889 resultados para Arte e música - França - Séc. XVIII


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The work is the most extensive encyclopedic compilation on Mexican music published to the date, in the form of a dictionary. It includes composer's bios, list of works, musical institutions, instruments, performers, theatres, and many other categories about the music of Mexico. Most of entries include bibliography.

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In Aztec mythology and religion, Xipe Totec ("our lord the flayed one") was a life-death-rebirth deity, god of agriculture, vegetation, the east, disease, spring, goldsmiths, silversmiths and the seasons. The music used for his worship has been described by a diversity of documents (carved stones, depicted codices, and chronicles made by the first European friars arrived to Mexico). This article explores the symbolic content of these descriptions, especially in association with Xochipilli Macuilxochitl, master of music and poetry.

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In this paper, we present a comparison between the sensitivity of SC-FDMA and OFDMA schemes to large carrier frequency offsets (CFO) and timing offsets (TO) of different users on the uplink. Our study shows the following observations: 1) In the ideal case of zero CFOs and TOs (i.e., perfect synchronization), the uncoded BER performance of SC-FDMA with frequency domain MMSE equalizer is better than that of OFDMA due to the inherent frequency diversity that is possible in SCFDMA. Also, because of inter-symbol interference in SC-FDMA, the performance of SC-FDMA with MMSE equalizer can be further improved by using low-complexity interference cancellation (IC) techniques. 2) In the presence of large CFOs and TOs, significant multiuser interference (MUI) gets introduced, and hence the performance of SC-FDMA with MMSE equalizer can get worse than that of OFDMA. However, the performance advantage of SC-FDMA with MMSE equalizer over OFDMA (due to the potential for frequency diversity benefit in SC-FDMA) can be restored by adopting multistage IC techniques, using the knowledge of CFOs and TOs of different users at the receiver

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While bonding between d(10) atoms and ions in molecular systems has been well studied, less attention has been paid to interactions between such seemingly closed shell species in extended inorganic solids. In this contribution, we present visualizations of the electronic structures of the delafossites ABO(2) (A = Cu, Ag, Au) with particular emphasis on the nature of d(10)-d(10) interactions in the close packed plane of the coinage metal ion. We find that on going from Cu to Ag to Au, the extent of bonding between A and A increases. However, the structures (in terms of distances) of these compounds are largely determined by the strongly ionic 13,11 0 interaction and for the larger B ions Sc, In and Y, the A atoms are sufficiently well-separated that A-A bonding is almost negligible. We also analyze some interesting differences between Ag and Au, including the larger A-O covalency of the Au. The trends in electronic structure suggest that the Ag and Au compounds are not good candidate transparent conducting oxides. (C) 2002 Editions scientifiques et medicales Elsevier SAS. All rights reserved.

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Temperature dependent X-ray powder diffraction and dielectric studies have been carried out on tetragonal compositions of (1-x) PbTiO 3(x) BiMeO 3; Me similar to Sc and Zn 1/2 Ti 1/2. The cubic and the tetragonal phases coexist over more than 100 degrees C for 0.70 PbTiO 30.3 Bi ( Zn 1/2 Ti 1/2) O 3 and 0.66 PbTiO 30.34 BiScO 3. The wide temperature range of phase coexistence is shown to be an intrinsic feature of the system, and is attributed to the increase in the degree of the covalent character of the ( Pb +Bi ) O bond with increasing concentration of Bi at the Pb -site. The d-values of the {111} planes of the coexisting phases are nearly identical, suggesting this plane to be the invariant plane for the martensitic type cubic-tetragonal transformation occurring in these systems.

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Aluminum scandium binary alloys represent a promising precipitation-hardening alloy system. However, the hardness of the binary alloys decreases with the rapid coarsening of Al3Sc precipitate during high-temperature aging. In the current study, we report a new approach to compensate for the loss of mechanical properties by combining rapid solidification with very small ternary addition of transition metal Ni. This addition yields dispersion, and at a critical concentration improves the mechanical properties. We explore additions of a maximum of 0.06 at. pct of Nickel to a binary Al-0.14 at. pct Sc alloy, which yield nickel-rich dispersions. We report two kinds of biphasic dispersions containing AlNi2Sc/Al9Ni2 and alpha-Al/Al9Ni2 phase combinations. The maximum improvement in mechanical properties occurs with the addition of 0.045 at. pct Ni with a yield strength of 239 +/- A 7 MPa for an aging treatment at 583 K (310 A degrees C) for 15 hours. DOI: 10.1007/s11661-013-1624-z (C) The Minerals, Metals & Materials Society and ASM International 2013

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Single-carrier frequency division multiple access (SC-FDMA) has become a popular alternative to orthogonal frequency division multiple access (OFDMA) in multiuser communication on the uplink. This is mainly due to the low peak-to-average power ratio (PAPR) of SC-FDMA compared to that of OFDMA. Long-term evolution (LTE) uses SC-FDMA on the uplink to exploit this PAPR advantage to reduce transmit power amplifier backoff in user terminals. In this paper, we show that SC-FDMA can be beneficially used for multiuser communication on the downlink as well. We present SC-FDMA transmit and receive signaling architectures for multiuser communication on the downlink. The benefits of using SC-FDMA on the downlink are that SC-FDMA can achieve i) significantly better bit error rate (BER) performance at the user terminal compared to OFDMA, and ii) improved PAPR compared to OFDMA which reduces base station (BS) power amplifier backoff (making BSs more green). SC-FDMA receiver needs to do joint equalization, which can be carried out using low complexity equalization techniques. For this, we present a local neighborhood search based equalization algorithm for SC-FDMA. This algorithm is very attractive both in complexity as well as performance. We present simulation results that establish the PAPR and BER performance advantage of SC-FDMA over OFDMA in multiuser SISO/MIMO downlink as well as in large-scale multiuser MISO downlink with tens to hundreds of antennas at the BS.

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Partitura incorporada como material complementario de la revista.

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La Virgen María en el Nuevo Testamento. Aspectos del Evangelio de san Lucas / Luis Heriberto Rivas -- El lugar de María en el discurso cristológico de san Anselmo de Canterbury / Eduardo Briancesco -- Notas sobre el II Concilio Provincial de Lima (1582-1583). Segunda parte: El laicado español / Armando Pedro Ferreccio -- Resonancias marianas en los catecismos hispanoamericanos del siglo XVI / Juan Guillermo Durán -- Culto divino y normas litúrgicas en el III Concilio Provincial de Lima (1582-1583) / Fernando María Bargalló -- El fresco de Daniel en la fosa de los leones en la “capella greca” / Eugenio Guasta -- San Benito y la teología de la vida religiosa / Eduardo Ghiotto -- Encuentro de teología mariana: Documento final -- Notas bibliográficas -- Libros recibidos

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Resumen: La música religiosa del compositor argentino J. P. Esnaola (1808-1878) que ha llegado hasta nosotros se conserva repartida entre dos fondos documentales. Este informe está dedicado a uno de ellos, perteneciente al archivo del Arzobispado de Buenos Aires, donde se guardan obras de Esnaola y del español Manuel Mencía (1731-1805). Se presenta un inventario comentado de los manuscritos musicales del archivo, con un detalle de los copistas intervinientes.

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Resumen: Ordo Virtutum es la única pieza dramático-musical de Hildegarda de Bingen, traducida generalmente en español como El drama de las Virtudes. Su composición –en lengua latina– data del año 1150 aproximadamente, durante la finalización de su primer libro visionario, el Scivias Domini o Conoce los caminos del Señor. Como figura del siglo XII con la particularidad del don visionario y familiarizada con el estilo de las Sagradas Escrituras, es posible considerar que el símbolo se haya convertido para Hildegarda en el medio más adecuado para poder expresarse. Y como mística, la correspondencia simbólica de múltiples lenguajes estéticos lleva a pensar en un trabajo de creación en el cual una sola de las expresiones no hubiera bastado. Desde el ámbito literario en diálogo con otras artes, en este trabajo observaremos cómo los símbolos provenientes de los lenguajes estéticos empleados por Hildegarda se corresponden y concuerdan, constelados, para ampliar el espectro de sentido de la obra.

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Contenido: Editorial – Encuentro en el idioma / Ángel J. Battistessa – Dos interpretaciones de Quevedo / Arturo Berenguer Carisomo – El milagro del ladrón devoto, de Gonzalo de Berceo y su relación con la fuente latina: “De fure suspenso quem beata virgo liberavit” / Adriana Cecilia Cid – Humanidades clásicas / Vicente Cichitti – El sentido trascendente de la Vida Retirada de Fray Luis de León / Celina Sabor de Cortazar – La búsqueda de la luz en “Sombra del Paraíso” de Vicente Aleixandre / Teresa Iris Giovacchini – Catulo: una presencia en el gongorismo / Raúl Daniel Lavalle – Poesía y música en Cernuda y Bécquer / Luis Martínez Cuitiño – Actualización y actualidad de la literatura caballeresca / Lilia E. F. de Orduna – El arte plástico frente a los nuevos esquemas de la ciencia / Blanca Pastor – Jorge Manrique en la crítica española contemporánea / Erwin Félix Rubens – El desengaño del mundo en las Coplas de Manrique / Lía Noemí Uriarte Rebaudi – Reseñas bibliográficas