History of architectural development.

Includes bibliographies.

Tableau de la littérature française, 1800-1815.

1. ptie. Mouvement religieux, philosophique et poétique. 3. éd.--2. ptie. Le roman et l'histoire.--3. ptie. La critique et l'éloquence.

Zur Rhythmik romanischer Innenräume in der Normandie : weitere Untersuchungen /

Errata slip inserted.

Les poètes et la poésie, 1912-1913 /

"La connaissance poétique; le choix d'un sujet; Sur la sincérité des poètes; De l'orgueil; De l'éclectisme; Petit tableau des écoles poétiques; D'un programme critique; Les poètes."

Le théâtre des poètes, 1850-1910.

Half-title: ... Histoire du théâtre poétique en France depuis l'année 1850 jusqu'à l'année 1910.

Romansk konst.

Mode of access: Internet.

Die kirchliche Baukunst des Abendlandes /

Vol. 2 of text and v. 5 of atlas published by A. Bergsträsser, Stuttgart.

Ahasvérus /

"Ahasvérus et de la nature du génie poétique [par Charles Magnin]" : p. [xiii]-ℓxiii.

Oeuvres completes d'Horace, de Juvénal, de Perse, de Sulpicia, de Turnus, de Catulle, de Properce, de Gallus et Maximien, de Tibulle, de Phèdre et de Syrus.

Ms. notations.

Histoire du ciel, ou l'on recherche l'origine de l'idolatrie, et les méprises de la philosophie, sur la formation des corps célestes, & de toute la nature.

t. 1. Le ciel poëtique.--t. 2. La cosmognie. La physique de Moïse. Les conséquences.

La liberté en Belgique; poëme lyrique, en quatre chants.

"Ecrit l'an 1838 en vers polonais, traduit en prose poétique et litterale."

Historic ornament; treatise on decorative art and architectural ornament ...

[v. 1] Prehistoric art; ancient art and architecture; eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and renaissance architecture and ornament.--[v. 2] Pottery; enamels; ivories; metal work; furniture; textile fabrics; mosaics; glass; and book decoration.

L'église de Chamalières-sur-Loire /

Includes bibliographical references.

Oeuvres de du Marsais.

"Éloge de du Marsais, par d'Alembert. Extrait du tome VII de l'Encyclopédie": v. 1, p. [xxxj]-xcij.

Escritura nômade e tédio em "Harmada", de João Gilberto Noll

In the context of poetic productions of modernity and postmodernity (Hutcheon, 1999), this paper, from the concept of nomadism (Deleuze, 2012), together with the philosopher Derrida's notion of writing (2009), has the objective to study Harmada the novel (1993), written by artist Joao Gilberto Noll, the aspect of Nolliana nomadic scripture and boredom towards deconstruction of the Romanesque style. The narrative focus on introducing a transit fiction, promoted by nomadisms scripture of the wandering narrator who, in the work constitution, will the conduct of language, a plot that invades the body of the characters full of boredom and foreigners themselves, moving in fragmented and fluid spatiality of narrating. In this perspective, the research is limited with theoretical and methodological foundation in poststructuralist discussions in relation to considerations of literary aesthetics and concerning the thinkers-teóricos- critics: Derrida (2009), Deleuze (1995), Foucault (1996, 2001), Barthes (1977), Svendsen (2006). Against the background of critical understanding, the nomadic writing Harmada interlace in three stages: first, in the author's language; Second, the characters, the narrator-protagonist leading, unnamed, living overwhelming crises and painful existential ambiguity, placed through the artist's metaphor failed under the sign of "missing" while searching for other possible artistic ways of being in the world; and, finally, the nomadic reading instance as presentification effect (GUMBRECHT, 2010) for a reader experimentation. Finally, our work addresses the relationship between the nomadic scripture and the experience of boredom as a strategic power in the literature do Noll gear.