[Jean Pierre Edmond Jurien de la Gravière] / Maison Crémière, Tissot Dupont & Cie.

Donateur : Jackson, James (1843-1895)

[François Edmond Paris] / Pierre Petit

Donateur : Jackson, James (1843-1895)

[Joseph Eustache Crocé-Spinelli] / Pierre Petit

Donateur : Tissandier, Gaston (1843-1899)

[Illustrations de La Gloire du Val-de-Grâce] / Pierre Mignard, dess. ; François Chauveau, grav.

Comprend : [Fig. à la Page de Titre : cartouche avec devise, ange et soldat.] In Hoc Signo Vinces. [Cote : Ye 669/Microfilm R 122335] ; [Fronstispice après la Page de Titre : Le Parnasse, Apolllon et les Muses.] [Cote : Ye 669/Microfilm R 122335] ; [Bandeau et lettre historiée folio Aiij : putti dessinant, travaillant la peinture, le modelage, la géométrie et la perspective. La reine Marie de Médicis offrant à Dieu la construction du Val-de-Grâce.] [Cote : Ye 669/Microfilm R 122335] ; [Fig. p.26 : allégories du Temps, de la Mort et de la Peinture (ou Postérité?), putti.] [Cote : Ye 669/Microfilm R 122335]

La caverna de Josep Palau i Fabre (1952-1969): teatre versus al·legoria filosòfica per a representar i impedir el final tràgic i fosc del lluminós art de pensar.

What is the use of performing the myth of the cave from book VII of the Republic by Plato? Josep Palau i Fabre, considers that, in Plato's dialogues, the speakers are mere instruments at the service of his dialectical goal. The aim of this article is to show how, by turning the myth into a tragedy and also by relying on Heraclitus's conflict or war of opposites, the playwright succeeds in favoring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre's La Caverna, the tragic hero, that is, the released prisoner transformed by the light of Reality and finally killed by his "cavemates" -after having been imprisoned again and having tried to rescue them from their ignorance or shadows-, still leaves to them his powerful experience of the agonistikos thought, which might bear fruit in their life to come.

La caverna de Josep Palau i Fabre (1952-1969): teatro versus alegoría filosófica para representar e impedir el final trágico y sombrío del luminoso arte de pensar.

What is the use of performing the myth of the cave from book VII of the Republic by Plato? Josep Palau i Fabre, considers that, in Plato's dialogues, the speakers are mere instruments at the service of his dialectical goal. The aim of this article is to show how, by turning the myth into a tragedy and also by relying on Heraclitus's conflict or war of opposites, the playwright succeeds in favoring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre's La Caverna, the tragic hero, that is, the released prisoner transformed by the light of Reality and finally killed by his "cavemates" -after having been imprisoned again and having tried to rescue them from their ignorance or shadows-, still leaves to them his powerful experience of the agonistikos thought, which might bear fruit in their life to come.