Judaism in music : Jacques François Halévy ; a lecture

by J. L. Landau

Ḳol rinah ṿe-torah : a handbook of Synagogue music for congregational singing

arr. and ed. for the choir committee of the Council of the United Synagogue by Francis L. Cohen ...

Cantorial anthology of traditional and modern synagogue music : arranged for cantor and choir with organ accompaniment

comp. and ed. by Gershon Ephros

Ms. Ff. Mus. 1453 - Dominica II post Trinitatis : Weil ich denn ruffe, und ihr weigert euch p ; a canto, alto, tenore, basso con i ripieni, 2 violini, 2 hautbois, 1 viola, violoncello, violono, bassono ed organo

di Georgio Philippo Telemann

Music to hymns and anthems for jewish worship by G. Gottheil

composed and selected by A. J. Davis

Ms. Ff. Mus. 1043 - Dom. Trinit. : Gelobet sey Gott und der Vater pp ; C. A. T. B., violino primo, violino secondo, oboe primo et secondo, viola, violoncello, e organo

del Sige. Telemann

Ms. Ff. Mus. 937 - Dominica XIII. post Trinitatis : Du solt lieben Gott deinen Herrn ; a canto, alto, tenore, basso, 2 violini, viola, 2 hautbois, violoncello, violono, bassono ed organo

di Telemann

Ms. Ff. Mus. 1540 - Am 3. post Epiphan. : Wohl dem, des Hülffe der Gott Jacob ist ; C. A. T. B., 2 Violini, 2 Oboe, 1 Viola, Violoncello et Organo

von Telemann

Ms. Ff. Mus. 1503 - Am 2ten Christ=Feyertage : Wie theuer ist deine Güte, Gott, daß pp. ; C. A. T. B., 2 Clarinetti, 2 Flauti traversi, 2 Hautbois se piace, 2 Violini, 1 Viola, Violoncello et Organo

von Telemann

Ms. Ff. Mus. 1339 - Am 2. Advent : Seyd wacker allezeit, und bethet, daß ihr p. ; C. A. T. B., 2 oboe, 2 violini, 1 viola, violoncello et organo

von Teleman[n]. [Textverf.: Gottfried Simonis]

Music Piracy on Peer-to-Peer Networks

Content providers from the music industry argue that peer-to-peer (P2P) networks such as KaZaA, Morpheus, iMesh, or Audiogalaxy are an enormous threat to their business. They furthermore blame these networks for their recent decline in sales figures. For this reason, an empirical investigation was conducted during a period of 6 weeks on one of the most popular files-sharing systems, in order to determine the quantity and quality of pirated music songs shared. We present empirical evidence as to what extent and in which quality music songs are being shared. A number of hypotheses are outlined and were tested. We studied, among other things, the number of users online and the number of flies accessible on such networks, the free riding problem, and the duration per search request. We further tested to see if there are any differences in the accessibility of songs based on the nationality of the artist, the language of the song, and the corresponding chart position. Finally, we outline the main hurdles users may face when downloading illegal music and the probability of obtaining high quality music tracks on such peer-to-peer networks.