Augmentation of bone defect healing using a new biocomposite scaffold: an in vivo study in sheep.

Previous studies support resorbable biocomposites made of poly(L-lactic acid) (PLA) and beta-tricalcium phosphate (TCP) produced by supercritical gas foaming as a suitable scaffold for tissue engineering. The present study was undertaken to demonstrate the biocompatibility and osteoconductive properties of such a scaffold in a large animal cancellous bone model. The biocomposite (PLA/TCP) was compared with a currently used beta-TCP bone substitute (ChronOS, Dr. Robert Mathys Foundation), representing a positive control, and empty defects, representing a negative control. Ten defects were created in sheep cancellous bone, three in the distal femur and two in the proximal tibia of each hind limb, with diameters of 5 mm and depths of 15 mm. New bone in-growth (osteoconductivity) and biocompatibility were evaluated using microcomputed tomography and histology at 2, 4 and 12 months after surgery. The in vivo study was validated by the positive control (good bone formation with ChronOS) and the negative control (no healing with the empty defect). A major finding of this study was incorporation of the biocomposite in bone after 12 months. Bone in-growth was observed in the biocomposite scaffold, including its central part. Despite initial fibrous tissue formation observed at 2 and 4 months, but not at 12 months, this initial fibrous tissue does not preclude long-term application of the biocomposite, as demonstrated by its osteointegration after 12 months, as well as the absence of chronic or long-term inflammation at this time point.

Affective state and voice : cross-cultural assessment of speaking behavior and voice sound characteristics : a normative multicenter study of 577 + 36 healthy subjects

BACKGROUND: Human speech is greatly influenced by the speakers' affective state, such as sadness, happiness, grief, guilt, fear, anger, aggression, faintheartedness, shame, sexual arousal, love, amongst others. Attentive listeners discover a lot about the affective state of their dialog partners with no great effort, and without having to talk about it explicitly during a conversation or on the phone. On the other hand, speech dysfunctions, such as slow, delayed or monotonous speech, are prominent features of affective disorders. METHODS: This project was comprised of four studies with healthy volunteers from Bristol (English: n = 117), Lausanne (French: n = 128), Zurich (German: n = 208), and Valencia (Spanish: n = 124). All samples were stratified according to gender, age, and education. The specific study design with different types of spoken text along with repeated assessments at 14-day intervals allowed us to estimate the 'natural' variation of speech parameters over time, and to analyze the sensitivity of speech parameters with respect to form and content of spoken text. Additionally, our project included a longitudinal self-assessment study with university students from Zurich (n = 18) and unemployed adults from Valencia (n = 18) in order to test the feasibility of the speech analysis method in home environments. RESULTS: The normative data showed that speaking behavior and voice sound characteristics can be quantified in a reproducible and language-independent way. The high resolution of the method was verified by a computerized assignment of speech parameter patterns to languages at a success rate of 90%, while the correct assignment to texts was 70%. In the longitudinal self-assessment study we calculated individual 'baselines' for each test person along with deviations thereof. The significance of such deviations was assessed through the normative reference data. CONCLUSIONS: Our data provided gender-, age-, and language-specific thresholds that allow one to reliably distinguish between 'natural fluctuations' and 'significant changes'. The longitudinal self-assessment study with repeated assessments at 1-day intervals over 14 days demonstrated the feasibility and efficiency of the speech analysis method in home environments, thus clearing the way to a broader range of applications in psychiatry. © 2014 S. Karger AG, Basel.

Performance anxiety : cardiorespiratory activity in high- and low-anxious professional music students in a performance situation

Questionnaire studies indicate that high-anxious musicians may suffer from hyperventilation symptoms before and/or during performance. Reported symptoms include amongst others shortness of breath, fast or deep breathing, dizziness and thumping heart. A self-report study by Widmer, Conway, Cohen and Davies (1997) shows that up to seventy percent of the tested highly anxious musicians are hyperventilators during performance. However, no study has yet tested if these self-reported symptoms reflect actual cardiorespiratory changes just before and during performance. Disturbances in breathing patterns and hyperventilation may negatively affect the performance quality in stressful performance situations. The main goal of this study is to determine if music performance anxiety is manifest physiologically in specific correlates of cardiorespiratory activity. We studied 74 professional music students of Swiss Music Universities divided into two groups (high- and lowanxious) based on their self-reported performance anxiety (State-Trait Anxiety Inventory by Spielberger). The students were tested in three distinct situations: baseline, performance without audience, performance with audience. We measured a) breathing patterns, end-tidal carbon dioxide, which is a good non-invasive estimator for hyperventilation, and cardiac activation and b) self-perceived emotions and self-perceived physiological activation. Analyses of heart rate, respiratory rate, self-perceived palpitations, self-perceived shortness of breath and self-perceived anxiety for the 15 most and the 15 least anxious musicians show that high-anxious and low-anxious music students have a comparable physiological activation during the different measurement periods. However, highanxious music students feel significantly more anxious and perceive significantly stronger palpitations and significantly stronger shortness of breath just before and during a public performance. The results indicate that low- and high-anxious music students a) do not differ in the considered physiological responses and b) differ in the considered self-perceived physiological symptoms and the selfreported anxiety before and/or during a public performance.

FiltekTM Silorane and FiltekTM Supreme XT resins: tissue reaction after subcutaneous implantation in isogenic mice

The aim of this study was to evaluate the tissue compatibility of a silorane-based resin system (FiltekTM Silorane) and a methacrylatebased nanoparticle resin (FiltekTM Supreme XT) after implantation in the subcutaneous connective tissue of isogenic mice. One hundred and thirty five male isogenic BALB/c mice were randomly assigned to 12 experimental and 3 control groups, according to the implanted material and the experimental period of 7, 21 and 63 days. At the end of each period, the animals were killed and the tubes with the surrounding tissues were removed and processed for microscopic analysis. Samples were subjected to a descriptive and a semi-quantitative analyses using a 4-point scoring system (0-3) to evaluate the collagen fiber formation and inflammatory infiltrate. Data were statistically analyzed using the Kruskal Wallis test (a=0.05). The results showed that there was no significant difference between the experimental and control groups considering the three evaluation periods (p>0.05). The silorane-based and the methacrylate-based nanoparticle resins presented similar tissue response to that of the empty tube (control group) after subcutaneous implantation in isogenic mice.

Long-term in vivo regeneration of peripheral nerves through bioengineered nerve grafts.

Although autologous nerve graft is still the first choice strategy in nerve reconstruction, it has the severe disadvantage of the sacrifice of a functional nerve. Cell transplantation in a bioartificial conduit is an alternative strategy to improve nerve regeneration. Nerve fibrin conduits were seeded with various cell types: primary Schwann cells (SC), SC-like differentiated bone marrow-derived mesenchymal stem cells (dMSC), SC-like differentiated adipose-derived stem cells (dASC). Two further control groups were fibrin conduits without cells and autografts. Conduits were used to bridge a 1 cm rat sciatic nerve gap in a long term experiment (16 weeks). Functional and morphological properties of regenerated nerves were investigated. A reduction in muscle atrophy was observed in the autograft and in all cell-seeded groups, when compared with the empty fibrin conduits. SC showed significant improvement in axon myelination and average fiber diameter of the regenerated nerves. dASC were the most effective cell population in terms of improvement of axonal and fiber diameter, evoked potentials at the level of the gastrocnemius muscle and regeneration of motoneurons, similar to the autografts. Given these results and other advantages of adipose derived stem cells such as ease of harvest and relative abundance, dASC could be a clinically translatable route towards new methods to enhance peripheral nerve repair.

Evaluation of transversal competencies: pilot project in a maths course for first-year business

The aim of this communication is to describe the results of a pilot project for the assessment of the transversal competency "the capacity for learning and responsibility". This competency is centred on the capacity for the analysis, synthesis, overview, and practical application of newly acquired knowledge. It is proposed by the University of Barcelona in its undergraduate degree courses,through multidisciplinary teaching teams. The goal of the pilot project is to evaluate this competency.We worked with a group of students in a first-year Business Degree maths course, during the firstsemester of the 2012/2013 academic year. The development of the project was in two stages: (i)design of a specific task to share with the same students in the following semester when the subjectwould be economic history; and (ii) the elaboration of an evaluation rubric in which we defined thecontent, the aspects to evaluate, the evaluation criteria, and the marking scale. The attainment of theexpectations of quality on the specific task was scored following this rubric, which provided a singlebasis for the precise and fair assessment by the instructor and for the students' own self-evaluation.We conclude by describing the main findings of the experience. There particularly stood out the highscore in the students' self-evaluation given to one aspect of the competency – their capacity forlearning – in stark contrast to their instructor's quite negative evaluation. This means that we have towork both to improve teaching practice and to identify the optimal competency evaluationmethodology.

Muuttuva minuus

Summary: The changing self

Schizotypal perceptual aberrations of time: correlation between score, behavior and brain activity.

A fundamental trait of the human self is its continuum experience of space and time. Perceptual aberrations of this spatial and temporal continuity is a major characteristic of schizophrenia spectrum disturbances--including schizophrenia, schizotypal personality disorder and schizotypy. We have previously found the classical Perceptual Aberration Scale (PAS) scores, related to body and space, to be positively correlated with both behavior and temporo-parietal activation in healthy participants performing a task involving self-projection in space. However, not much is known about the relationship between temporal perceptual aberration, behavior and brain activity. To this aim, we composed a temporal Perceptual Aberration Scale (tPAS) similar to the traditional PAS. Testing on 170 participants suggested similar performance for PAS and tPAS. We then correlated tPAS and PAS scores to participants' performance and neural activity in a task of self-projection in time. tPAS scores correlated positively with reaction times across task conditions, as did PAS scores. Evoked potential mapping and electrical neuroimaging showed self-projection in time to recruit a network of brain regions at the left anterior temporal cortex, right temporo-parietal junction, and occipito-temporal cortex, and duration of activation in this network positively correlated with tPAS and PAS scores. These data demonstrate that schizotypal perceptual aberrations of both time and space, as reflected by tPAS and PAS scores, are positively correlated with performance and brain activation during self-projection in time in healthy individuals along the schizophrenia spectrum.

Poètiques del desig. Alteritat i escriptura a l’obra de Gabriel Ferrater, Maria-Mercè Marçal i Enric Casasses

[cat] La present investigació parteix de la urgència de revisar la poesia catalana contemporània des dels paràmetres de la teoria literària que abracen la representació del desig. Partint de l’estreta vinculació entre aquest marc teòric i les noves formulacions del subjecte líric postmodern, hem proposat l’estudi de tres grans poètiques que han marcat, cada una d’elles en el seu context socioliterari, un punt d’inflexió a la poesia catalana des d’aquest quadre teòric: Gabriel Ferrater, Maria-Mercè Marçal i Enric Casasses. Per aquest motiu, l’objectiu central de la tesi és demostrar, a través de la categoria del desig, com l’alteritat eroticoamorosa és un dels centres de representació i experimentació dels límits del subjecte poètic i quins efectes té en la construcció de la identitat textual i en el que hem anomenat matèria-emoció. La tesi no pretén ser un estudi comparatiu dels tres autors, sinó que, capturant les tres trajectòries en paral•lel, situa cada poètica en un punt de no retorn respecte al desig i la seva representació. Atès això, és, metafòricament, el signe desig, en els seus tres plans, el que unifica els tres paradigmes que hem sotmès a anàlisi: Gabriel Ferrater com a referent, Maria-Mercè Marçal en qualitat de significat i Enric Casasses, portador del significant. El primer capítol va més enllà de la ruptura moderna entre escriptura i exaltació d’una subjectivitat única i monolítica, per comprendre en què consisteix la dissolució del jo líric en tant que fonament de l’enunciació del subjecte en el vers. És una proposta metodològica que, prenent com a centre l’intent de construcció d’una teoria del poema basada en l’expansió del jo cap a l’Altre, analitza algunes de les variables retòriques i ontològiques que coparticipen en la formulació teòrica de subjecte líric incomplet o fragmentat en el moment d’enunciar-se. D’aquesta manera, amb una voluntat de teixir uns ítems teòrics per on circuli el concepte de jo líric versus l’Altre (poesia de l’alteritat, “llei de l’assentiment”, “apropiació” de l’enunciat o, sobretot, matèria-emoció), l’escriptura poètica es concep com un joc de forces entre la performativitat del subjecte líric i la recerca de la seva pròpia subjectivitat. Aquesta crisi del subjecte i la impossibilitat de restituir una relació unilateral respecte a l’Altre, cobren una especial rellevància quan el motor o força que activa la relació d’alteritat és el moviment que impulsa el jo fora de les seves pròpies estructures per atènyer l’altre/a (subjecte desitjat) o absorbir-lo: el desig. La segona part del primer capítol està destinada a definir les aproximacions teòriques sobre la representació del desig —encercades en un posicionament postestructuralista conjuminat amb la crítica literària feminista—, que ens permeten assentar les coordenades interpretatives per portar a terme l’estudi de la formalització de tres subjectes lírics que cerquen en l’escriptura el seu propi esdevenir com a subjectes desitjants. Així és que al llarg del segon capítol hem interrogat les tres poètiques resseguint els espais comuns erigits en la nostra proposta de marc interpretatiu. Per fer-ho, ens hem centrat en Les dones i els dies de Gabriel Ferrater, amb especial èmfasi a “Teoria dels cossos”. En el cas de Maria-Mercè Marçal, hem estudiat exhaustivament el primer poemari que inaugura l’escriptura del desig lèsbic, Terra de Mai, tot establint una contigüitat temàtica amb “Sang presa” (dins de La germana, l’estrangera). I, finalment, hem resseguit la poesia d’Enric Casasses d’una forma transversal, a partir de les obres més significatives entorn al subjecte de recerca, com ara La cosa aquella, “Alquímia d’amor” (dins de Començament dels començaments i ocasió de les ocasions), D’equivocar-se així, Calç i, sobretot, Do’m. Drama en tres actes. Primer de tot, hem definit les coordenades del subjecte desitjant en relació amb el subjecte del desig, la qual cosa ens ha exigit l’anàlisi de l’enunciació del jo líric, respectivament. La recerca de les directrius fundacionals de les subjectivitats líriques —actives des del moment en què sorgeix la demanda del desig (implícita o explícita)―, han fet palesa, progressivament, la problemàtica suficiència ontològica del subjecte que deriva, al seu torn, de l’encontre amb l’altre/a. Així hem arribat a mesurar la distància inexorable que separa el jo del tu, amb resultats ben diferents. Ferrater, que anihila sorprenentment el subjecte líric, ha estat el primer port d’una singladura que, en arribar a Marçal, ens ha permès conèixer la continuïtat del ser: el despertar del desig és l’origen de la individuació dels subjectes agents del plaer en detriment de la compleció identitària. I hem navegat, finalment, fins a Casasses, qui defensa al llarg de la seva obra una individuació com a centre ètic de l’acte amorós. En una segona part, hem estudiat la representació de l’altre/a en cada corpus poètic. En el cas de Ferrater, les dones no només activen l’alteritat eroticoamorosa concreta en cada poema, sinó que, des d’un punt de vista metapoètic, esdevenen constitutives de la subjectivitat lírica en la recerca de la identitat que té lloc al llarg de Les dones i els dies. Partint de la figura de “Teseu”, poema que emmiralla i significa el procés d’escriptura poètica, hem explorat la formalització del desig en funció de les diferents representacions de la dona en paral•lel amb les posicions enunciatives del jo líric. Al llarg d’aquest recorregut, la representació del cos del desig (la fragmentació, la carícia, la mirada, etc.) i l’espai on aquest cos s’esdevé (la cambra), han estat els dos epicentres mitjançant els quals hem conclòs que la dona es presenta com un cos resistent que guia el jo líric a negar, paradoxalment, el mateix desig. La impossibilitat de satisfer el desig es manifesta, així, amb una reformulada pèrdua dels límits del subjecte desitjant. En els versos marçalians el desig emergeix com un gran torrent que arrossega al jo líric a mesurar-se en la distància que la separa de l’altra. A partir de l’altra especular, les primeres sextines de Terra de mai obren un nou ordre del jo i del tu en el discurs amorós: l’equivalència física dels cossos amants/amats extrema la fusió tant física com amorosa que es convertirà en l’acció transformadora i afirmativa de la identitat. Amb això, Marçal desarticula la gestió fal•logocèntrica del desig i l’ubica com una categoria des de la qual emprèn la construcció d’una subjectivitat lírica femenina i lèsbica. En aquest sentit, mitjançant la presència nítida d’una exploració i reconstrucció del cos de dona albirat des del desig homoeròtic, la poeta desplega la renovació d’una simbologia eròtica que configura un cosmos corporal totalment nou: cossos d’aigua i sang. Marçal busca en els fluids corporals femenins (l’aigua, la sang menstrual, la sang del trau o, fins i tot, el vòmit), la transposició dels marges corporals als textuals, convertint el poema no en un paral•lel verbal de l’experiència del desig sinó en un paral•lel corporal. En un primer moment, la representació de l’altra és indissociable de les imatges especulars (aigua o mirall). Aquesta és la fase de continuïtat, de la compleció identitària a través de l’experiència de la jouissance, i està constituïda per tres eixos: la confusió dels límits entre el jo i la seva altra, la fusió de les dues subjectivitats i l’afirmació de la unicitat amb el verb “som”. A continuació, hem resseguit com aquest “ser u” es trenca a mesura que el jo poètic es va singularitzant. Aquest segon moment és on el desig irromp al llenguatge del plaer i es converteix en una passió altament destructiva. La dissimilació amb el tu i la nostàlgia de la “fal•laç utopia d’una fusió absoluta” bolquen el poema cap a un jo poètic mutilat, que cerca un cos absent i l’espai de plenitud d’un subjecte líric que es troba irreparablement ferit (“Sang presa”). La poesia de Casasses trava la representació de l’altre amorós en la modalitat dialògica dels versos (el parlar). El fenomen de l’enunciació poètica casassiana s’emmarca en unes estructures poemàtiques que invoquen, des de l’origen, el Tu, apel•lant, així, al problema estrictament postmodern de la unicitat del jo líric i de la identitat en el procés d’escriptura. Atès això, el poema es convertirà en un dir ofert a l’Altre com a demanda del llenguatge, motiu pel qual el desig emergeix com a motor de l’escriptura poètica. Abans d’endinsar-nos específicament a l’eclosió del Tu en tant que altre amorós, ha calgut esclarir les coordenades generals del Tu en majúscules per esbossar els trets fonamentals de la significació poètica. Així, doncs, hem analitzat com es despleguen els diferents tu en l’enunciació, ja sigui quan aquest refereix al lector o a la poesia (recursos metapoètics), quan correspon a l’amor/desig (governador del subjecte de l’escriptura) i, finalment, quan el tu condensa l’altre amorós (amor particular). En aquest darrer cas, hem proposat una possible escala de transcendència del tu respecte al jo líric: d’un tu amorós totalitzador (la lluna) fins al subjecte del desig, la dona. Paral•lelament, la representació de l’amada és indissociable del concepte d’emoció lírica creada a través de la modelització del dir del jo poètic. Per aquest fet, hem classificat la irrupció del subjecte desitjat en diferents graus de referencialitat: el “tu” present, el “tu” absent i el “tu” de destinació. En un tercer apartat, hem intentat respondre a una de les grans problemàtiques que giren entorn a les escriptures del desig: és possible la seva representació? Ferrater ens enfronta davant de l’indicible. La poètica ferrateriana se situa en un distanciament deliberat de les emocions, la qual cosa circumscriu l’expressió del desig en el marc d’allò incomunicable de l’experiència. Consegüentment, hem abordat la formalització del desig a través del concepte d’imaginació tot analitzant com el poeta aconsegueix elevar l’energia emotiva del llenguatge a partir de les relacions entre la paraula i els seus absents, i com això ens permet parlar del poema en tant que matèria-emoció. Així mateix, hem conclòs que Ferrater captura l’indicible en el text jugant amb els límits representatius del llenguatge. Per abordar les escriptures del desig marçaliana i casassiana hem recorregut als plecs de la matèria-emoció encarats a l’écart: la fractura de l’epidermis del poema causada per l’erupció de la vida corporal, pulsional i afectiva del subjecte de l’escriptura. El ritme pulsional del desig (escena d’escriptura i escena amorosa) i la veu (poiesis) es converteixen en els fonaments de la construcció d’unes subjectivitats líriques que s’inscriuen en una posició femenina, allà on el cos amb estat d’apetència cerca la continuïtat en l’escriptura. Concretament, hem resseguit la formalització de l’absència de l’altra en els versos de Marçal, la qual recorre a figuracions com l’espera, el buit, la desfeta del mirall, l’assassinat dels cossos en plenitud, entre altres imatges que activen el salt de l’eros al thanatos; així com, també, les estructures interrogatives que signifiquen la impossibilitat d’experimentar el desig del desig de l’altra. Respecte a l’obra de Casasses, el poeta troba en la forma dramàtica el mitjà idoni per experimentar les possibilitats de la representació del desig: Do’m. Mitjançant una exegesi detallada del drama, hem pogut concloure que, tal com postula Barthes, l’única construcció textual possible d’allò amorós es troba en formular el que té d’intractable, i això només es pot representar a partir de l’acció mateixa. Talment, Casasses porta a l’extrem la modalitat dialògica pròpia de la seva poesia per escenificar l’encontre amorós i la construcció in progress del subjecte desitjant a través del dir-se l’amor. Finalment, la investigació intenta oferir una resposta al voltant de la conjunció desig, subjectivitat lírica i identitat. Aquestes tres coordenades ens permeten elevar les diferents representacions del desig a l’alçada de les millors poètiques contemporànies. L’ètica i l’estètica ferrateriana es congreguen en l’espai de l’erotisme moral. Ferrater concep el vers com un mètode fenomenològic a través del qual inscriu una actitud poètica que no es pot pensar sense la formalització del subjecte desitjant. Atès això, amb Les dones i els dies s’inaugura la categoria del desig en relació amb els límits d’expressió del subjecte líric. Marçal obre les portes a l’espai literari femení i lèsbic amb una escriptura poètica creadora de nous àmbits per a l’expressió del desig. La cerca d’un nou ordre simbòlic en el llenguatge poètic està estretament vinculada amb la construcció d’una subjectivitat tant política com poètica, un dels trets principals de la qual és la reivindicació i afirmació del plaer sexual femení. D’aquesta manera, el desig a l’obra de la poeta és portador d’una actitud i praxi política que troba la seva màxima expressió en la conquesta d’una llengua abolida. Per acabar, Casasses invoca l’espai de la paraula viva per articular l’acompliment de la funció poètica. A través de la poesia recitada, ja sigui des d’un punt de vista teòric com en la seva performance escènica, construeix una nova i fundacional experiència poètica que troba el seu paral•lel amb l’experiència amorosa. En aquest nou espai de circulació de la paraula poètica hi situa una subjectivitat lírica fundada en el moviment ètic cap a l’altre encarnat en el cos, la veu i el ritme.

Personality and personality disorders in urban and rural Africa: results from a field trial in Burkina Faso

When conducting research in different cultural settings, assessing measurement equivalence is of prime importance to determine if constructs and scores can be compared across groups. Structural equivalence implies that constructs have the same meaning across groups, metric equivalence implies that the metric of the scales remains stable across groups, and full scale or scalar equivalence implies that the origin of the scales is the same across groups. Several studies have observed that the structure underlying both normal personality and personality disorders (PDs) is stable across cultures. Most of this cross-cultural research was conducted in Western and Asian cultures. In Africa, the few studies were conducted with well-educated participants using French or English instruments. No research was conducted in Africa with less privileged or preliterate samples. The aim of this research was to study the structure and expression of normal and abnormal personality in an urban and a rural sample in Burkina Faso. The sample included 1,750 participants, with a sub-sample from the urban area of Ouagadougou (n = 1,249) and another sub-sample from a rural village, Soumiaga (n = 501). Most participants answered an interview consisting of a Mooré language adaptation of the Revised NEO Personality Inventory and of the International Personality Disorders Examination. Mooré is the language of the Mossi ethnic group, and the most frequently spoken local language in Burkina Faso. A sub-sample completed the same self-report instruments in French. Demographic variables only had a small impact on normal and abnormal personality traits mean levels. The structure underlying normal personality was unstable across regions and languages, illustrating that translating a complex psychological inventory into a native African language is a very difficult task. The structure underlying abnormal personality and the metric of PDs scales were stable across regions. As scalar equivalence was not reached, mean differences cannot be interpreted. Nevertheless, these differences could be due to an exaggerated expression of abnormal traits valued in the two cultural settings. Our results suggest that studies using a different methodology should be conducted to understand what is considered, in different cultures, as deviating from the expectations of the individual's culture, and as a significant impairment in self and interpersonal functioning, as defined by the DSM-5.

Esimodernin yksilön rakentuminen suomalaisessa taikaperinteessä

Kirja-arvio

Subjectively adapted high capacity lossless image data hiding based on prediction errors

This article reports on a lossless data hiding scheme for digital images where the data hiding capacity is either determined by minimum acceptable subjective quality or by the demanded capacity. In the proposed method data is hidden within the image prediction errors, where the most well-known prediction algorithms such as the median edge detector (MED), gradient adjacent prediction (GAP) and Jiang prediction are tested for this purpose. In this method, first the histogram of the prediction errors of images are computed and then based on the required capacity or desired image quality, the prediction error values of frequencies larger than this capacity are shifted. The empty space created by such a shift is used for embedding the data. Experimental results show distinct superiority of the image prediction error histogram over the conventional image histogram itself, due to much narrower spectrum of the former over the latter. We have also devised an adaptive method for hiding data, where subjective quality is traded for data hiding capacity. Here the positive and negative error values are chosen such that the sum of their frequencies on the histogram is just above the given capacity or above a certain quality.

Behavioral changes in brain-injured critical care adults with different levels of consciousness during nociceptive stimulation: an observational study.

PURPOSE: The primary objective of this study was to describe the frequency of behaviors observed during rest, a non-nociceptive procedure, and a nociceptive procedure in brain-injured intensive care unit (ICU) patients with different levels of consciousness (LOC). Second, it examined the inter-rater reliability and discriminant and concurrent validity of the behavioral checklist used. METHODS: The non-nociceptive procedure involved calling the patient and shaking his/her shoulder. The nociceptive procedure involved turning the patient. The frequency of behaviors was recorded using a behavioral checklist. RESULTS: Patients with absence of movement, or stereotyped flexion or extension responses to a nociceptive stimulus displayed more behaviors during turning (median 5.5, range 0-14) than patients with localized responses (median 4, range 0-10) or able to self-report their pain (median 4, range 0-10). Face flushing, clenched teeth, clenched fist, and tremor were more frequent in patients with absence of movement, or stereotyped responses to a nociceptive stimulus. The reliability of the checklist was supported by a high intra-class correlation coefficient (0.77-0.92), and the internal consistency was acceptable in all three groups (KR 20, 0.71-0.85). Discriminant validity was supported as significantly more behaviors were observed during nociceptive stimulation than at rest. Concurrent validity was confirmed as checklist scores were correlated to the patients' self-reports of pain (r s = 0.53; 95 % CI 0.21-0.75). CONCLUSION: Brain-injured patients reacted significantly more during a nociceptive stimulus and the number of observed behaviors was higher in patients with a stereotyped response.

La Multimetodología autobiográfica extendida y los fondos de identidad

The main goal of this article is to illustrate a way of detecting identity foundations in people using extended autobiographical multi-methodology as a qualitative approach that combines different techniques to study the narrative construction of identity. There are four groups of techniques: 1) in-depth interviews; 2) the revised self-portrait technique; 3) the analysis of artifacts, routines and ways of living, and 4) “psycho-geographical maps.” “Identity foundations” are understood as a set of resources (toolbox) that have been historicallyaccumulated, culturally developed and socially distributed and transmitted, which are essential for defining and presenting oneself. Two examples are provided that illustrate how to use this methodological approach to achieve the aforementioned objective. In conclusion, the study recommends taking into account the explicit and implicit, underlying cultural forces involved in constructing human identity

Endovascular treatment of symptomatic intracranial arterial stenosis: six-year experience in a single-center series of 42 consecutive patients with acute and mid-term results.

BACKGROUND: The limitations of the medical management of symptomatic intracranial arterial stenosis encourage the development of new therapeutic strategies such as intracranial stenting. OBJECTIVE: To report and analyze the results of a series of 42 patients treated with 3 different endovascular techniques: isolated angioplasty, balloon-expandable coronary stents, and the Wingspan self-expandable intracranial stent system. METHODS: Forty-two patients presenting with symptomatic intracranial arterial stenosis were treated with one of these techniques. Computed tomography angiography was performed 6 months after the procedure, and the clinical neurological statuses were categorized using the modified Rankin Scale and the National Institutes of Health Stroke Scale. RESULTS: A total of 42 lesions were treated: 9 with isolated angioplasty, 14 with balloon-expandable coronary stents, and 19 with Wingspan self-expandable intracranial stents. The mean patient age was 62.9 years, and the mean arterial diameter stenosis was 73.9%. Technical success was achieved in 97.6% of the patients. The overall incidence of procedural complications was 21.4%, and the postoperative permanent morbidity/mortality rate was 7.1%. There were 3 cases of in-stent thrombosis (1 fatal) and 5 cases of asymptomatic restenosis (11.9%), 3 in the isolated angioplasty group and 2 in the Wingspan self-expandable intracranial stent group (mean follow-up 20.4 months). The rate of restenosis was higher in the angioplasty group (33%) than in the coronary (0%) and Wingspan stent (10.5%) groups. CONCLUSION: Endovascular treatment of symptomatic intracranial stenosis has significant overall morbidity and mortality rates. Nevertheless, the very critical natural history of severe refractory lesions and the relatively favorable postoperative evolution suggest that it should be considered the first alternative strategy in cases in which medical therapy has failed.