General guide to the collections of the Pennsylvania museum and school of industrial art in Memorial hall, Fairmount park, Philadelphia, Pa.

Preface signed: E. A. B. [i.e. Edwin Atlee Barber]

Occasional papers of Bernice P. Bishop Museum.

Title varies slightly.

Guide to the Crustacea, Arachnida, Onychophora and Myriopoda : exhibited in the Department of zoology, British museum (Natural history) ... With 90 illustrations.

"The section on the Crustacea is written by Dr. W. T. Calman, that on the Arachnida and Myriopoda by Mr. A. S. Hirst, and the portions dealing respectively with the Onychophora and with the Pestastomida ... by Mr. F. Jeffrey Bell." - Pref.

A catalogue of plants & shells found in the vicinity of Milwaukee on the west side of Lake Michigan /

Several pages blank throughout.

Lichenes extra-Europaei a pluribus collectoribus ad Museum Parisiense missi et ab A.-M. Hue elaborati.

Extracted from Archives du Muséum national d'histoire naturelle, 3e sér., t. X, 4e sór., t. I-III.

Das Kaiser Friedrich Museum zu Berlin /

Label mounted on cover: Festschrift zur eröffnung des Kaiser-Friedrichmuseums zu Berlin, herausgegeben von P. Clemen.

Retrospective and comparative exhibition of paintings by the late George Inness, N.A. and a few examples by the late A.H. Wyant, N.A. from the George H. Anslie [i.e. Ainslie] Collection ... New York : Detroit Museum of Art, Nov. 1st to Nov. 30th inclusive, 1913.

All paintings except two are from the George H. Ainslie Collection.

Führer durch das Bayerische National-Museum in München.

Includes index.

Catalogus der schilderijen en teekeningen tentoongesteld in het Museum Boymans te Rotterdam, 1921.

Mode of access: Internet.

Tools of the trade : a listing of materials and equipment for managing museum collections.

Mode of access: Internet.

Deutsches Museum

"Zeitschrift für Literatur, Kunst und öffentliches Leben"

Responsible Tourism for the New Museum: An evaluation of offsite museum travel programs

Thesis (Master's)--University of Washington, 2016-06

The Social Justice and Societal Impact of Public Programs in House Museums

Thesis (Master's)--University of Washington, 2016-06

The other on display: translation in the Ethnographic Museum

The ethnographic museum in the West has a long and troubling history. The display of 'exotic peoples' in travelling exhibitions began as early as the sixteenth century, but it was the mid and late nineteenth century that saw the great expansion of museums as sites to show artefacts collected - under anything but reputable circumstances - from what were considered the 'primitive', 'natural', or 'tribal' peoples of the world. Today the ethnographic museum is still a feature of large European cities, though faced with newly formulated dilemmas in the postcolonial world. For how can the material culture of a non-western people be collected and displayed in the West without its makers being translated into wordless and powerless objects of visual consumption? In national museums the processes of choosing, contextualizing and commentating exhibits help form national identity; in the ethnographic museum, similarly, they shape perceptions of the apparently distant Other. Like written ethnography, the museum is a 'translation of culture', with many of the associated problems traced by Talal Asad (1986). Like the written form, it has to represent the dialogic realities of cultural encounters in a fixed and intelligible form, to propose categories that define and order the material it has gathered. As the public face of academic ethnography, the museum interprets other cultures for the benefit of the general reader, and in that task museum practice, like all ethnography, operates within very specific historical and political parameters. How are museums in western Europe responding to the issues raised by critical ethnographers like James Clifford (1988), with their focus on the politics of representation? Is globalisation increasing the degree of accountability imposed on the ethnographic museum, or merely reinforcing older patterns? What opportunities and problems are raised by the use of more words - more 'translation' in the narrower sense - in ethnographic museums, and how do museums gain from introducing a reflexive and contextualizing concept of "thick translation" (Appiah 1993) into their work of interpretation?

The Cuban Legacy in Miami: A Footprint in Permanent Public, Art Lecture by Jorge A. Hernández

This flyer promotes the event "The Cuban Legacy in Miami: A Footprint in Permanent Public, Art Lecture by Jorge A. Hernández", cosponsored by the Frost Art Museum at FIU.