La formación profesional dentro de la idea de François Mitterrand de un espacio social europeo (1981-1984).

Monográfico sobre historia de la formación profesional en Eupopa. Resumen tomado parcialmente de la publicación

“Les petits renards qui détruisent la Vigne du Seigneur Sabaoth”. Innocent III et le Cantique des cantiques

This article examines medieval interpretations of the Song of Songs and their appearance in the correspondence of one of the greatest popes of the High Middle Ages: Innocent III (1198-1216). Innocent III’s depiction of heretics in the south of France as ‘the little foxes which destroy the vineyard of the Lord of Hosts’ was not unprecedented: decades earlier Saint Bernard of Clairvaux had also likened the ‘little foxes’ to heretics in his sermons. Bernard’s renown both as mystical theologian and tireless political advocate of the papacy meant that Innocent is likely to have drawn on such sermons for inspiration when composing his correspondence to the Christian faithful. Innocent’s references to the Song of Songs also provide conclusive evidence that a significant number of his letters have a highly personal flavour and that we really can discern a pope’s own ‘voice’ through his correspondence.

Coloman Schmidt als Masaniello, Rollenbild, in: Daniel François Esprit Auber: La Muette de Portici

Signatur des Originals: S 36/F01750

Quya, Figurine, in: Daniel-François-Esprit Auber: Le Dieu et la bayadère

Signatur des Originals: S 36/G10188

Henriette Sontag als Anna, Rollenbild, Brustbild, in: François Adrien Boieldieu: La dame blanche

Signatur des Originals: S 36/G02269

Henriette Sontag als Anna, Rollenbild, Brustbild, in: François Adrien Boieldieu: La dame blanche

Signatur des Originals: S 36/G02270

Marie Taglioni als Zoloé, Rollenbild, in: Daniel-François-Esprit Auber: Le dieu et la bayadére

Signatur des Originals: S 36/G12338

Michel François Hoguet, Sophie Dumilâtre, Rollenbild, Doppelbildnis, in: Le diable à quatre, ou La double métamorphose

Signatur des Originals: S 36/G12619

Grard als Ferdinand VI., zwei Rollenbilder, in: Daniel-François-Esprit Auber: La part du diable

Signatur des Originals: S 36/G12642