Arqueología del futuro

A través de la historia aparecen muchas y variadas manifestaciones de cambio, necesarias para afrontar el futuro2 de la humanidad; también de la arquitectura. Estas manifestaciones, alternativas, teorías y proyectos, a menudo denostados por la crítica o dejados de lado por las teorías históricas de carácter generalista, destacan por su capacidad de convertirse en herramientas críticas frente al orden establecido, promoviendo así nuevos imaginarios colectivos. En el contexto temporal que transcurre desde finales de la década de los años cincuenta hasta mediados de los setenta, esa “búsqueda del futuro” no sólo se encuentra totalmente aceptada y popularizada, sino que llega a convertirse en un acto necesario, legitimado por la incorporación de la futurología como ciencia de estudio fundamental. Este contexto resulta el marco idóneo para la aparición de una serie de predicciones arquitectónicas encaminadas a dibujar nuevos caminos posibles para el futuro de la arquitectura, o lo que es lo mismo, para una arquitectura del futuro: “Où vivrons-nous demain ?” (1963) y “Les cités de l'avenir” (1966) del historiador francés Michel Ragon, el número “AD 2000+” (1967) de la revista Architectural Design y “The Future of the Future” (1969) del artista inglés John McHale, “Architecture: action and plan” (1967) y “Experimental Architecture” (1970) de Peter Cook, “Megastructure. Urban futures of the recent past” del crítico inglés Reyner Banham, “Architecture 2000” (1971) del norteamericano Charles Jencks, “Stadstrukturen für morgen” (1971) del suizo Justus Dahinden, “Arthropods: new design futures” (1972) del editor norteamericano Jim Burns y la sección “Cosmorama” (1965-1973) de la revista inglesa Architectural Design, pueden considerarse como las más destacadas. A pesar de lo heterogéneo de sus autores y enfoques, todas ellas gravitan en torno a cuatro alternativas para una redefinición del futuro de la arquitectura: - La incorporación de la arquitectura al heterogéneo espectro formal derivado de la explosión de las artes visuales y la exuberancia y proliferación de los objetos de consumo a través de un CAMBIO DE ESCALA. - La generación de nuevas relaciones que experimenten en torno a los límites entre natural y artificial, o PERVERSIONES NATURALES. - La apertura de un nuevo camino, HACIA UNA ARQUITECTURA VIRTUAL, que experimente con una construcción de ambientes auspiciada por los avances tecnológicos derivados del control perceptivo. - LA MOVILIDAD COMO OPCIÓN DE FUTURO, una respuesta a la aparición de una nueva sociedad en continuo cambio, abogando por estructuras más flexibles en todos los campos del ámbito arquitectónico, de lo urbano a lo doméstico. ABSTRACT of humanity, and of architecture too. Those signs, alternatives, theories and projects, that were often neglected by the critics or left aside by historical theories of general-interest, have an outstanding capacity to become critical tools with regards to the established order, and to promote new collective imagery. Within the timeframe that lasts between late fifties and midseventies, that "quest for the future" is not only accepted and made popular, but it even becomes an act of necessity that is legitimized by the incorporation of futurology as a key scientific field of study. This timeframe provides the most suitable context for the appearance of a series of architectonical predictions that are aimed to define new potential paths for the future architecture to follow, in other words, an architecture of the future: "Où vivrons-nous demain?" (1963) y "Les cités de l'avenir" (1966) from French historian Michel Ragon, issue number "AD 2000+" (1967) of Architectural Design magazine and "The Future of the Future" (1969) from English artist John McHale, "Architecture: action and plan" (1967) and "Experimental Architecture" (1970) from Peter Cook, "Megastructure. Urban futures of the recent past" from English critic Reyner Banham, "Architecture 2000" (1971) from North-American Charles Jencks, "Stadstrukturen für morgen" (1971) from Swiss Justus Dahinden, "Arthropods: new design futures" (1972) from North-American editor Jim Burns and the section "Cosmorama" (1965-73) from English magazine Architectural Design, can be considered as the most prominent architectonical predictions of that time. Despite the heterogeneity of authors and approaches, all of them are built around four alternatives that are aimed to re-define the future of architecture: - The incorporation of architecture to the heterogeneous formal spectrum of visual arts and the exuberance and the proliferation of objects of massive consumerism through an operation of CHANGE IN SCALE. - The production of new relationships aimed to experiment around the limits between natural and artificial, in other words, NATURAL PERVERSIONS. - A new road TOWARDS VIRTUAL ARCHITECTURE, to enable experiences with ambiance construction that are favored by technological advances derived from the control of perception. - MOVILITY AS AN OPTION FOR THE FUTURE, a response to the appearance of a new ever changing society, a bet on more flexible structures in all areas of architecture, from urban to domestic scale.

Stable carbon, nitrogen and sulphur isotope analysis of permafrost preserved human hair from rescue excavations (2009, 2010) at the precontact site of Nunalleq, Alaska

Acknowledgments This work was funded by an Arts and Humanities Research Council (AH/K006029/1) grant awarded to Rick Knecht, Kate Britton and Charlotta Hillerdal (Aberdeen); an AHRC-LabEx award (AH/N504543/1) to KB, RK, Keith Dobney (Liverpool) and Isabelle Sidéra (Nanterre); the Carnegie Trust to the Universities of Scotland (travel grant to KB); and the Max Planck Institute for Evolutionary Anthropology. The onsite collection of samples was carried out by staff and students from the University of Aberdeen, volunteer excavators and the residents of Quinhagak. We had logistical and planning support for fieldwork by the Qanirtuuq Incorporated, Quinhagak, Alaska, and the people of Quinhagak, who we also thank for sampling permissions. Special thanks to Warren Jones and Qanirtuuq Incorporated (especially Michael Smith and Lynn Church), and to all Nunalleq project team members, in Aberdeen and at other institutions, particularly Charlotta Hillerdal and Edouard Masson-Maclean (Aberdeen) for comments on earlier versions of this manuscript, and also to Véronique Forbes, Ana Jorge, Carly Ameen and Ciara Mannion (Aberdeen) for their inputs. Thanks also to Michelle Alexander (York). Finally, thank you to Ian Scharlotta (Alberta) for inviting us to contribute to this special issue, to the Editor, and to three anonymous reviewers, whose suggestions and recommended changes to an earlier version of this manuscript greatly improved the paper.

Denver Bible Institute under the leadership of Clifton L. Fowler

"Denver Bible Institute, founded in 1914, became a Bible College in 1945 and subsequently renamed Rockmont College..."

Internet Civil Liberties in the U.S. and the Protection of the Modern Terrorist

This capstone examines the civil liberties of the modern terrorist and explicates the right to freedom of speech for terrorist organizations and their use of the internet. Terrorist organizations use the internet to promote ideas, recruit members, organize the flow of information, and coordinate actions. During the war on terror the US Patriot Act became law allowing for U.S. government censorship and surveillance of internet traffic and many believe these acts are a threat to civil liberties. Terrorist organizations have the right to express their views, however unpopular, and censoring or restricting web sites diminishes civil liberties for all, which democracies and liberal societies are founded upon.

Samurai Son and Exploring Cultural Myths Through Fantasy Fiction

Samurai Son is a story that captures the beauty, wonder and imagination of Japanese legends and mythology with some modern-day sensibilities and morals against the backdrop of medieval Japan. The story blends Shinto religion and stories about the tengu, bird-like wind spirits with a modern plotline in a Japanese fantasy universe. This world is filled with magic, demons, kami (magical spirits), gods and goddesses, samurai, ninja and martial arts.

Looking Back: A Granddaughter's Quest for Redemption and Understanding

On December 7th, 1941 Japan attacked Pearl Harbor in Hawaii. This event signaled the beginning of America's involvement in World War II. It also signaled the beginning of a change of life for the Japanese living in the United States. Following the attack, 120,000 persons of Japanese ancestry were placed in ten internment camps across the United States. Two-thirds of those interned were American citizens, including my grandmother. The fact that these American citizens were treated as prisoners in their own country had a devastating effect on the relationships of those interned and the generations of Japanese Americans that followed. This essay recounts my grandma's experience and explores how her internment changed her life and the lives of her descendants.

An Independent Art Movement: The Independent Artist, Community Television, and the Age of Information

The history of community television shows that it has been a home to activist and non-profit organizations that have created programs focused on freedom of speech. This project proposes that community television is also a place where artists can have freedom of artistic expression. The reflective paper reviews the creation of my film designed to inform and attract artists to community television. In it I critically reflect on the artistic, technical, artistic/technical, and production changes made throughout my journey from being a visual artist to becoming a video-artist. The reflective paper, along with the film, act as a wake-up call to artists who are unaware of community television and the advantages it has to offer them.