Sin pan y con trabajo en la Argentina de entresiglos (sobre las escenas de iniciación a las prácticas literarias en Lucio V. Mansilla, Horacio Quiroga y Hugo Wast)

El artículo propone un recorrido somero por la historia de la profesionalización del escritor en Argentina, a través de la lectura de tres textos autobiográficos escritos entre finales de la década de 1880 y 1930: una causerie de Lucio V. Mansilla, el diario del viaje a París de Horacio Quiroga y las memorias de Hugo Wast. La elección apunta a leer un proceso de transformación con sus inflexiones, superposiciones, emergencias y residuos, para revisar a partir de allí las relaciones que la literatura entabla con el dinero por medio de modalidades tan diversas como el trabajo periodístico, la colaboración free-lance o la escritura de best-sellers, aunque siempre reunidas bajo una figura común: el hambre en vinculación con la escena de iniciación al mundo de las letras.

Distribution of phytolithes in CRP sediment cores from the Ross Sea, Antarctica

Phytoliths (siliceous plant microfossils) have been recovered from Cenozoic sediments (c. 34 to 17 Ma) in the CRP-2/2A and CRP-3 drillholes cored off Cape Roberts, Victoria Land Basin, Antarctica. The phytolith assemblages are sparse, but well-preserved and dominated by spherical forms similar to those of modern trees or shrubs. Rare phytoliths comparable to modern grass forms are also present. However, due to the paucity of phytolith data, any interpretations made are necessarily tentative. The assemblages of CRP-2/2A and the upper c. 250 m of CRP-3 are interpreted as representing a predominantly woody vegetation, including Nothofagus and Libocedrus with local areas of grass in the more exposed locations. A cool climate is interpreted to have prevailed throughout both cores. However, beneath c. 250 metres below sea floor in CRP-3, the dominant woody vegetation is supplemented by pockets of Palmae, ?Proteaceae and 'warm' climate grasses. This association represents vegetation growth in sheltered, moist sites - possibly north-facing mid-slopes or the coastal fringe. It may also represent remnant vegetation that grew in moist, temperate conditions during the Middle to Late Eocene, previously interpreted from the Southern McMurdo Sound erratics and lower part of the CIROS-1 drillhole. The phytolith analysis compares well to the terrestrial palynomorph record from both cores and provides additional independent taxonomic and climatic interpretations.

Soil characteristics and abundance of archaea in samples from the Ross Sea Region, Antarctica

The objective of this study was to examine the presence and diversity of Archaea within mineral and ornithogenic soils from 12 locations across the Ross Sea region. Archaea were not abundant but DNA sufficient for producing 16S rRNA gene clone libraries was extracted from 18 of 51 soil samples, from four locations. A total of 1452 clones were analysed by restriction fragment length polymorphism and assigned to 43 operational taxonomic units from which representatives were sequenced. Archaea were primarily restricted to coastal mineral soils which showed a predominance of Crenarchaeota belonging to group 1.1b (>99% of clones). These clones were assigned to six clusters (A through F), based on shared identity to sequences in the GenBank database. Ordination indicated that soil chemistry and water content determined archaeal community structure. This is the first comprehensive study of the archaeal community in Antarctic soils and as such provides a reference point for further investigation of microbial function in this environment.

Pan en los sauces : La aparición del dios Pan en The Wind in the Willows de Kenneth Grahame y sus ilustraciones

De las numerosas ilustraciones que se hicieron en más de un siglo para la novela El viento en los sauces (1908), de Kenneth Grahame, haremos un breve recorrido histórico por las primeras cinco que re-crean la escena en el capítulo "El flautista en el umbral del alba", en la que del dios griego Pan, con sus patas de cabra, torso humano y flauta, se aparece a los protagonistas. Observaremos el valor que se le otorga a la deidad, qué elementos del relato se representan y cómo. Compararemos estos dos tipos de lenguaje para este caso, y las ilustraciones entre sí