915 resultados para Jorge Abelardo Ramos
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O presente texto analisa as formas como Pedro Abelardo e S. Bernardo apresentam Deus para verificar se elas são conflitantes ou não. Enquanto que Pedro Abelardo propõe a possibilidade do conhecimento de Deus por via racional a partir de argumentos cosmológicos e da investigação sobre os atributos divinos, Bernardo de Claraval refuta o uso da lógica/dialética para o conhecimento de Deus. Se bem que S. Bernardo também vê na consideração sobre as coisas criadas e nos atributos divinos um modo de conhecimento de Deus, coloca-os, no entanto, em um nível abaixo e desnecessário em comparação ao conhecimento de Deus obtido pela contemplação e assemelhação do homem por meio da conversão do coração à imagem de Cristo. Tais modos divergentes de apresentar a possibilidade do conhecimento de Deus podem estar como base para as divergências teológicas entre S. Bernardo e Pedro Abelardo.
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Followed by the opportunity of attending an internship at Argo – Art, Heritage and Culture, emerges the opportunity of studying and become responsible for the conservation and restoration of a painting by Jorge Pinheiro (Coimbra, 1931), whom is responsible for a wide artistic production that is vastly renowned and featured in particular and public collections, both nationally and internationally. This dissertation describes the study and the intervention of conservation and restoration of the contemporary painting Feto, executed in 1965 by Jorge Pinheiro, which was carried out during my internship of the Master’s in Science of Conservation, Restoration and Production of Contemporary Art, that took place in the company Argo, between November 2014 and April 2015. The issues in the conservation and restoration of contemporary art, related with the increasingly variety of materials that artists have been using since the beginning of the twentieth century, it’s also one of the main themes explored in this dissertation. From conservation and restoration, to the life and work of an artist, the following dissertation, besides describing in detail all the studies and steps that I took in the conservation and restoration of the oil on canvas painting, Feto (1965), it also reveals a closer look into the life and artistic career of Jorge Pinheiro
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At head of title: María J. Lujambio.
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Mode of access: Internet.
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"This edition of two hundred was printed in facsimile from the copy in the library of Archer M. Huntington, at the De Vinne Press, nineteen hundred and two."
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Mode of access: Internet.
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"Notas al canto de Turia, o Noticias historicas de algunos poetas que en el se celebran" en p. 267.
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"Representado con aplauso en el teatro de lope de Vega el día 11 de Noviembre de 1854" -port.-
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Tesis doctoral Univ. Central, 1867.
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Contiene: "Notas al Canto de Turia, o Noticias historicas de algunos poetas que en el se celebran" en p. 267.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.