984 resultados para Pedra do Reino. Tragédia. Romance
Resumo:
Vidas secas, fourth volume of Graciliano Ramos’s work, has its origins in baleia, a short story written by the author and later interspersed, in a term of six months, in twelve other chapters then created for the novel. This paper deals with aspects of Vidas secas creative process, from the short story to the novel.
Resumo:
This work presents a discussion on Brazilian regionalist novel and its relationship to representation of reality along of Brazilian history of literature. Under this point of view, this article analyzes how the novel Galileia, by Ronaldo Correia de Brito, retakes, refuses or brings up to date, in contemporary prose, some aspects that established this kind of production inside literary diachrony in Brazil.
Resumo:
Starting from the set wherein Vidas Secas (1938) stands out, it is possible to establish parameters that make of Graciliano Ramos’ oeuvre the overcoming of realism due to the scope of representation and the quality of formal handling developed by the author, imbibed in the Brazilian and universal literary tradition, and whose result the criticism of Antonio Candido, skilful in taking into account the former critique, points out with precision. Perusing the facts that mark the creation and reception of Vidas Secas (including the production of the movie by Nelson Pereira dos Santos in 1963), the present work is a preamble for analyses that take into account the coherence of Graciliano Ramos with the absorption of expressive resources used by American and European practitioners of a literature engaged in adjusting the expression of contrasts and in reformulating the so-called regionalism
Resumo:
This article seeks to historically contextualize Kracauer’s aesthetic-political position regarding this successful literary genre among German writers in the early 1930s: the novel report. It is inevitable the reference to the Berlin journal, Die Linkskurve, and to Lukács’s critiques developed in the period – when he resumes aesthetic questions on the novel as a literary genre in a Marxist interpretation and outlines his thesis on “critical realism”. Kracauer wrote a critique about the film Kuhle Wampe, directed by S. Dudow with a script by B. Brecht and E. Ottwald and music by H. Eisler, which engendered a discussion full of misunderstandings, but extremely interesting, between E. Bloch and Kracauer and between Kracauer and Brecht. Finally, I comment the journal project Krise und Kritik, which failed with the rise of Hitler.
Resumo:
This paper aims to present some characteristics of Hispania in Late Antiquity and Early Middle Ages (4th-8th centuries). Search through a brief analysis of the relationship between Christianity and the Catholic Monarchy stood raise some issues and questions. We understand that Christianity has played and plays a significant role in the historical development of the Iberian countries. But in its installation and attempt to consolidation as hegemonic religion in the peninsula, faced several challenges. His alliance with the monarchy stood represented one of the ways to make stronger its dominance. In turn, the Monarchy, preserving its characteristic elective associated strongly with Christianity, giving him a theocratic character trying to raise the sovereign above the fray aristocratic, without much success. Thus, our text points to some of the paths followed by these two elements, Christianity and Monarchy at the time of the Kingdom of Toledo, proposing more reflections and ways that effectively covering them. We hope to have achieved it.
Resumo:
We aim with this article to analyze the poetics of love in The Romance of the Rose. We think that Guillaume de Lorris’s conception of love is associated with the flourishing of the French courtly society of the XIII Century, and that Jean de Meun’s conception of love is a result of the decline of this same society. Behind the virtues offered by Guillaume to the medieval lover we find the notion of courtesy, of the art of living in society, the understanding of the poetry as a form of ethics, and the medieval poetic of desire – intimately associated with the religious mysticism appeared from the XI Century and with the troubadours’ poetry. Jean is more influenced by the Ovidian tradition of thinking about the causes and effects of love. In the first part of the poem, Guillaume idealizes the conquest of the Rose; in the second, Jean describes the cueillette of the Rose, which could be read as a rape, in an allegorical way. It is this tension between different conceptions of love in a same poem that makes possible a better comprehension of the ways people used to think and feel in the Middle Ages.
Resumo:
What became accustomed to call “paganism” is undoubtedly one of the most significant forms of what is designated as “popular religiosity”. This expression, which seems useful when a generalization is required, shows all its weakness when a more precise and objective observation of a particular religion is attempted. Would the official visigothic kingdom’s “conversion” to Catholicism, with Recardo (586-601) at the Council of Toledo of 589 have effectively matched to the “conversion” of this kingdom’s population? Firstly, it is necessary to consider, in beyond the exalting intentions of the sources of that moment, that mass conversions do not imply a radical change in the convictions and religious practices of an entire people. Secondly, that “conversion” and “Christianization” are not synonymous. “Religiosity”, which includes the “conversion”, implies a fundamental religious attitude, which can simply be interior and personal. On the other hand, “religion”, in which “Christianization” is included, would correspond to a public aspect, institutionalized, which elaborates a set of techniques aiming, as in the case of “religiosity”, the guarantee of the supernatural Thus, elevated to the position of “official religion,” Catholic Christianity would live with a series of rites, rituals, devotions, from the previous “religiosity” that, through its ecclesiastical perspective, would be reprehensible, considered marginal and something that would lead to error. However, on the eve of the Muslim invasion in 711, not only among the laity but even in ecclesiastical segments, the manifestations of the “paganism” still were aim of coactive condemnation in the Catholic kingdom of Toledo’s councils.
Resumo:
Sectores tradicionales de la historiografía brasileña, siguiendo la idea de la cordialidad de ese pueblo, defendida por importantes intelectuales, suelen presentar la independencia del país como un proceso pacífico. El siete de septiembre de 1822, el hijo del rey de Portugal, que entonces vivía en Brasil, proclama la independencia del nuevo país e instaura un régimen monárquico que perdura hasta 1889 y mantiene unido en esa corona la inmensa extensión territorial que constituye actualmente el país. En realidad el proceso de construcción del estado brasileño no fue tan pacífico como cuentan los manuales de historia ni tampoco dejó de cosechar conflictos a lo largo de casi un siglo. En las últimas décadas historiadores y novelistas se han encargado de apuntar fisuras y disensiones en dicho proceso. La historia aparece así reescrita en varias novelas, desde paradigmas escriturales diversos. En ese sentido, el presente trabajo muestra como tres escritores trataron de aspectos de las guerras de independencia en el país en novelas históricas. La lectura de Viva o povo brasileiro (1984), de João Ubaldo Ribeiro; Lealdade (1997), de Márcio Souza e Anita (1999), de Flávio Aguiar, muestra como la literatura puede leer de modo privilegiado los signos de la historia.
Resumo:
En Novela negra con argentinos, publicada en 1990, la escritora Luisa Valenzuela se propone a discutir la sociedad moderna en un cruce apropiado entre género y personajes. Al representar la ciudad de Nueva York, bajo sus aspectos más degradantes e inhumanos con reverberaciones de la política argentina, Valenzuela da vida a un relato construido a partir del diálogo entre el discurso ficcional y histórico, de los desdoblamientos de la experiencia del exilio y la identidad contemporánea argentina.
Resumo:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Resumo:
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Resumo:
Pós-graduação em Letras - IBILCE
Resumo:
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)