Better dead: J. M. Barrie’s first book and the shilling fiction market

This article provides a critical and bibliographical discussion of J. M. Barrie’s neglected first book, Better Dead, published by Swan Sonnenschein, Lowrey & Co. in 1887. Drawing on previously unexamined evidence in the Sonnenschein archive, it shows how this shilling novel was marketed and sold to its readers at railway bookstalls, and argues that the content and style of the story was conditioned by its form. Examining the many references and allusions in the story, it proposes that the work is best understood as a satire on contemporary political, social and literary themes. The article also shows how, contrary to all published accounts, the author actually earned a small amount of money from a work which, in spite of his efforts, refused to stay dead.

Response of the North Atlantic wave climate to atmospheric modes of variability

This study investigates the relationship between the wind wave climate and the main climate modes of atmospheric variability in the North Atlantic Ocean. The modes considered are the North Atlantic Oscillation (NAO), the East Atlantic (EA) pattern, the East Atlantic Western Russian (EA/WR) pattern and the Scandinavian (SCAN) pattern. The wave dataset consists of buoys records, remote sensing altimetry observations and a numerical hindcast providing significant wave height (SWH), mean wave period (MWP) and mean wave direction (MWD) for the period 1989–2009. After evaluating the reliability of the hindcast, we focus on the impact of each mode on seasonal wave parameters and on the relative importance of wind-sea and swell components. Results demonstrate that the NAO and EA patterns are the most relevant, whereas EA/WR and SCAN patterns have a weaker impact on the North Atlantic wave climate variability. During their positive phases, both NAO and EA patterns are related to winter SWH at a rate that reaches 1 m per unit index along the Scottish coast (NAO) and Iberian coast (EA) patterns. In terms of winter MWD, the two modes induce a counterclockwise shift of up to 65° per negative NAO (positive EA) unit over west European coasts. They also increase the winter MWP in the North Sea and in the Bay of Biscay (up to 1 s per unit NAO) and along the western coasts of Europe and North Africa (1 s per unit EA). The impact of winter EA pattern on all wave parameters is mostly caused through the swell wave component.

A geochemical and lead isotopic record from a small pond in a remote equatorial island, Fernando de Noronha, Brazil

A 72 cm long core was collected from Lagoa da Viracao (LV), a small poind in the Fernando de Noronha island, northern Brazil. Sediments from the lower section of the core (20-72 cm depth) contain essentially mineral matter, while in the upper section (0-20 cm depth) mineral matter is mixed with organic matter. Lithogenic conservative elements - Si, Al, Fe, Ti, Co, Cr, Cu, Ba, Ga, Hf, Nb, Ni, Y, V, Zn, Zr and REE - exhibit remarkably constant values throughout the core, with concentrations similar to those of the bedrock. The vertical distribution of soluble elements - Ca, Mg, Na, K, P, Mn and Sr - is also homogeneous, but these elements are systematically depleted in relation to the bedrock. LOI, TOC, Br, Se, Hg and Pb, although showing nearly constant values in the lower section of the core, are significantly enriched in the upper section. The concentration profiles of Br and Se suggest that they may be accounted for by natural processes, related to the slight affinity of these elements for organic matter. On the other hand, the elevated levels of Hg and Pb in recent sediments may be explained by their long-range atmospheric transport and deposition. Furthermore, the isotopic composition of Pb clearly indicates that anthropogenic sources contributed to the Pb burden in the uppermost pond sediments.

Vilhelm Ekelund och den fransk-italienska kultursfären : Några nedslag i de tidiga prosaverken - från Antikt ideal (1909) till Attiskt i fågelperspektiv (1919)

Vilhelm Ekelund och den fransk-italienska kultursfären: Några nedslag i de tidiga prosaverken – från Antikt ideal (1909) till Attiskt i fågelperspektiv (1919). (Vilhelm Ekelund and the French and Italian cultural heritage: A study of his early prose – from Antikt ideal (1909) to Attiskt i fågelperspektiv (1919)). The Swedish poet, essayist and aphorist Vilhelm Ekelund was not only influenced by German literature and philosophy, he also wrote extensive literary criticism on the subject of Romance language authors. This article discusses Ekelund’s relationship to some of the most influential French and Italian writers – as it can be seen in his work during the period 1909-1919. This relationship was ambiguous: he paid homage to French authors such as Montaigne, Montesquieu, Stendhal and Comte – as well as to the Italian poet and philosopher Leopardi – but he also severely criticized such distinguished writers as Baudelaire, Rousseau and Maupassant. One conclusion of this article is that the authors praised by Ekelund all venerate the Greek and Roman cultural heritage, whereas the despised novelists and poets were, in his opinion, either too “modern” or too “feminine” – both highly pejorative adjectives in the author’s terminology. It is also noted that Ekelund’s most ferocious attacks date from the first part of the decade, before he entered a more harmonic period with the works Metron (1918) and Attiskt i fågelperspektiv (1919).

"Spontaneous overflow of powerful feelings" : romantic imagery in Mary Shelley's Frankstein

Romantic English literature – written at a time when prose fiction was predominantly a medium for sheer entertainment – is rooted in poetry. One or two novelists may exceptionally be granted the adjective “Romantic”, but Mary Shelley is not ranked among them. For centuries, her work has been restricted to that section in handbooks reserved for exotic Gothic literature. This thesis argues that literary criticism has failed to recognize Frankenstein’s obvious relation with the movement. The argument will be fostered by a brief look at such handbooks, and developed through the analysis of the imagery of the novel, so as to trace the Romantic elements there contained. The analysis relies mainly on the frame developed by Northrop Frye concerning the nature and function of imagery in literature. The concept of intertextuality will also be useful as a tool to account for the insertion of images in the novel, and for the novel’s insertion within the Romantic context. The work is divided into three parts. The first contextualizes the main issues set forth by Frankenstein, establishing connections with the life of the author and with the Romantic movement. The second exposes the theoretical basis on which the thesis is grounded. The last presents my reading of the novel’s web of images. In the end, I hope to validate the thesis proposed, that Frankenstein embodies the aesthetic and philosophical assessments of the English Romantic agenda, and therefore deserves to be situated in its due place in the English Literary canon as the legitimate representative of Romanticism in prose form.

Construcción regional y desarrollo productivo en la economía de la globalidad

Incluye Bibliografía

Estrategia económica regional: los casos de Escocia y la región de Yorkshire y Humber

Incluye Bibliografía

Intermitências de corações: um estudo comparado entre Clarice Lispector e Marcel Proust

Pós-graduação em Estudos Literários - FCLAR

A presença inglesa no Brasil e sua influência nas obras de escritores brasileiros do século XIX

Esta dissertação tem por objetivo investigar a presença dos escritores ingleses nas obras de escritores brasileiros do século XIX. Os romancistas ingleses que se destacaram na Inglaterra do século XVIII foram Daniel Defoe, Samuel Richardson e Henry Fielding. Eles contribuíram para ascensão e consolidação do romance como gênero literário. No Brasil, o romance desenvolveu-se com maior liberdade e atraiu o público leitor. O novo público começa a ler romances que recriavam a cidade, as ruas e a vida de uma classe social emergente: a burguesia. O novo gênero que surgiu na Inglaterra promoveu o crescimento do comércio, a proliferação de revistas e jornais, de cunho popular e literário. Os escritores brasileiros como José de Alencar e Machado de Assis sofreram influências dos escritores ingleses, no entanto, essa influência não foi refletida somente nos romances desses escritores, foi sentida também nos negócios, na cultura e na vida social do Brasil. Alguns exemplos dessa presença são igualmente revelados nas obras de Machado de Assis por meio das citações, das referências e das alusões. Machado de Assis, sempre quando possível, faz referências aos escritores ingleses tanto dos séculos XVI e XVIII quanto do século XIX, tais como Shakespeare, Swift, Fielding. Sterne, Lamb e Dickens entre outros romancistas ingleses.

José de Alencar: “sou americano para o que der e vier”

Pós-graduação em Letras - FCLAS

Sparkianas texto adentro: narrativa e relações humanas nos contos de Muriel Spark (1918-2006)

Pós-graduação em Letras - FCLAS

A representação feminina na obra de Virginia Woolf: um diálogo entre o projeto político e o estético

Pós-graduação em Estudos Literários - FCLAR

Gurupá: das ruínas aos cemitérios

Posterior ao Tratado de Madrid (1750), o governo do Marquês de Pombal (1750-1777) implanta o projeto moderno nacional de caráter imperial nas colônias portuguesas. O Tratado de Madrid reconhecia a situação real na América Latina e encaminhou o trabalho das comissões de limites. O capitão-geral, na época do Estado do Grão-Pará e Maranhão, Francisco Xavier Mendonça Furtado foi ator decisivo do projeto político e militar, segurando a região à coroa portuguesa, e executava o projeto pombalino contra os jesuítas ("Estado de Deus") e as condições agrestes da região. A partir dos traços que o empreendimento político e ideológico deixou, o nosso estudo compara três vozes: as cartas do Governador Francisco Xavier de Mendonça Furtado, a obra do escritor paraense Dalcídio Jurandir e a trilogia romanesca de Alfred Döblin, a fim de analisar como as incursões ideológica e estética configuram a mediação entre a realidade histórica e a representação nas narrativas de ficção. Essa comparação se realiza no contexto de uma região que liberou as mais altas e fecundas fantasias da historia cultural da humanidade (as Amazonas, El Dorado, o tesouro do Rei Salomão e o boom da borracha), a fim de traçar as fantasmagorias diante das ruínas da realidade, confrontar o imaginário coletivo e a ficcionalização individual.