Faulkner revisited : narrating property, race, gender and history in William Faulkner's Go Down, Moses, Toni Morrison's Song of Solomon and Gloria Naylor's Mama Day

My thesis explores the formation of the subject in the novels of Faulkner’s Go Down, Moses, Toni Morrison’s Song of Solomon, and Gloria Naylor’s Mama Day. I attach the concept of property in terms of how male protagonists are obsessed with materialistic ownership and with the subordination of women who, as properties, consolidate their manhood. The three novelists despite their racial, gendered, and literary differences share the view that identity and truth are mere social and cultural constructs. I incorporate the work of Judith Butler and other poststructuralist figures, who see identity as a matter of performance rather than a natural entity. My thesis explores the theme of freedom, which I attached to the ways characters use their bodies either to confine or to emancipate themselves from the restricting world of race, class, and gender. The three novelists deconstruct any system of belief that promulgates the objectivity of truth in historical documents. History in the three novels, as with the protagonists, perception of identity, remains a social construct laden with distortions to serve particular political or ideological agendas. My thesis gives voice to African American female characters who are associated with love and racial and gender resistance. They become the reservoirs of the African American legacy in terms of their association with the oral and intuitionist mode of knowing, which subverts the male characters’ obsession with property and with the mainstream empiricist world. In this dissertation, I use the concept of hybridity as a literary and theoretical devise that African-American writers employ. In effect, I embark on the postcolonial studies of Henry Louise Gates, Paul Gilroy, W. E. B Du Bois, James Clifford, and Arjun Appadurai in order to reflect upon the fluidity of Morrison’s and Naylor’s works. I show how these two novelists subvert Faulkner’s essentialist perception of truth, and of racial and gendered identity. They associate the myth of the Flying African with the notion of hybridity by making their male protagonists criss-cross Northern and Southern regions. I refer to Mae Gwendolyn Henderson’s article on “Speaking in Tongues” in my analysis of how Naylor subverts the patriarchal text of both Faulkner and Morrison in embarking on a more feminine version of the flying African, which she relates to an ex-slave, Sapphira Wade, a volatile female character who resists fixed claim over her story and identity. In dealing with the concept of hybridity, I show that Naylor rewrites both authors’ South by making Willow Springs a more fluid space, an assumption that unsettles the scores of critics who associate the island with authenticity and exclusive rootedness.

Sunray etched Visors for the Jamaican Olympic Team in three colours: yellow, green and black

Design for visors for the delegation from Jamaica to the London Olympic Games 2012. This design was commissioned by PUMA 2012 based on McLean's designs featured in the website House of Flora, which functions as a space of display, archive, folio, point of sale and dissemination. The McLean standard design for visors is a component of the avant garde, pret a porter millinery, accessory design collections, and stylistically customised for the Jamaican team. McLean's oeuvre is original in its integration of the experimental traditions of art school workshop culture with the professional demands of fashion manufacture and trade culture. Combining the innovation of the postmodern urban artisan with the exacting demands of industrial production, dissemination and distribution McLean's design work spans the disparate worlds of national art collections such as the Victoria and Albert Museum (A Hat Anthology Exhibition, and catalogue 2009), London Design Museum ( Fifty Hats that Changed the World 2009). Integrating design considerations of multiple and mass production with the stylistic considerations of the studio workshop McLean brings the wit of the avant garde urban artisan to the structures and systems of fashion industry. The designs reach to a global audience as product users, as well as to the international connoisseurship of crafts and design specialists. The rigour of McLean's research and innovation is evident in the specificity of the stylistic references made through her selection of materials, processes, form, colour and symbolism. A range of cultural references cite the rich fusion of early twentieth century modernist culture in which the disparate worlds of popular, proletarian, culture fertilised the stylistic austerity of high modern formalism. McLean here considers the relationship between millinery and coiffure, following from the millinery piece featured in (Marcel bobbed hairpiece hat), and now brings the considerations of ethnic difference to bear on her design. Afro hair brings user group specificity to the milliner, and the visor design is a resolution of function and style for both protection and display. Connoting the sartorial conventions of workwear headgear, rather than the nineteenth century colonial 'cricketer's' cap, or the twentieth century US 'baseball' peaked cap, McLean's 'Jamaican Olympic Visor' brings distinctively postcolonial meaning to the cultural profile of the heterotopic media space. Designing for the popular culture of Olympic sports, televised and broadcast to global audiences, brings new forms of agency to the fashion designer, and McLan's design deploys a style that is widely recognisable from other popular culture's film and TV depictions of workwear to mark the distinctive tradition of supremacy that black athletes bring to the European traditions of cultural heritage. Supplanting the Arcadian 'laurels' with which winners are, traditionally, crowned, McLean's visor design innovation, suggests that it is not impossible to challenge and transform apparently timeless hierarchies of power and supremacy, so that ex-slaves may also become victors. McLean's fashion designs all work within this reach of fashion towards the carnivalesque inversion of social orderliness through play, display and sartorial activism.

Identidade, memória e narrativas na dança de São Gonçalo do povoado Mussuca (SE)

This study deals with the participation of the dance of São Gonçalo of the Mussuca town/SE, in the process of construction of the ethnic identity among this social group. The Mussuca is a grouping recognized as afro-descendents, linked with black enslaved people in the valley of the Cotinguiba region. The collective memory functions as a drive of this linking with the past and if it makes to elaborate narratives on this descent. The objective of this study was to investigate the ways the rite went through to constitute itself as an element of ethnic representation. Internal and external agents had been identified who had participated in different contexts. By means of an ethnographic work we ve reached some aspects of the local structure social which demonstrated the contradictions through the social relations of the group. This process of ethnic autorecognition presents the kinship and the space question as definers of the social arrangements which establish its ethnic boundaries

Negros misturados: um estudo de caso sobre identidades negras em Mossoró-RN

With more or less 213.000 habitants, Mossoró is the second more developed city from the Rio Grande do Norte. The town is proclamated like the land of freedom. To so far, exist four moments in your history related with the defence of freedom that is point like truthful from so proclamation. Suchlike happenings are the first female vote on Brazil, the resistance against the Lampião s band, the worman s mutiny and the slave release in 1883, five year before the Áurea law sanction. These happenings are commemorate yearly on setember with one big theatrical event called by the freedom high. Inside this contexto of exaltation to freedom, there is one black movement by name black and beautiful. Is the present dissertation, talked about the building of black identities between the black militants of Mossoró and the dwellers from the Santo Antônio district. With such approach, we intend to think about possibles differences or likeness, how the militants and dwellers from the refered district self-calleds like blacks or not. We are understanding black identity like one process to self-affirmation done by specificities of the social context and the individual particularity. This way, the identity change into one dynamic and contextual reality, gone always by one business process against the interaction of the social actors. So we search to discuss the specificities that involve the process to building of black identities in the city of freedom

Os exus em casa de catiço : etnografia, representações, magia

This dissertation is the result of an ethnographic journey undertaken in three spiritual centers of Umbanda , located in different districts of Natal/RN. The aim of the study was to understand how the representations of exus (spirit category) are established in the studied religious environment. In order to study this, mythical narratives of songs and of people were analyzed. In addition, the incorporated spirit entities, loaded with codes and values, were possible to be read and understood. The present work was developed according to a theoretical and methodological approach that interprets culture as a constant construction process, with representations and significations. The empirical research focuses on the ethnographic observations and the narratives; providing the experimentation of the models of discursive dialogues and polyphony. It was observed that the studied empirical field is marked by the cult of the Jurema which influences the mythical construction of exus . Therefore, this study enabled a reflection on the meeting of notions of two distinct worlds ( Umbanda and Jurema ). This reflection is crucial to the understanding of the position that exus occupy in the local umbandista system

Aqui o nativo é o caboclo... : O processo de construção da identidade cabocla em Mirandas/RN

Ce travaille de dissertation (Master) est le résultat de trois ans de travaille auprès de Mirandas, endroit situé à 22 kilomètres de la ville de Caraúbas, région ouest de l Etat du Rio Grande do Norte. Pendant cette période, on a compris que les habitants de Mirandas se identifient et sont identifiés pour les autres comme des caboclos , catégorie de classification que dans le discours courant, soit à Mirandas ou dans la siège de la municipalité, a des rapports avec la vision que les tous premiers habitants de Mirandas sont venus de la ville du Cabo , dans l Etat de Pernambuco. Et pourtant ; l usage qu a été fait de cette version a fini pour cacher des éléments qui ont défini l identité de Mirandas, tel comme la probable descendance indigène que parfois est actionnée dans les narratives qui montrent des rapports entre les portugais et des femmes indiens qu ont été pris à casco de cavalo (cheval) . (MACÊDO, 2010; CAVIGNAC, 2003). Donc, cette ethnographie porte à la lumière des éléments que sont utilisés pour les mirandenses pour définir leur identité. Cette identité peut être bien visualisé a partir des éléments que les caboclos font des signes diacritiques (BARTH, 1998; OLIVEIRA, 1976), bien comme des rapports établis entre les habitants de Mirandas et ces de Caraúbas. Des rapports qui ont rendu possible les manifestations d affinité et de conflits et que, donc, nous aide à entendre comme cette identité se réactualise dans ces rapports d union et opposition que les mirandenses construisent avec les caraubenses. Cela arrive dans les rapports territoriaux, économiques et de façon plus marquante, dans les rapports religieux.

Nego veio é um sofrer : uma etnografia da subalternidade e do subalterno numa irmandade do Rosário

The object of this work is a fellowship of São Sebastião e Nossa Senhora do Rosário in the city of Jardim do Seridó (RN), that is, a black catholic fellowship on the sertão potiguar. The devotion to Nossa Senhora do Rosário, in colonial Brazil, organizes itself through black catholic men as fellowships. They blossomed in Brazil until the abolition, getting support from the Catholic church, from owners of slaves and from the population in general − unlike others afro-Brazilian religious expression. Today, these fellowships remain active, against the sentimental pessimism of the folklore studies, and they also have a highlight position in the calendar of many cities in Brazil, and in particular in Seridó. The research s foothold is the apparent valorization of the fellowship by the local elite, attitude that hides asymmetric relationships between the group of negros do Rosário and the local authorities, having as its consequence that the members occupy a subaltern position inside their own fellowship. This subalternity take place, mainly, in the public area, where the negros do Rosário cannot represent themselves neither political nor discursively. To discuss this idea, it s done a brief historical of these catholic institutions as well as a description of the relationship between the negros do Rosário and the elites of the city. Then, the phenomenon is analyzed as folklore and/or religion , under the perspective of many agents that participate in this process. In other moment, it is going to be presented how the group formulates their own representation of the history, of the devotional forms and of their own political-religious experiences. In this sense, an ethnography of the subalternity is understood as an analysis of the process that leads the negros do Rosário to become a subaltern group. It s also outlined the perception that the group has of its own position, through an ethnography essay of the subaltern subject. The research, focused in the group of Rosário, was done between August 2010 and January 2012 and includes other agents (like treasurers, priests and intellectuals). Besides that, as a methodological complement, there are documental research, photography, as well as shoots of the party days and public presentation

O Ofício das Rezadeiras: um estudo antropológico sobre as práticas terapêuticas e a comunhão de crenças em Cruzeta/RN

The present Master´s dissertation aims to study the practices of the rezadeiras, Brazilian women healers, through an anthropological perspective. Special attention will be given to the understanding of these practices as a dynamic process in relation to those women who heal in Cruzeta (Seridó, Rio Grande do Norte), where is located our ethnographic research. For this research, twenty four rezadeiras were contacted and colaborated with our work plan. Among them, two were pentecostal rezadeiras and another one was member of the Jurema cult, an afro-brazilian religious cult. Similarities among these women healers were perceived in the research process, mostly in terms of their learning process and the use of certain objects and ritual techniques. However, apparent differences among them gave us the chance for understanding and reflecting on the actual heterogeneity of this world of specialists. Furthermore, i tried to capture the relations between the rezadeiras and the therapeutic practices from health professionals or the religious practices of religious leaders (Catholic, pentecostal, etc). It is possible to ascertain about the complementarity between therapeutic practices from different cultural logics. This complementarity is also perceived through the religious interchanges and transits among different healers, including those who have different religious beliefs. In this work, rituals are also described and they are a crucial factor to the understanding of this particular religious and therapeutic practice conducted by women. Following these ideas, our basic aim is to understand how the rezadeiras make interpretations about health and illness, specially those ones which are particular associated with their practices, the so called "doenças de rezadeiras"

Desde la ra?z hasta las puntas: sobre la forma en el peinado afronortecaucano de Villa Rica [recurso electr?nico]

La siguiente investigaci?n motiva a hacer un recorrido por cada uno de los cap?tulos sobre la forma en los peinados afronortecaucanos de Villa Rica, especialmente los elaborados por Evedilde Villalobos, entendiendo el peinado como la forma proyectada de la pr?ctica del trenzado, y que entrev? en el seno de su ulterior vigencia aspectos conformativos que representan sus modos de ocupar el espacio corporal desde la superficie de la cabeza. Situaci?n que trae consigo la comprensi?n de las din?micas espacio temporales que demarcaron los puntos de inflexi?n m?s importantes en los procesos de socializaci?n e innovaci?n alrededor de la pr?ctica. De esta manera, surge una extensa clasificaci?n de cada una de las unidades formales que la peinadora utiliza para conformar un peinado, tal clasificaci?n concluye que existen patrones formales organizados en los peinados que actualmente elaboran las peinadoras de Villa Rica. Analizar estos atributos formales permiti?, a su vez, identificar una "marca" un estilo propio que representa no solo a la peinadora sino a la pr?ctica del trenzado del municipio, construyendo identidad cultural alrededor de los peinados afro. Una instancia morfol?gica sobre el estudio de la forma en los peinados nace precisamente de la necesidad de interpretar y aprehender la forma como producto cultural, desde su sentido m?s nato, deconstruy?ndolo en sus partes m?nimas para nuevamente reconstruirlo y poder dilucidar el comportamiento generativo y organizativo de esos atributos formales que construyen la noci?n de forma como peinado El dise?o ingresa para establecer el escal?n diferencial que esta antes de la aprehensi?n social del peinado, para evidenciar un lenguaje de formas alrededor que puede explicar tantoaspectos perceptuales como nuevos procesos de socializaci?n e innovaci?n que se dan en la pr?ctica. Tales argumentos que escenifican este planteamiento seencuentran en los cap?tulos siguientes, una primera parte se dirige hacia la socialidad que circunda en los modos en como la mujer afro de Villa Rica se apropia espacialmente de su corporalidad, lo cual evidencia el fuerte inter?s en el proceso proyectual del peinado. Y una segunda parte escenifica tales procesos de royecci?n,muestra como clasifican, generan y organizan cada una de esas unidades formales para conforman un peinado. Palabras clave: peinado, forma, habitar, morfolog?a, corporalidad, mujer

Empoderamiento, justicia social y reafirmaci?n de la identidad: el legado pol?tico de Monse?or Gerardo Valencia Cano

El presente trabajo de grado es el resultado de investigar el legado pol?tico de Monse?or Gerardo Valencia Cano, un sacerdote que vivi? su vocaci?n en el puerto de Buenaventura ? Valle del Cauca, lucho para que los negros pudiesen educarse y salir adelante, se enfrent? a los altos jerarcas de la iglesia y el poder pol?tico local. Su presencia no solo revoluciono la forma de hacer labor social, significo un aporte al pensamiento afro, al mejoramiento de las condiciones de vida de las gentes de ese momento. El prop?sito del trabajo fue analizar el legado pol?tico de Monse?or Gerardo Valencia Cano desde las nociones de empoderamiento, justicia social y reafirmaci?n de la identidad en Buenaventura, para ello se revisaron los documentos existentes sobre la vida y obra de este sacerdote, lo que incluy? textos de car?cter acad?mico, art?culos de revistas, entrevistas realizadas a personas cercanas, para poder describir su biograf?a, examinar sus actividades misioneras y el ideario pol?tico. Al final se obtuvo un documento que da a conocer la importancia de este sacerdote en el puerto, entendiendo que a?n no se han hecho trabajos similares a este. Se concluy? que su legado est? representado por el reclamo constante de justicia social, una incesante promoci?n de los derechos de las personas del puerto y la necesidad de empoderarse para lograr objetivos comunes, lo que al final significa una transformaci?n social.

Youth Expression with Video Surveillance Technology

This qualitative study examines five young Afro-Franco Caribbean males in the Diaspora and their experiences with systems of technology as a tool of oppression and liberation. The study utilized interpretive biography and participatory video research to examine the issues of identity, power/control, surveillance technology, love and freedom. The study made use of a number of data collection methods including interviews, round table discussions, and personal narratives. A hermeneutic theoretical framework is employed to develop an objective view of the problems facing Afro-Franco Caribbean males in the schools and community. The purpose of the study is to provide an environment and new media technology that Afro-Franco Caribbean males can use to engage and discuss their views on issues mentioned above and to ultimately develop a video project to share with the community. Moreover, the study sought to examine an epistemological approach (Creolization) that young black males, particularly Afro-Franco-Caribbean males, might use to communicate, document, and share their everyday experiences in the Diaspora. The findings in the study reveal that the participants are experiencing: (a) a lack of community involvement in the urban space they currently reside, (b) frustration with the perspective of their home country, Haiti, that is commonly shown in mainstream media, and (c) ridicule, shame, and violence in the spaces (school and community) that should be safe. The study provides the community (both local and scholarly) with an opportunity to hear the voices and concerns of youth in the urban space. In addition the study suggests a need for schools to create a critical pedagogical curriculum in which power can be democratically shared.

Piłka nożna, mulatyzm i tożsamość narodowa w Brazylii

The article is devoted to the social functions of soccer in Brazilian society. The first section analyses the elitist and working class origin of soccer in Brazil. Next, the author attempts to describe the role of soccer in advancing social mobility of people from the working class. In the third, most important section the role of soccer in creation of the Brazilian national identity is considered. Here, the concept of a “tropical hybrid” as well as the ideology of mulattism is presented together with a detailed analysis of the Brazilian soccer style as an expression of the Afro-Brazilian, genetically determined talent.

L’effet à long terme de la vie reproductive sur la mortalité des femmes en milieu rural sénégalais

Population ageing in sub-Saharan Africa raises new concerns about mature adult mortality patterns and differentials, but little is known in this region due to the lack of data. This study examines the long term effects of reproductive history on female mortality in three local rural areas in Senegal where population have been followed up for decades. We study mortality differentials according to the past reproductive history of females aged between 50 and 70 in the period 1985-2011. We find that age at first and last deliveries impact mortality levels, as does the number of children ever born. Looking at the sex of the childrenand their vital status at age 5, we note that the number of boys is negatively associated with mortality rates, by a larger extent than the number of girls. In virilocal societies, social factors probably have a strong impact. This result opens future research avenues on the issue of the care of the elderly.

Das raízes

O objetivo deste projeto artístico foi desenvolver um conhecimento mais aprofundado relacionado com a execução e interpretação de técnicas de percussão tradicionais aliadas a técnicas contemporâneas. De entre as várias técnicas tradicionais de percussão optei por desenvolver as da percussão Africana (Guiné e Burkina Faso, e mais tarde Nigéria) e as da percussão Cubana. Criei assim um projeto artístico de fusão intitulado Das Raízes, no qual ao longo dos dois anos do curso de mestrado estive em contacto com a música Africana e Cubana aliada a técnicas contemporâneas e composições originais (minhas e de outros compositores). Para cada obra explorei primeiro as técnicas tradicionais e em seguida adaptei-as à percussão contemporânea, num processo onde as suas raízes africanas, cubanas ou até afro- cubanas são evidentes. Neste projeto salienta-se o papel preponderante das mãos. No século XXI o uso da baqueta predomina como a técnica mais forte para dominar os instrumentos nos conservatórios e nas escolas superiores de música. Após ter adquirido esta técnica resolvi aprofundar as técnicas tradicionais onde predominam o uso não só da baqueta mas também da mão, um mundo antigo na sua existência, mas novo para mim. Espero poder transportar o ouvinte para um mundo em que cor, movimento e som, antiguidade e contemporaneidade estão em constante vibração.

Le rôle des acides gras oméga-3 sur la balance énergétique, la régulation de l’appétit, l’état émotionnel et l’implication du récepteur GPR120

L’obésité est un facteur de risque lié à des problèmes physiques, émotionnels et comportementaux. Aujourd’hui, l’alimentation est composée d’un régime typiquement occidental «Western diet» qui est riche en acides gras saturés (AGS) et pauvre en acides gras polyinsaturés (AGPI) tel que les oméga-3 (N-3) et occasionnant un déséquilibre du ratio alimentaire N-6/N-3. Ce déséquilibre est une des causes de la prévalence des maladies mentales y compris celles des troubles de l'humeur et de l’anxiété. L’acide docosahexaénoïque (ADH, 22: 6 n-3) est l’acide gras (AG) le plus abondant dans le cerveau et son accumulation est particulièrement élevée pendant la période périnatale. Il joue un rôle important dans le développement neuronal et d'autres fonctions du cerveau tel l'apprentissage et la mémoire. Des perturbations de l’environnement périnatal peuvent influencer à très long terme l’avenir de la descendance en la rendant plus susceptible de développer des problèmes d’obésité dans un contexte nutritionnel riche. On ignore cependant si le déficit alimentaire chez la mère et particulièrement en ADH aura un impact sur la motivation alimentaire de la progéniture. L’objectif principal de cette thèse est d’étudier le rôle potentiel des N-3 sur la balance énergétique, la motivation alimentaire, la dépression et le niveau d’anxiété des descendants de souris mâles adultes assujetties à une alimentation riche en gras. Nos données ont démontré qu‘un régime maternel déficitaire en ADH durant la période périnatale incitait la descendance à fournir plus d’effort afin d’obtenir un aliment palatable. Ceci entraînerait un dérèglement de l’homéostasie énergétique en augmentant le gain de poids et en diminuant l’activité locomotrice tout en exacerbant le comportement de type anxieux dès que les souris sont exposées à un milieu obésogène. Les acides gras libres (AGL) sont des nutriments essentiels fonctionnant comme des molécules de signalisation dans le cerveau en ayant des récepteurs qui jouent un rôle important dans le contrôle du métabolisme énergétique. Parmi eux, on distingue un récepteur couplé à la protéine G (GPCR), le GPR120. Ce récepteur activé par les AGPI ω-3 intervient dans les mécanismes anti-inflammatoires et insulino-résistants via les N-3. Une mutation dans le gène GPR120 occasionnée par une réduction de l’activité de signalisation du gène est liée à l’obésité humaine. L'objectif premier de cette deuxième étude était d’évaluer l'impact de la stimulation pharmacologique de GPR120 dans le système nerveux central (SNC) sur l'alimentation, les dépenses d'énergie, le comportement de type anxieux et la récompense alimentaire. Nos résultats démontrent qu’une injection centrale aiguë d'agoniste GPR120 III réduit la prise alimentaire ad libitum et la motivation alimentaire pour un aliment riche en gras et en sucre; ainsi que les comportements de type anxieux. L’injection centrale chronique (21 jours) de ce même agoniste GPR120 III transmis par une pompe osmotique a démontré que les souris placées sous diète hypercalorique (HFD n’ont présenté aucune modification lors de la prise alimentaire ni de gain de poids mais qu’il y avait comparativement au groupe de véhicule, une réduction du comportement de type anxieux, que ce soit dans le labyrinthe en croix surélevé (LCS) ou dans le test à champ ouvert (OFT). L’ADH est reconnu pour ses propriétés anorexigènes au niveau central. De plus, la stimulation des récepteurs de GPR120 au niveau du cerveau avec un agoniste synthétique peut produire un effet intense intervenir sur le comportement lié à l'alimentation des rongeurs. Trouver une approche visant à contrôler à la fois la neuroinflammation, la récompense alimentaire et les troubles émotionnels aiderait assurément au traitement de l'obésité et du diabète de type 2.