also be committed to history. This study explores how Congress takes an active role in U.S. foreign policymaking when dealing with revolutionary changes in Latin America. This study finds that despite Chávez's vitriolic statements and U.S. economic vulnerability due to its dependence on foreign oil sources, Congress today sees Chávez as a nuisance and not a threat to U.S. vital interests. Devoid of an extra-hemispheric, anti-American patron intent on challenging the United States for regional leadership, Chávez is seen by Congress largely as a threat to the stability of Venezuela's institutions and political-economic stability. Today both the U.S. executive and the legislative branches largely see Bolivarianism a distraction and not an existential threat. The research is based on an examination of Bolivarian Venezuela compared to revolutionary upheaval and governance in Nicaragua over the course of the twentieth century. This project is largely descriptive, qualitative in approach, but quantitative data are used when appropriate. To analyze both the U.S. executive and legislative branches' reaction to revolutionary change, Cole Blasier's theoretical propositions as developed in the Hovering Giant: U.S. Responses to Revolutionary Change in Latin America 1910-1985 are utilized. The present study highlights the fact that Blasier's propositions remain a relevant means for analyzing U.S. foreign policymaking.