Rubáiyát : English, French, German, Italian, and Dutch translations comparatively arranged in accordance with the text of Edward Fitzgerald's version, with further selections, notes, biographies, bibliographies, and other material,

Mode of access: Internet.

Decoration of the school and home /

Mode of access: Internet.

Handbook of housekeeping [microform] : a complete "house" course : comprising The house, its plan, decoration and care /

Each part previously issued separately.

A general dictionary of painters; containing memoirs of the lives and works of the most eminent professors of the art of painting, from its revival by Cimabue, in the year 1250, to the present time.

Mode of access: Internet.

Interior decoration, its principles and practice.

Mode of access: Internet.

Dutch N. W. New Guinea. A contribution to the phytogeography and flora of the Arfak mountains, & c.

"Read before the Newcastle meeting of the British Association for the Advancement of Science, September, 1916."

Dutch painters of the nineteenth century. With biographical notices.

Mode of access: Internet.

The Dutch colonial house; its origin, design, modern plan and construction;

Mode of access: Internet.

The house dignified; its design, its arrangement and its decoration,

Mode of access: Internet.

Ceilings and their decoration;

Mode of access: Internet.

The merchant's polyglot manual, in nine languages: English, German, Dutch, Swedish, Danish and Norwegian, French, Italian, Spanish, Portuguese.

Mode of access: Internet.

A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century /

"Biographies of the authors": v. 1, p. ix-xviii.

History of ancient, early Christian, and mediæval painting /

Volume 2 has title: History of painting.

The two paths; being lectures on art and its application to decoration and manufacture, delivered in 1858-9,

Mode of access: Internet.

The two paths : being lectures on art, and its application to decoration and manufacture, delivered in 1858-9 /

I. The deteriorative power of conventional art over nations -- II. The unity of art -- III. Modern manufacture and design -- IV. Influence of imagination in architecture -- V. The work of iron in nature, art and policy.