Mike Wallace in television studio, early in career

inscribed on back "Return to Roy Brunett" - name of photographer?

Video program distribution and cable television : current policy issues and recommendations.

"June 1988."

Television in our schools, the report of a seminar on inschool telecasting.

Mode of access: Internet.

Procès du maréchal Bazaine: rapport, audiences du premier conseil de guerre. Compte rendu rédigé avec l'adjonction de notes explicatives. Par Amédée le Faure.

Vol. 3 has t.p. : Procès du maréchal Bazaine, rapport complet du général de Rivière.

High blood pressure control : information and education strategies for messages to public and patient audiences.

Cover title.

The audiences of 5 magazines: size, characteristics, possessions.

"Supplement. Readers per dollar figures based on publisher's 1963 one-time black & white page rates": (20 p.) inserted.

Interrogation of Gender Identity: Aesthetic Consumption of Korean Television Dramas by Young Women in China

Given the popularity of Korean television dramas among various age groups in other countries, one would expect to see a similar pattern of consumption across different ages in China. Instead, we see high levels of consumption of Korean dramas by a very specific demographic. Why do young Chinese females consume Korean dramas at such high levels? I argue that young Chinese women’s heavy consumption of Korean dramas that portray a particular aesthetic of self and familial resolution may be explained by a need to redress contemporary psychological issues related to gendered self-identity. I posit that the identity formation processes of this particular demographic has been shaped by changes in family dynamics that stem from social and political restructuring in the 1980s, particularly the one-child policy. Thus, this thesis explores how the consumption of Korean dramas by young females in China may be understood as an implicit interrogation of gendered identity.

Astronauts as Audiences: Characteristics of the First Space Communities

The United States National Aeronautics and Space Administration (NASA) publishes data (2003) which includes the name, gender, town of birth, education and some interests of almost every astronaut who has been launched into space by the dominant space explorer, the United States. This list identifies astronauts form the United States, the former USSR and its subsequently independent states, Europe, Australia and Asian participants. Our analysis of this data, we suggest, revealed the most likely characteristics of the members of the first communities in space. This led us to think about these communities as "audiences," just as earthbound communities have been grouped into audience, or "market," segments by media companies.