La presencia de la mujer en la poesía de José Agustín Goytisolo

El 19 de marzo del pasado año 2009 se cumplieron diez años de la muerte de José Agustín Goytisolo. Con este motivo se han sucedido los homenajes y congresos que se han ocupado de estudiar su poesía y de repasar su legado desde ángulos muy diversos. Este artículo aspira también a rellenar un hueco que –sorprendentemente o no– no ha merecido hasta el presente especial atención: la presencia de la mujer en la poesía goytisoliana. Mi objetivo es trazar una panorámica del lugar que las mujeres ocupan en sus versos y mostrar que en su gran mayoría son diferentes de las figuras femeninas que pueblan la tradición literaria. En primer lugar porque, desde el punto de vista de la enunciación, la voz poética no se apropia de la mujer convirtiéndola en objeto de contemplación, sino que, en general, es sujeto de la historia en paridad con el poeta. En segundo lugar, porque las mujeres goytisolianas tampoco se ajustan a los “códigos” a los que las ha relegado el discurso patriarcal: tienen vida propia y no funcionan como símbolo de aspiraciones ajenas ni como proyección del imaginario masculino.

La colección Marca Hispanica, un ambicioso proyecto de traducción de José Agustín Goytisolo

In May 1985 José Agustín Goytisolo launched an ambitious project to translate into Spanish works originally written in Catalan. To this end, with a small group of collaborators he founded the Marca Hispanica collection. Its aim was to spread Catalan literature beyond its borders to reach millions of readers of Spanish through schools, teachers and language academies around the world. The initial idea was to make available in bilingual editions a hundred representative works of Catalan literature but, in the event, only twenty-two volumes were ever published. Based on access to unpublished documents, in this article we defend this endeavour, report on its progress and relate the circumstances, beyond the control of the participants, that led to its demise.

Antonio Agustín, Bologna e l’antiquaria del Cinquecento

One of the founders of numismatics in Modern Age was the archbishop of Tarragona and renowned jurist Antonio Agustín. He was educated during the mid-sixteenth century mainly in Italy, particularly in Bologna and Padua. His role in the development of antiquarian studies – and interest in collecting – ran parallel to the development of numismatics in the Cinquecento. His interest in realia , i.e., the materials and documents perceived as primary evidence of history understood in a global sense, make him a pioneer in setting the trends and methodologies which would be later employed by Bernard de Montfaucon. The period Antonio Agustín spent in Bologna, at the Reale Collegio di Spagna, between 1539 and 1544, afforded him the opportunity to enter a very cultivated circle where the admiration and study of the Antique was well established since the mid-fifteenth century. The cultural effervescence taking place in Bologna was encouraged by the court of Giovanni II Bentivoglio and the University alike. Artists also contributed to the development of antiquarian knowledge, and the painter Amico Aspertini (ca. 1475-1552) exemplifies this. It is clear that Antonio Agustín certainly benefited from the scholarly environment in Bologna during the first half of the Cinquecento, which had been firmly anchored since the fertile Quattrocento. Although the documentary evidence is scarce, and it is difficult to pinpoint the details, it is undeniable that Antonio Agustín was heavily influenced by his Bolognese experience.

Indiferencia, ambivalencia y tipos de consentimiento: Agustín en el Scito te Ipsum de Abelardo

Agustín y Abelardo son frecuentemente puestos como modelos antagónicos de una ética de absolutos morales y una centrada en la intención. El presente artículo enfatiza más bien la coincidencia de ambos en dichos puntos, para defender en cambio que difieren en el tipo de acto interior decisivo para la evaluación moral y en la indiferencia o ambivalencia atribuida al acto exterior.

Morphology and topographic anatomy of the spinal cord of the red-footed tortoise (Geochelone carbonaria Spix, 1824)

The aim of this study was to describe the topography of the spinal cord of the red-footed tortoise to establish a morphological basis for applied research in anesthesiology and morphology. Six tortoises from the state of Maranhão (Brazil) that had died of natural causes were used. The common carotid artery was used to perfuse the arterial system with saline solution (heated to 37ºC) and to fix the material with a 20% formaldehyde solution. The specimens were then placed in a modified decalcifying solution for 72 hours to allow dorsal opening of the carapace with a chisel and an orthopedic hammer. Dissection of the dorsal musculature and sectioning of the vertebral arches were performed to access the spinal cord. The results revealed the spinal cord of G. carbonaria to be an elongated, whitish mass that reached the articulation between the penultimate and last caudal vertebrae. The cervical intumescence (Intumescentia cervicalis) was located between vertebral segments C5 and T1, whereas the lumbosacral intumescence (Intumescentia lumbalis) was located between T6 and Ca1.

Theses (1824-11-06)

Painovuosi nimekkeestä.

Theses (1824-11-27)

Painovuosi nimekkeestä.

Theses (1824-04-03)

Painovuosi nimekkeestä.

Theses (1824-10-06)

Painovuosi nimekkeestä.

Theses (1824-06-16)

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Förteckning på framledne kongl. hof-predikanten och kyrkoherden mag. F. Ehrenmalm tillhörige böcker, som den 24 april 1824 och följande dagar komma att försäljas å Kejserl. Universitetets i Åbo auctions-kammare

Julkaisuvuosi nimekkeestä.

Förteckning öfver aflidne provincial-läkaren doctor L. J. Prytz's boksamling, som å bok-auctionskammaren i Åbo försäljes den [ ] 1824

Julkaisuvuosi nimekkeestä.

Förteckning öfver afledne academie adjuncten magister C. J. af Tengströms boksamling, som å bok-auctions-kammaren i Åbo försäljes den [ ] 1824

Julkaisuvuosi nimekkeestä.