1000 resultados para kansanpuvut - Karjala - 1700-luku


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INTRODUCTION: Crevasse accidents can lead to severe injuries and even death, but little is known about their epidemiology and mortality. METHODS: We retrospectively reviewed helicopter-based emergency services rescue missions for crevasse victims in Switzerland between 2000 and 2010. Demographic and epidemiological data were collected. Injury severity was graded according to the National Advisory Committee for Aeronautics (NACA) score. RESULTS: A total of 415 victims of crevasse falls were included in the study. The mean victim age was 40 years (SD 13) (range 6-75), 84% were male, and 67% were foreigners. The absolute number of victims was much higher during the months of March, April, July, and August, amounting to 73% of all victims; 77% of victims were practicing mountaineering or ski touring. The mean depth of fall was 16.5m (SD 9.0) (range 1-35). Overall on-site mortality was 11%, and it was higher during the ski season than the ski offseason (14% vs. 7%; P=0.01), for foreigners (14% vs. 5%; P=0.01), and with higher mean depth of fall (22 vs. 15m; P=0.01). The NACA score was ≥4 for 22% of the victims, indicating potential or overt vital threatening injuries, but 24% of the victims were uninjured (NACA 0). Multivariable analyses revealed that depth of the fall, summer season, and snowshoeing were associated with higher NACA scores, whereas depth of the fall, snowshoeing, and foreigners but not season were associated with higher risk of death. CONCLUSION: The clinical spectrum of injuries sustained by the 415 patients in this study ranged from benign to life-threatening. Death occurred in 11% of victims and seems to be determined primarily by the depth of the fall.

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My final project presents the directing process of my experimental production based on King Lear by William Shakespeare. I describe the process from the first visions of the beginning to the completed performance and finally the feedback from the audience. I concentrate on the special qualities of the production, such as interaction, small and moveable audience, cinematic qualities, polyphonic dramaturgy, and use of the video. The Project is divided into six parts. The first part introduces the project as a whole. The second part concentrates on the process before the beginning of the rehearsals. The third part focuses on the rehearsals and co-operation with the actors, whereas the fourth part deals with the performance and its special qualities. Following this, in the fifth part I study the interaction of the performance with the help of the audience feedback. In the final part conclusions are drawn. The focus of this work is the use of intuition even as a starting point of the theatre directing process. My conclusions drawn from the description of the process suggest that the starting point of the theatre production may be an intuitive vision as well as some conscious subject or message.

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Échelle(s) : [1:2 900 000 environ], Echelle, Stades grecs a 600 au D. [600 = 3,8 cm]

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Litanies de S. Victor de Marseille (1). - Vie de s. Trophyme (5). - Philippus Cabassole, de B. M. Magdalena (7). - Lettres sur l'ancienne division de la Gaule (9 v°). - Notice de Besly sur la chronique de Julius Florus (15). - Antiquité des séparations dans les églises (17). - Commencement d'un traité historique sur les évêchés d'Angleterre (22). - Notes autographes de Peiresc sur des antiquités chrétiennes de Vienne (28). - Mémoires sur Embrun (32, 55 v°, 94 v°), le Dauphiné, le Comtat, la Provence, le Languedoc, les évêques de Digne (60 v°), de Sisteron (63) et de Vence (68 v°), Avignon (76), les évêques de Marseille (92), et ceux de Fréjus (95). - Vita b. Lamberti, ep. Venciensis (68 v°). - Origines de l'église de Reims (96). - Antiquités d'Orange (110). - Droits du roi en Bourgogne (140). - Pont du S. Esprit (153). - Seigneurie de Sault (154 v°). - Notes et documents généalogiques. - Copies de lettres et de documents du XVII s. - Idea sive designatio aliquot operum quae Jo. Ba. Donius partim absolvit partim incaepit (236). - Copie des anciens priviléges de l'église d'Arles (254).

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